Alain Coiffier
- Producer
- 11 on MovieCove · 19 credits in all
What are Alain Coiffier's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Power and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 3 · Wry 0 · Earnest 4
Light 1 · Serious 3 · Dark 3
A split, not a type: Grounded 3 · Stylized 1 · Heightened 3
Gentle 1 · Charged 5 · Intense 1
Steady 2 · Shifting 3 · Whiplash 2
A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 2
Slow burn 4 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 3 · Full focus 3
A split, not a type: Easy watch 3 · Affecting 1 · Heavy 3
Resolved 1 · Open-ended 4 · Ambiguous 2
Moods and endings
- Happy1
- Bittersweet1
- Tragic1
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alain Coiffier's films?
As of October 24, 2026, 6 of their 11 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (4).
Subscription and free streaming for Alain Coiffier's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 11 with a MovieCove page.
Seven Days in January (not in the MovieCove catalog yet)(1979)
The Last Romantic Lover(1978)
Midcredits score: 29th percentile of all films
Leonor (not in the MovieCove catalog yet)(1975)
Le Bougnoul (not in the MovieCove catalog yet)(1975)
Playing with Fire(1975)
Midcredits score: 32nd percentile of all films
Trop c'est trop!(1975)
Midcredits score: 31st percentile of all films (provisional, few ratings)
Weak Spot (not in the MovieCove catalog yet)(1975)
The Infernal Trio(1974)
Midcredits score: 46th percentile of all films
Lancelot of the Lake(1974)
Midcredits score: 76th percentile of all films
Midcredits score: 48th percentile of all films
The Mother and the Whore(1973)
Midcredits score: 94th percentile of all films
Vivre ensemble(1973)
Midcredits score: 42nd percentile of all films
The Guerrilla (not in the MovieCove catalog yet)(1973)
Midcredits score: 85th percentile of all films
All's Well(1972)
Midcredits score: 68th percentile of all films
The Boat on the Grass (not in the MovieCove catalog yet)(1971)
The House (not in the MovieCove catalog yet)(1970)
Pop' game (not in the MovieCove catalog yet)(1968)
Weekend(1967)
Midcredits score: 78th percentile of all films
Career shape
A full career of 17 titles from 1967 to 1979.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alain Coiffier's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 11; across their 7 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up4
- 50th to 74th1
- 25th to 49th6
Shape of the crowd
4 of their 11 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser4
- Broadly Agreed1
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alain Coiffier work with?
People who share at least 2 of Alain Coiffier's MovieCove titles, grouped by what they did on them; Jean-Pierre Rassam shares the most, 4.
Actors
- Philippe NoiretShared titles: Playing with Fire (1975), Don't Touch the White Woman! (1974)See all 2 shared titles with Philippe Noiret
Composers and editors
- Bob WadeShared titles: Playing with Fire (1975), Trop c'est trop! (1975)See all 2 shared titles with Bob Wade
- Philippe SardeShared titles: Don't Touch the White Woman! (1974), Lancelot of the Lake (1974)See all 2 shared titles with Philippe Sarde
Producers
- Jean-Pierre RassamShared titles: Don't Touch the White Woman! (1974), Lancelot of the Lake (1974), The Mother and the Whore (1973), All's Well (1972)See all 4 shared titles with Jean-Pierre Rassam
- Philippe OgouzShared titles: Playing with Fire (1975), Trop c'est trop! (1975)See all 2 shared titles with Philippe Ogouz
- François RochasShared titles: Don't Touch the White Woman! (1974), Lancelot of the Lake (1974)See all 2 shared titles with François Rochas