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MovieCove

Michael Rosenblatt

Producer

Works as
Producer
Titles
24 on MovieCove · 25 credits in all
TMDB popularity, last 64 days to Oct 27Down 16% in 30 days

What are Michael Rosenblatt's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 10 · Serious 5 · Dark 7

A split, not a type: Grounded 10 · Stylized 6 · Heightened 6

Gentle 6 · Charged 9 · Intense 7

Steady 7 · Shifting 14 · Whiplash 1

A split, not a type: Straight-faced 11 · Some laughs 8 · Funny 3

Slow burn 6 · Even-paced 15 · Relentless 1

Casual 13 · Engaged 7 · Full focus 2

Resolved 17 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Thrilling
6
Melancholic
7
Dread
4
Joyful
5
Other
24

How their films end · 3 with a twist

  • Happy10
  • Bittersweet7
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Rosenblatt's films?

As of October 24, 2026, 18 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (18).

Subscription and free streaming for Michael Rosenblatt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 24 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Tomorrow You're Gone(2012)

    Executive Producer

    Midcredits score: 3rd percentile of all films
  • American Virgin(2009)

    Producer

    Midcredits score: 5th percentile of all films
  • Mortuary(2005)

    Executive Producer

    Midcredits score: 8th percentile of all films
  • Patty Hearst(1988)

    Executive Producer

    Midcredits score: 51st percentile of all films
  • 1969(1988)

    Executive Producer

    Midcredits score: 35th percentile of all films
  • Cop(1988)

    Executive Producer

    Midcredits score: 58th percentile of all films
  • Teen Wolf Too(1987)

    Executive Producer

    Midcredits score: 1st percentile of all films
  • The Garbage Pail Kids Movie(1987)

    Executive Producer

    Midcredits score: 1st percentile of all films
  • Summer Heat(1987)

    Executive Producer

    Midcredits score: 11th percentile of all films
  • Steele Justice(1987)

    Executive Producer

    Midcredits score: 17th percentile of all films
  • Wild Thing(1987)

    Producer

    Midcredits score: 27th percentile of all films
  • Nutcracker(1986)

    Executive Producer

    Midcredits score: 76th percentile of all films
  • Modern Girls(1986)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • Extremities(1986)

    Executive Producer

    Midcredits score: 48th percentile of all films
  • Midcredits score: 31st percentile of all films
  • Nomads(1986)

    Producer

    Midcredits score: 16th percentile of all films
  • The Men's Club(1986)

    Producer

    Midcredits score: 8th percentile of all films
  • Stoogemania(1985)

    Producer

    Midcredits score: 3rd percentile of all films
  • Teen Wolf(1985)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • Starchaser: The Legend of Orin(1985)

    Executive Producer

    Midcredits score: 61st percentile of all films
  • Night of the Comet(1984)

    Executive Producer

    Midcredits score: 58th percentile of all films
  • Roadhouse 66(1984)

    Executive Producer

    Midcredits score: 21st percentile of all films
  • Alphabet City(1984)

    Executive Producer

    Midcredits score: 23rd percentile of all films
  • Valley Girl(1983)

    Executive Producer

    Midcredits score: 59th percentile of all films
  • The Day the Music Died (not in the MovieCove catalog yet)(1977)

    Producer

Career shape

A full career of 21 titles from 1977 to 2012.

By role

only this rolewith another role
Producing21 of 21: 21 only producing, 0 with another role · typical Midcredits score33rd

By decade

1970s1 · crew1980s18 · crew2000s1 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Michael Rosenblatt's films land?

Their typical MovieCove film has a Midcredits score in the 25th percentile, the median of all 24; across their 22 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 22

Approval · how many liked their films

21stpercentile
Typical film, the median of 22

Reach · how many have seen their films

75thpercentile
Typical film, the median of 22

Midcredits score across 24 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th6
  • Below 25th12

Shape of the crowd

13 of their 24 titles are Mixed.

  • Universally Panned2
  • Cult Classic1
  • Crowd Pleaser6
  • Broadly Agreed2
  • Mixed13

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Michael Rosenblatt's work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles29–64 · median 56 · moderateheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles29–63 · median 50 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles47–79 · median 58 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 50 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 59 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Michael Rosenblatt work with?

People who share at least 2 of Michael Rosenblatt's MovieCove titles, grouped by what they did on them; Thomas Coleman shares the most, 19.

Writers

Actors

Cinematographers and editors

Producers