Claude Choublier
- Writer
- 3 on MovieCove
What are Claude Choublier's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Bonds.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 0 · Serious 0 · Dark 3
Grounded 1 · Stylized 1 · Heightened 1
Gentle 0 · Charged 2 · Intense 1
Steady 0 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 0 · Heavy 3
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Claude Choublier's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Claude Choublier's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
The Game Is Over(1966)
Midcredits score: 36th percentile of all films
Vice and Virtue(1963)
Midcredits score: 45th percentile of all films
Love on a Pillow(1962)
Midcredits score: 31st percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1962 to 1966.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Claude Choublier's films land?
Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 25th to 49th3
Shape of the crowd
3 of their 3 titles are Mixed.
- Mixed3
Reviewers score the dialogue 42/100 and the plot and story 41/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Claude Choublier work with?
People who share at least 2 of Claude Choublier's MovieCove titles, grouped by what they did on them; Roger Vadim shares the most, 3.
Directors
- Roger VadimShared titles: The Game Is Over (1966), Vice and Virtue (1963), Love on a Pillow (1962)See all 3 shared titles with Roger Vadim
Actors
- Robert HosseinShared titles: Vice and Virtue (1963), Love on a Pillow (1962)See all 2 shared titles with Robert Hossein
Composers and editors
- Victoria MercantonShared titles: The Game Is Over (1966), Vice and Virtue (1963), Love on a Pillow (1962)See all 3 shared titles with Victoria Mercanton
- Michel MagneShared titles: Vice and Virtue (1963), Love on a Pillow (1962)See all 2 shared titles with Michel Magne
