Robert Hossein was a French film actor of Parsi origin, director and writer. He directed the 1982 adaption of Les Misérables, and appeared in Vice and Virtue, Le Casse, Les Uns et les Autres and Venus Beauty Institute. His most recent roles include starring as Michèle Mercier's husband in the Angélique series and as a Catholic priest who falls in love with Claude Jade and becomes a communist in Prêtres interdits (Forbidden Priests) in 1973. Hossein started directing films in 1956 with Les salauds vont en enfer from a story by Frédéric Dard whose novels and plays went on to furnish Hossein with much of his later film material. Right from the start Hossein established his characteristic trademarks: using a seemingly straightforward suspense plot and subverting its conventions (sometimes to the extent of a complete disregard of the traditional demand for a final twist or revelation) in order to concentrate on ritualistic relationships. This is the director's running preoccupation which is always stressed in his films by an extraordinary command of film space and often striking frame compositions where the geometry of human figures and set design is used to accentuate the psychological set-up of the scene. The mechanisms of guilt and the way it destroys relationships is another recurring theme, presumably influenced by Hossein's lifelong interest in the works of Dostoyevski. Although Hossein had some modest international successes with films like Toi, le venin and Le vampire de Dusseldorf, he was much singled out for scorching criticism by the critics and followers of the New Wave for the unashamedly melodramatic frameworks of his films. The fact that he was essentially an auteur director with a consistent set of themes and an extraordinary mastery of original and unusual approaches to staging his stories, was never appreciated. He was not averse to trying his hand at widely different genres and was never defeated, making the strikingly different spaghetti western Une corde, un Colt and the low-budgeted but daringly subversive period drama J'ai tué Raspoutine. However, because of the lack of wider success and continuing adverse criticism, Hossein virtually ended his film directing career in 1970, having concentrated on theatre where his achievements were never questioned, and subsequently returning to film directing only twice. With two or three exceptions, his films remain commercially unavailable and very difficult to see. He is the son of André Hossein a Zoroastrian French composer of Azerbaijani-Tajik descent, and a Jewish comedy actress from Kiev. He was married three times: first to Marina Vlady (he has two sons with her, Pierre and Igor), later to Caroline Eliacheff (with whom he has a son, Nicholas). He is currently married to actress Candice Patou, with whom he has one son, Julien. According to an article written by Emannuel Peze, Hossein experienced a conversion to Catholicism in 1971 during a visit to the Marian apparition at San Damiano in Lombardo Italy. Description above from the Wikipedia article Robert Hossein, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- December 30, 1927
- December 31, 2020 (aged 93)
- Paris, France
- Actor, director and writer
- 39 on MovieCove · 113 credits in all
What are Robert Hossein's films like?
Across their 34 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 3 · Wry 2 · Earnest 29
A split, not a type: Light 10 · Serious 5 · Dark 19
Grounded 9 · Stylized 17 · Heightened 8
Gentle 3 · Charged 20 · Intense 11
Steady 13 · Shifting 19 · Whiplash 2
Straight-faced 22 · Some laughs 10 · Funny 2
Slow burn 15 · Even-paced 17 · Relentless 2
Casual 11 · Engaged 21 · Full focus 2
Easy watch 9 · Affecting 15 · Heavy 10
Resolved 27 · Open-ended 3 · Ambiguous 4
Roles they play
Usually the Shadow: 8 of 21 analyzed roles.
Show the 21 rolesHide the roles
- Heroas Pierre Rossi in The Road to Shame (1959)
- Heroas Perez in The Taste of Violence (1961)
- Allyas Sergent François-Joseph Lefebvre in Madame (1961)
- Shadowas Renaud Sarti in Love on a Pillow (1962)
- Shadowas SS Colonel Erik Schörndorf in Vice and Virtue (1963)
- Shadowas Dr. Guna Sinn in Shadow of Evil (1964)
- Shapeshifteras Jeoffrey de Peyrac in Angélique (1964)
- Shadowas Prince Nayam in Marco the Magnificent (1965)
- Shadowas Marcel in Le tonnerre de Dieu (1965)
- Shadowas Peter Kuerten in The Secret Killer (1965)
- Allyas Capitaine Alcibiade in Madamigella di Maupin (1966)
- Allyas Carnot in La longue marche (1966)
- Shadowas Dr. J. Ben Saadi in OSS 117 Murder for Sale (1968)
- Allyas Jeoffrey de Peyrac in Angelique and the Sultan (1968)
- Heroas Manuel in Cemetery Without Crosses (1969)
- Allyas Tian in Crime Thief (1969)
- Allyas Ralph in The Burglars (1971)
- Heroas L'abbé Jean Rastaud in Forbidden Priests (1973)
- Heroas Simon Meyer in Bolero (1981)
- Heroas Paul Haslans in L'affaire (1994)
- Shadowas Boris Volkoff in The Wax Mask (1997)
Moods and endings
- Happy10
- Bittersweet10
- Tragic7
- Ambiguous7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Hossein's films?
As of October 24, 2026, 13 of their 39 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Robert Hossein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
113 credits, 39 with a MovieCove page; 26 appearances as themselves are hidden until asked for.

Picking Strawberries (not in the MovieCove catalog yet)(2025)

Belmondo: The Incorrigible (not in the MovieCove catalog yet)(2022)

Love Is Better Than Life (not in the MovieCove catalog yet)(2022)

Noni : Le Fruit de l'espoir (not in the MovieCove catalog yet)(2020)

Une femme nommée Marie (not in the MovieCove catalog yet)(2011)

A Man and His Dog(2008)
Midcredits score: 45th percentile of all films
Midcredits score: 75th percentile of all shows
La disparue de Deauville(2007)
Midcredits score: 13th percentile of all films
Petits Meurtres en famille (not in the MovieCove catalog yet)(2006)

Le Juge (not in the MovieCove catalog yet)(2005)

San Antonio (not in the MovieCove catalog yet)(2004)

Antigone (not in the MovieCove catalog yet)(2003)

Scandalous Crimes (not in the MovieCove catalog yet)(1999)

Venus Beauty Institute(1999)
Midcredits score: 53rd percentile of all films
The Wax Mask(1997)
Midcredits score: 34th percentile of all films
Les Misérables(1995)
Midcredits score: 88th percentile of all films
L'affaire(1994)
Midcredits score: 1st percentile of all films (provisional, few ratings)
Stranger in the House (not in the MovieCove catalog yet)(1992)

Le Gorille (not in the MovieCove catalog yet)(1990)

Cyrano de Bergerac (not in the MovieCove catalog yet)(1990)

Children of Chaos (not in the MovieCove catalog yet)(1989)

Kean (not in the MovieCove catalog yet)(1988)
La croisade des enfants (not in the MovieCove catalog yet)(1988)

Levy & Goliath (not in the MovieCove catalog yet)(1987)
Midcredits score: 37th percentile of all films
Le Caviar rouge (not in the MovieCove catalog yet)(1986)

Surprise Party (not in the MovieCove catalog yet)(1983)

Les Misérables(1982)
Midcredits score: 86th percentile of all films
The Big Pardon(1982)
Midcredits score: 43rd percentile of all films
The Professional(1981)
Midcredits score: 90th percentile of all films
Bolero(1981)
Midcredits score: 87th percentile of all films
Démons de midi (not in the MovieCove catalog yet)(1979)
Henry James Stories (not in the MovieCove catalog yet)(1976)

Hernani (not in the MovieCove catalog yet)(1975)

The Phoney (not in the MovieCove catalog yet)(1975)

The Protector (not in the MovieCove catalog yet)(1974)

Le Tour d'Écrou (not in the MovieCove catalog yet)(1974)

Forbidden Priests(1973)
Midcredits score: 50th percentile of all films
A Police Officer Without Importance (not in the MovieCove catalog yet)(1973)
Midcredits score: 17th percentile of all films
A Murder Is a Murder (not in the MovieCove catalog yet)(1972)

Hellé (not in the MovieCove catalog yet)(1972)

The Burglars(1971)
Midcredits score: 71st percentile of all films
The Lion's Share (not in the MovieCove catalog yet)(1971)

Judge Roy Bean(1971)
Midcredits score: 7th percentile of all films (provisional, few ratings)
Falling Point (not in the MovieCove catalog yet)(1970)

Versatile Lovers (not in the MovieCove catalog yet)(1970)

Time of the Wolves (not in the MovieCove catalog yet)(1970)

The Conspirators (not in the MovieCove catalog yet)(1969)

Desert Assault (not in the MovieCove catalog yet)(1969)

Crime Thief(1969)
Midcredits score: 34th percentile of all films
The Scarlet Lady (not in the MovieCove catalog yet)(1969)

Misdeal (not in the MovieCove catalog yet)(1969)

Life Love Death (not in the MovieCove catalog yet)(1969)

Cemetery Without Crosses(1969)
Midcredits score: 70th percentile of all films
The Battle of El Alamein(1969)
Midcredits score: 20th percentile of all films
Midcredits score: 99th percentile of all films
Tender Moment (not in the MovieCove catalog yet)(1968)

OSS 117 Murder for Sale(1968)
Midcredits score: 20th percentile of all films
Angelique and the Sultan(1968)
Midcredits score: 59th percentile of all films
A Little Virtuous (not in the MovieCove catalog yet)(1968)

Untamable Angelique(1967)
Midcredits score: 64th percentile of all films
Lamiel (not in the MovieCove catalog yet)(1967)

The Man Who Betrayed the Mafia (not in the MovieCove catalog yet)(1967)

J'ai tué Raspoutine(1967)
Midcredits score: 18th percentile of all films
La Musica (not in the MovieCove catalog yet)(1967)

Brigade Anti Gangs (not in the MovieCove catalog yet)(1966)

La longue marche(1966)
Midcredits score: 41st percentile of all films (provisional, few ratings)
The Other Truth (not in the MovieCove catalog yet)(1966)

Angelique and the King(1966)
Midcredits score: 68th percentile of all films
Madamigella di Maupin(1966)
Midcredits score: 38th percentile of all films
Le tonnerre de Dieu(1965)
Midcredits score: 66th percentile of all films
Marco the Magnificent(1965)
Midcredits score: 20th percentile of all films
Le commissaire mène l’enquête (not in the MovieCove catalog yet)(1965)

The Secret Agents(1965)
Midcredits score: 23rd percentile of all films
The Secret Killer(1965)
Midcredits score: 62nd percentile of all films
Angélique(1964)
Midcredits score: 73rd percentile of all films
Marked Eyes (not in the MovieCove catalog yet)(1964)

Why Paris? (not in the MovieCove catalog yet)(1964)

Shadow of Evil(1964)
Midcredits score: 33rd percentile of all films
Death of a Killer (not in the MovieCove catalog yet)(1964)

Highway Pick-Up (not in the MovieCove catalog yet)(1963)

In the Midst of Life (not in the MovieCove catalog yet)(1963)
Of Flesh and Blood (not in the MovieCove catalog yet)(1963)

Vice and Virtue(1963)
Midcredits score: 45th percentile of all films
Enough Rope (not in the MovieCove catalog yet)(1963)

Love on a Pillow(1962)
Midcredits score: 31st percentile of all films
Paris Pick-Up (not in the MovieCove catalog yet)(1962)

Hitch-Hike (not in the MovieCove catalog yet)(1962)

Madame(1961)
Midcredits score: 40th percentile of all films
The Game of Truth (not in the MovieCove catalog yet)(1961)

The Taste of Violence(1961)
Midcredits score: 70th percentile of all films
The Menace (not in the MovieCove catalog yet)(1961)

The Wretches (not in the MovieCove catalog yet)(1960)

Take Me As I Am (not in the MovieCove catalog yet)(1960)

The Verdict (not in the MovieCove catalog yet)(1959)

Double Agents (not in the MovieCove catalog yet)(1959)

Riff Raff Girls (not in the MovieCove catalog yet)(1959)

The Road to Shame(1959)
Midcredits score: 47th percentile of all films
Blonde in a White Car (not in the MovieCove catalog yet)(1959)

Provisional Liberty (not in the MovieCove catalog yet)(1958)

Young Girls Beware (not in the MovieCove catalog yet)(1957)

No Sun in Venice (not in the MovieCove catalog yet)(1957)

Crime and Punishment (not in the MovieCove catalog yet)(1956)

Forgive Our Trespasses (not in the MovieCove catalog yet)(1956)

The Wicked Go to Hell (not in the MovieCove catalog yet)(1955)

Rififi(1955)
Midcredits score: 98th percentile of all filmsSérie noire (not in the MovieCove catalog yet)(1955)

Quai des blondes (not in the MovieCove catalog yet)(1954)

Maya (not in the MovieCove catalog yet)(1949)

In the Eyes of Memory (not in the MovieCove catalog yet)(1948)

Sextette (not in the MovieCove catalog yet)(1948)

The Devil Who Limped (not in the MovieCove catalog yet)(1948)
Career shape
Star power in the 98th percentile of 239,109 people with a billed film role, over a full career of 113 titles from 1948 to 2025; peak year 1981.

Biggest box office
The Taste of Violence (1961)

Highest rated
Rififi (1955)

Most popular right now
Angélique (1964)
Film career
Peak 1981 · fewer prominent film roles lately. Top draw in 3 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1955Screen debut· Rififi
- 1981First top-billed film· Bolero
- 1981Career best· Bolero
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Robert Hossein's films land?
Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 38; across their 34 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up7
- 50th to 74th11
- 25th to 49th12
- Below 25th9
Shape of the crowd
16 of their 39 titles are Mixed.
- Universally Loved4
- Universally Panned1
- Crowd Pleaser14
- Broadly Agreed4
- Mixed16
Reviewers score the acting 66/100 in their films, across 26 reviewed titles; fans 75, detractors 41. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Robert Hossein's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Robert Hossein work with?
People who share at least 2 of Robert Hossein's MovieCove titles, grouped by what they did on them; Michel Magne shares the most, 9.
Directors
- Bernard BorderieShared titles: Angelique and the Sultan (1968), Untamable Angelique (1967), Angelique and the King (1966), Angélique (1964)See all 4 shared titles with Bernard Borderie
- Denys de La PatellièreShared titles: Forbidden Priests (1973), Le tonnerre de Dieu (1965), Marco the Magnificent (1965)See all 3 shared titles with Denys de La Patellière

- Roger VadimShared titles: Don Juan, or If Don Juan Were a Woman (1973), Vice and Virtue (1963), Love on a Pillow (1962)See all 3 shared titles with Roger Vadim

- André HunebelleShared titles: OSS 117 Murder for Sale (1968), Shadow of Evil (1964)See all 2 shared titles with André Hunebelle

Writers
- Francis CosneShared titles: Angelique and the Sultan (1968), Untamable Angelique (1967), Angelique and the King (1966), Angélique (1964), Love on a Pillow (1962)See all 5 shared titles with Francis Cosne
- Claude DesaillyShared titles: Cemetery Without Crosses (1969), J'ai tué Raspoutine (1967), The Secret Killer (1965), The Taste of Violence (1961)See all 4 shared titles with Claude Desailly
- Anne GolonShared titles: Angelique and the Sultan (1968), Untamable Angelique (1967), Angelique and the King (1966), Angélique (1964)See all 4 shared titles with Anne Golon
- Pascal JardinShared titles: Angelique and the Sultan (1968), Untamable Angelique (1967), Angelique and the King (1966), Le tonnerre de Dieu (1965)See all 4 shared titles with Pascal Jardin

Actors
- Michèle MercierShared titles: Cemetery Without Crosses (1969), Angelique and the Sultan (1968), Untamable Angelique (1967), Angelique and the King (1966), Le tonnerre de Dieu (1965), Angélique (1964)See all 6 shared titles with Michèle Mercier

- Jean-Louis TrintignantShared titles: The Big Pardon (1982), Crime Thief (1969), La longue marche (1966)See all 3 shared titles with Jean-Louis Trintignant

- Serge MarquandShared titles: Cemetery Without Crosses (1969), Crime Thief (1969), Vice and Virtue (1963)See all 3 shared titles with Serge Marquand

- Philippe LemaireShared titles: Angelique and the King (1966), Angélique (1964), Vice and Virtue (1963)See all 3 shared titles with Philippe Lemaire

Composers, cinematographers and editors
- Michel MagneShared titles: Les Misérables (1982), Don Juan, or If Don Juan Were a Woman (1973), Angelique and the Sultan (1968), Untamable Angelique (1967), Angelique and the King (1966), Angélique (1964), Shadow of Evil (1964), Vice and Virtue (1963), Love on a Pillow (1962)See all 9 shared titles with Michel Magne

- Henri PersinShared titles: Cemetery Without Crosses (1969), Angelique and the Sultan (1968), J'ai tué Raspoutine (1967), Untamable Angelique (1967), Angelique and the King (1966), Angélique (1964)See all 6 shared titles with Henri Persin
- André HosseinShared titles: Les Misérables (1982), Cemetery Without Crosses (1969), J'ai tué Raspoutine (1967), The Secret Killer (1965), The Taste of Violence (1961)See all 5 shared titles with André Hossein
- Christian GaudinShared titles: Angelique and the Sultan (1968), Untamable Angelique (1967), Angelique and the King (1966), Angélique (1964)See all 4 shared titles with Christian Gaudin
Producers
- Raymond BorderieShared titles: Angelique and the Sultan (1968), Untamable Angelique (1967), Angelique and the King (1966), Angélique (1964)See all 4 shared titles with Raymond Borderie

- Maurice JacquinShared titles: Judge Roy Bean (1971), J'ai tué Raspoutine (1967), Le tonnerre de Dieu (1965)See all 3 shared titles with Maurice Jacquin

- Salvatore PersichettiShared titles: Cemetery Without Crosses (1969), Angelique and the Sultan (1968), Untamable Angelique (1967)See all 3 shared titles with Salvatore Persichetti
- Georges de BeauregardShared titles: Forbidden Priests (1973), The Secret Killer (1965)See all 2 shared titles with Georges de Beauregard

