Jean-Pierre Rassam

What are Jean-Pierre Rassam's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jean-Pierre Rassam's films?

As of October 24, 2026, 7 of their 12 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (7).

• The Criterion Channel7 titles, browse their movies on this service
  • The Mother and the Whore (1973) · producer
  • Tess (1979) · producer
  • General Idi Amin Dada: A Self Portrait (1974) · producer
  • Lancelot of the Lake (1974) · producer
  • All's Well (1972) · producer
  • Blood for Dracula (1974) · producer
  • Flesh for Frankenstein (1973) · producer
• AMC+2 titles, browse their movies on this service
  • Blood for Dracula (1974) · producer
  • Flesh for Frankenstein (1973) · producer
• Shudder2 titles, browse their movies on this service
  • Blood for Dracula (1974) · producer
  • Flesh for Frankenstein (1973) · producer
• The Roku Channel1 title, browse their movies on this service
  • Flesh for Frankenstein (1973) · producer · free
• Tubi1 title, browse their movies on this service
  • Blood for Dracula (1974) · producer · free

Subscription and free streaming for Jean-Pierre Rassam's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 12 with a MovieCove page.

• 

  Le bon roi Dagobert(1984)

  Producer

  Midcredits score: 9th percentile of all films9^th
• 

  Tess(1979)

  Associate Producer

  Midcredits score: 90th percentile of all films90^th
• 

  Here and Elsewhere (not in the MovieCove catalog yet)(1976)

  Producer
• 

  Number Two (not in the MovieCove catalog yet)(1975)

  Producer
• 

  Blood for Dracula(1974)

  Co-Producer

  Midcredits score: 46th percentile of all films46^th
• 

  General Idi Amin Dada: A Self Portrait(1974)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Lancelot of the Lake(1974)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Chinese in Paris(1974)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  Don't Touch the White Woman!(1974)

  Producer

  Midcredits score: 48th percentile of all films48^th
• 

  Flesh for Frankenstein(1973)

  Co-Producer

  Midcredits score: 42nd percentile of all films42^nd
• 

  The Mother and the Whore(1973)

  Co-Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Moi y'en a vouloir des sous (not in the MovieCove catalog yet)(1973)

  Producer
• 

  The Big Feast(1973)

  Producer

  Midcredits score: 81st percentile of all films81^st
• 

  Everybody He Is Nice, Everybody He Is Beautiful (not in the MovieCove catalog yet)(1972)

  Producer · as Un danseur (caméo)
• 

  We Won't Grow Old Together(1972)

  Executive Producer

  Midcredits score: 85th percentile of all films85^th
• 

  All's Well(1972)

  Executive Producer

  Midcredits score: 68th percentile of all films68^th
• 

  The Boat on the Grass (not in the MovieCove catalog yet)(1971)

  Producer
• 

  The House (not in the MovieCove catalog yet)(1970)

  Producer
• 

  Oratorio for Prague (not in the MovieCove catalog yet)(1968)

  Producer
• 

  Seven Days to Remember (not in the MovieCove catalog yet)(1968)

  Producer

Career shape

A full career of 19 titles from 1968 to 1984.

Biggest box office

Tess (1979)

$20M worldwide

Highest rated

The Mother and the Whore (1973)

Midcredits 94^th

Most popular right now

Tess (1979)

How do Jean-Pierre Rassam's films land?

Their typical MovieCove film has a Midcredits score in the 72^nd percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 78^th percentile for acclaim.

Shape of the crowd

None of their 12 titles divides audiences: 6 are Crowd Pleasers.

65

• Universally Loved1
• Crowd Pleaser6
• Mixed5

Most loved · producer

The Mother and the Whore (1973)

Midcredits 94^th · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jean-Pierre Rassam's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jean-Pierre Rassam work with?

People who share at least 2 of Jean-Pierre Rassam's MovieCove titles, grouped by what they did on them; Jean Yanne shares the most, 5.