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Thomas Coleman

Producer

Works as
Producer
Titles
21 on MovieCove · 23 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 19% in 30 days

What are Thomas Coleman's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Genres

Comedy5 titlesTypical Midcredits score: 42nd percentile, at or above their average across these genres
: browse their Comedy movies
Drama5 titlesTypical Midcredits score: 16th percentile
: browse their Drama movies
Action3 titlesTypical Midcredits score: 21st percentile
: browse their Action movies
Crime3 titlesTypical Midcredits score: 48th percentile, at or above their average across these genres
: browse their Crime movies
Animation2 titlesTypical Midcredits score: 46th percentile, at or above their average across these genres
: browse their Animation movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
31%
Morality
21%
Bonds
18%
Survival
13%
Society
9%
Power
5%
Ideas
3%
Justice5 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeComing of age4 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this theme

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 10 · Serious 5 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 9 · Stylized 5 · Heightened 6

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 8 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 14 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 10 · Some laughs 8 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 13 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 12 · Engaged 6 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 15 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
7
Thrilling
5
Joyful
5
Hopeful
6
Other
21

How their films linger

Fun11 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteUnsettling6 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy9
  • Bittersweet8
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Thomas Coleman's films?

As of October 24, 2026, 16 of their 21 MovieCove titles stream on a subscription or free service, most on Tubi (16).

Also on these channels

Subscription and free streaming for Thomas Coleman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 21 with a MovieCove page.

  • It Came from the Sky(1999)

    Producer

    Midcredits score: 37th percentile of all films

  • Patty Hearst(1988)

    Executive Producer

    Midcredits score: 51st percentile of all films

  • 1969(1988)

    Executive Producer

    Midcredits score: 35th percentile of all films

  • Cop(1988)

    Executive Producer

    Midcredits score: 58th percentile of all films

  • Teen Wolf Too(1987)

    Executive Producer

    Midcredits score: 1st percentile of all films

  • The Garbage Pail Kids Movie(1987)

    Executive Producer

    Midcredits score: 1st percentile of all films

  • Summer Heat(1987)

    Executive Producer

    Midcredits score: 11th percentile of all films

  • Steele Justice(1987)

    Executive Producer

    Midcredits score: 17th percentile of all films

  • Wild Thing(1987)

    Producer

    Midcredits score: 27th percentile of all films

  • Nutcracker(1986)

    Executive Producer

    Midcredits score: 76th percentile of all films

  • Modern Girls(1986)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • Extremities(1986)

    Executive Producer

    Midcredits score: 48th percentile of all films

  • The Adventures of the American Rabbit(1986)

    Executive Producer

    Midcredits score: 31st percentile of all films

  • Nomads(1986)

    Producer

    Midcredits score: 16th percentile of all films

  • The Men's Club(1986)

    Producer

    Midcredits score: 8th percentile of all films

  • Teen Wolf(1985)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • Starchaser: The Legend of Orin(1985)

    Executive Producer

    Midcredits score: 61st percentile of all films

  • Night of the Comet(1984)

    Executive Producer

    Midcredits score: 58th percentile of all films

  • Roadhouse 66(1984)

    Executive Producer

    Midcredits score: 21st percentile of all films

  • Alphabet City(1984)

    Executive Producer

    Midcredits score: 23rd percentile of all films

  • Valley Girl(1983)

    Executive Producer

    Midcredits score: 59th percentile of all films

  • The Day the Music Died (not in the MovieCove catalog yet)(1977)

    Producer

  • Sins of Jezebel (not in the MovieCove catalog yet)(1953)

    Property Master

Career shape

A full career of 19 titles from 1953 to 1988.

Biggest box office

Teen Wolf (1985)

$33M worldwide

Highest rated

Starchaser: The Legend of Orin (1985)

Midcredits 61st

Most popular right now

Teen Wolf (1985)

By role

only this rolewith another role
Producing18 of 19: 18 only producing, 0 with another role · typical Midcredits score42ndOther crew1 of 19: 1 only other crew, 0 with another role

By decade

1950s1 · crew1970s1 · crew1980s17 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Thomas Coleman's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 21; across their 20 films with reception data, the typical film sits in the 35th percentile for acclaim.

Acclaim · how much people like their films

35thpercentile
Typical film, the median of 20

Approval · how many liked their films

36thpercentile
Typical film, the median of 20

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 20

Midcredits score across 21 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th7
  • Below 25th8

Shape of the crowd

11 of their 21 titles are Mixed.

  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser6
  • Broadly Agreed2
  • Mixed11

Most divisive · producer

The Garbage Pail Kids Movie (1987)

83rd percentile spread · 73% rated it 4 or lower

Most loved · producer

Nutcracker (1986)

Midcredits 76th · 71% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Thomas Coleman's work okay for kids?

Across up to 9 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles29–64 · median 56 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity9 titles29–56 · median 49 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles47–79 · median 58 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 50 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 59 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Thomas Coleman work with?

People who share at least 2 of Thomas Coleman's MovieCove titles, grouped by what they did on them; Michael Rosenblatt shares the most, 19.

Writers

Actors

Cinematographers and editors

Producers