Christian-Jaque (byname of Christian Maudet; 4 September 1904 – 8 July 1994) was a French filmmaker. From 1954 to 1959, he was married to actress Martine Carol, who starred in several of his films, including Lucrèce Borgia (1953), Madame du Barry (1954), and Nana (1955).
Biography from TMDB.
- September 4, 1904
- July 8, 1994 (aged 89)
- Paris, France
- Director and writer, also actor
- 20 on MovieCove · 85 credits in all
What are Christian-Jaque's films like?
Across their 19 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 4 · Wry 2 · Earnest 13
Light 13 · Serious 2 · Dark 4
Grounded 3 · Stylized 12 · Heightened 4
Gentle 7 · Charged 9 · Intense 3
A split, not a type: Steady 11 · Shifting 8 · Whiplash 0
Straight-faced 5 · Some laughs 7 · Funny 7
Slow burn 8 · Even-paced 10 · Relentless 1
Casual 10 · Engaged 9 · Full focus 0
Easy watch 13 · Affecting 2 · Heavy 4
Resolved 18 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy9
- Bittersweet6
- Tragic2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Christian-Jaque's films?
As of October 24, 2026, 4 of their 20 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).
Subscription and free streaming for Christian-Jaque's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
85 credits, 20 with a MovieCove page; 6 appearances as themselves are hidden until asked for.

Fanfan(2003)
Midcredits score: 31st percentile of all films
Carné, l'homme à la caméra (not in the MovieCove catalog yet)(1985)

L'Homme de Suez (not in the MovieCove catalog yet)(1984)

La Nouvelle Malle des Indes (not in the MovieCove catalog yet)(1982)

Achtung Zoll (not in the MovieCove catalog yet)(1980)

Parisian Life (not in the MovieCove catalog yet)(1977)

Doctor Justice (not in the MovieCove catalog yet)(1975)

À vous de jouer Milord (not in the MovieCove catalog yet)(1974)

the famous escapes (not in the MovieCove catalog yet)(1972)
Midcredits score: 25th percentile of all filmsOmer Pacha (not in the MovieCove catalog yet)(1971)

S.O.S. fréquence 17 (not in the MovieCove catalog yet)(1969)

Making of a Lady(1968)
Midcredits score: 23rd percentile of all films
Dead Run(1967)
Midcredits score: 15th percentile of all films
The Saint Lies in Wait(1966)
Midcredits score: 9th percentile of all films
The Other Truth (not in the MovieCove catalog yet)(1966)

The Secret Agents(1965)
Midcredits score: 23rd percentile of all films
Le gentleman de Cocody(1965)
Midcredits score: 20th percentile of all films
Champagne for Savages (not in the MovieCove catalog yet)(1964)

The Black Tulip(1964)
Midcredits score: 67th percentile of all films
Don't Tempt the Devil (not in the MovieCove catalog yet)(1963)

Madame(1961)
Midcredits score: 40th percentile of all films
Love and the Frenchwoman(1960)
Midcredits score: 34th percentile of all films
Babette Goes to War(1959)
Midcredits score: 44th percentile of all films
The Law Is the Law(1958)
Midcredits score: 88th percentile of all films
Midcredits score: 37th percentile of all films
A Girl in a Pocket (not in the MovieCove catalog yet)(1957)

If All the Guys in the World... (not in the MovieCove catalog yet)(1956)

Nana (not in the MovieCove catalog yet)(1955)

Madame du Barry (not in the MovieCove catalog yet)(1954)

Boom on Paris (not in the MovieCove catalog yet)(1954)

Daughters of Destiny (not in the MovieCove catalog yet)(1954)

Lucrèce Borgia(1953)
Midcredits score: 21st percentile of all films
Fanfan la Tulipe(1952)
Midcredits score: 81st percentile of all films
Adorable Creatures (not in the MovieCove catalog yet)(1952)

Bluebeard (not in the MovieCove catalog yet)(1951)

Lost Souvenirs (not in the MovieCove catalog yet)(1950)

Singoalla (not in the MovieCove catalog yet)(1949)

Man to Men(1948)
Midcredits score: 24th percentile of all films (provisional, few ratings)
Midcredits score: 76th percentile of all films
Un revenant(1946)
Midcredits score: 85th percentile of all films
The Bellman (not in the MovieCove catalog yet)(1945)

Angel and Sinner (not in the MovieCove catalog yet)(1945)

Carmen (not in the MovieCove catalog yet)(1944)

Voyage Without Hope (not in the MovieCove catalog yet)(1943)

La Symphonie fantastique (not in the MovieCove catalog yet)(1942)

Who Killed Santa Claus? (not in the MovieCove catalog yet)(1941)

Premier bal (not in the MovieCove catalog yet)(1941)

Hell of Angels (not in the MovieCove catalog yet)(1941)

They Met on Skis (not in the MovieCove catalog yet)(1940)

Raphaël le tatoué (not in the MovieCove catalog yet)(1939)

Ernest the Rebel (not in the MovieCove catalog yet)(1938)

Boys' School (not in the MovieCove catalog yet)(1938)

Rail Pirates (not in the MovieCove catalog yet)(1938)

In Venice, One Night (not in the MovieCove catalog yet)(1937)

The Pearls of the Crown (not in the MovieCove catalog yet)(1937)

The Smart People of the 11th (not in the MovieCove catalog yet)(1937)

Francis the First (not in the MovieCove catalog yet)(1937)

The House Across the Street (not in the MovieCove catalog yet)(1937)

Josette (not in the MovieCove catalog yet)(1937)

Mr. Nobody (not in the MovieCove catalog yet)(1936)
Rigolboche (not in the MovieCove catalog yet)(1936)

One of the Legion (not in the MovieCove catalog yet)(1936)

L'École des journalistes (not in the MovieCove catalog yet)(1936)

Sacré Léonce (not in the MovieCove catalog yet)(1936)

Sous la griffe (not in the MovieCove catalog yet)(1935)
The Pont-Biquet Family (not in the MovieCove catalog yet)(1935)

La Sonnette d'alarme (not in the MovieCove catalog yet)(1935)

Voyage d'agrément (not in the MovieCove catalog yet)(1935)

Ladies Only Compartment (not in the MovieCove catalog yet)(1935)

Le Père Lampion (not in the MovieCove catalog yet)(1934)

L'Article 382 (not in the MovieCove catalog yet)(1934)

Ça colle (not in the MovieCove catalog yet)(1933)

Adhémar Lampiot (not in the MovieCove catalog yet)(1932)

The Golden Can (not in the MovieCove catalog yet)(1932)

Southern Cross (not in the MovieCove catalog yet)(1932)

Wooden Crosses(1932)
Midcredits score: 93rd percentile of all filmsLa Femme et le rossignol (not in the MovieCove catalog yet)(1931)

Lévy et Cie (not in the MovieCove catalog yet)(1930)

Au Bonheur des Dames (not in the MovieCove catalog yet)(1930)

La Tendresse (not in the MovieCove catalog yet)(1930)

The Miraculous Life of Teresa of Lisieux (not in the MovieCove catalog yet)(1929)

Mother Hummingbird(1929)
Midcredits score: 75th percentile of all films
La Grande Passion (not in the MovieCove catalog yet)(1928)

The Maelstrom of Paris (not in the MovieCove catalog yet)(1928)
Career shape
A full career of 84 titles from 1928 to 1985.

Biggest box office
Fanfan (2003)

Highest rated
Wooden Crosses (1932)

Most popular right now
The Black Tulip (1964)
Film career
- 1932Screen debut· Wooden Crosses
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Christian-Jaque's films land?
Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 20; across their 19 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up6
- 50th to 74th1
- 25th to 49th6
- Below 25th7
Shape of the crowd
10 of their 20 titles are Mixed.
- Crowd Pleaser7
- Broadly Agreed3
- Mixed10
Reviewers score the atmosphere 65/100 and the pacing 50/100 in their films, across 16 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Christian-Jaque work with?
People who share at least 2 of Christian-Jaque's MovieCove titles, grouped by what they did on them; Jacques Desagneaux shares the most, 14.
Writers
- Henri JeansonShared titles: Fanfan (2003), The Saint Lies in Wait (1966), The Black Tulip (1964), Madame (1961), The Foxiest Girl in Paris (1957), Fanfan la Tulipe (1952), Un revenant (1946)See all 7 shared titles with Henri Jeanson

- Jean FerryShared titles: The Saint Lies in Wait (1966), Le gentleman de Cocody (1965), Madame (1961), Babette Goes to War (1959), The Foxiest Girl in Paris (1957)See all 5 shared titles with Jean Ferry
- Jacques EmmanuelShared titles: Le gentleman de Cocody (1965), Babette Goes to War (1959), The Law Is the Law (1958), The Foxiest Girl in Paris (1957)See all 4 shared titles with Jacques Emmanuel
- René FalletShared titles: Fanfan (2003), Fanfan la Tulipe (1952)See all 2 shared titles with René Fallet
Actors
- Louis SeignerShared titles: The Foxiest Girl in Paris (1957), Lucrèce Borgia (1953), Man to Men (1948), The Charterhouse of Parma (1948), Un revenant (1946)See all 5 shared titles with Louis Seigner

- Nerio BernardiShared titles: The Saint Lies in Wait (1966), Fanfan la Tulipe (1952), The Charterhouse of Parma (1948)See all 3 shared titles with Nerio Bernardi

- Noël RoquevertShared titles: Love and the Frenchwoman (1960), The Law Is the Law (1958), Fanfan la Tulipe (1952)See all 3 shared titles with Noël Roquevert

- Brigitte BardotShared titles: The Legend of Frenchie King (1971), Babette Goes to War (1959)See all 2 shared titles with Brigitte Bardot

Composers, cinematographers and editors
- Jacques DesagneauxShared titles: Dead Run (1967), The Saint Lies in Wait (1966), Le gentleman de Cocody (1965), The Black Tulip (1964), Madame (1961), Love and the Frenchwoman (1960), Babette Goes to War (1959), The Law Is the Law (1958), The Foxiest Girl in Paris (1957), Lucrèce Borgia (1953), Fanfan la Tulipe (1952), Man to Men (1948) and 2 moreSee newest 12 of 14 shared titles with Jacques Desagneaux
- Pierre PetitShared titles: Making of a Lady (1968), Dead Run (1967), The Saint Lies in Wait (1966), Le gentleman de Cocody (1965), The Secret Agents (1965)See all 5 shared titles with Pierre Petit
- Christian MatrasShared titles: Lucrèce Borgia (1953), Fanfan la Tulipe (1952), Man to Men (1948), Un revenant (1946)See all 4 shared titles with Christian Matras

- Gérard CalviShared titles: Dead Run (1967), The Saint Lies in Wait (1966), The Black Tulip (1964)See all 3 shared titles with Gérard Calvi

Producers
- Francis CosneShared titles: The Legend of Frenchie King (1971), Lucrèce Borgia (1953), Fanfan la Tulipe (1952)See all 3 shared titles with Francis Cosne
- Alexandre MnouchkineShared titles: The Law Is the Law (1958), Lucrèce Borgia (1953), Fanfan la Tulipe (1952)See all 3 shared titles with Alexandre Mnouchkine

- Georges DancigersShared titles: The Law Is the Law (1958), Lucrèce Borgia (1953), Fanfan la Tulipe (1952)See all 3 shared titles with Georges Dancigers
- Jean-Paul GuibertShared titles: Dead Run (1967), The Saint Lies in Wait (1966)See all 2 shared titles with Jean-Paul Guibert
