Wilson Collison

What are Wilson Collison's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Wilson Collison's films?

As of October 24, 2026, 2 of their 13 MovieCove titles stream on a subscription or free service.

• MGM+1 title, browse their movies on this service
  • Sing Sinner Sing (1933) · writer
• Tubi1 title, browse their movies on this service
  • There's Always a Woman (1938) · writer · free

Subscription and free streaming for Wilson Collison's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

• 

  Mogambo(1953)

  Writer

  Midcredits score: 68th percentile of all films68^th
• 

  Undercover Maisie(1947)

  Writer

  Midcredits score: 57th percentile of all films57^th
• 

  Up Goes Maisie(1946)

  Writer

  Midcredits score: 49th percentile of all films49^th
• 

  Getting Gertie's Garter(1945)

  Writer

  Midcredits score: 52nd percentile of all films52^nd
• 

  Maisie Goes to Reno(1944)

  Writer

  Midcredits score: 46th percentile of all films46^th
• 

  Maisie Gets Her Man(1942)

  Writer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Maisie Was a Lady(1941)

  Writer

  Midcredits score: 71st percentile of all films71^st
• 

  Ringside Maisie(1941)

  Writer

  Midcredits score: 57th percentile of all films57^th
• 

  The Mad Miss Manton(1938)

  Writer

  Midcredits score: 71st percentile of all films71^st
• 

  There's Always a Woman(1938)

  Writer

  Midcredits score: 71st percentile of all films71^st
• 

  Bonnie Scotland(1935)

  Writer

  Midcredits score: 71st percentile of all films71^st
• 

  Sing Sinner Sing(1933)

  Writer

  Midcredits score: 25th percentile of all films25^th
• 

  Red Dust(1932)

  Writer

  Midcredits score: 82nd percentile of all films82^nd

Career shape

Across their 13 MovieCove titles from 1932 to 1953.

Biggest box office

Mogambo (1953)

$17K worldwide

Highest rated

Red Dust (1932)

Midcredits 82^nd

Most popular right now

Mogambo (1953)

How do Wilson Collison's films land?

Their typical MovieCove film has a Midcredits score in the 57^th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 67^th percentile for acclaim.

Shape of the crowd

None of their 13 titles divides audiences: 10 are Crowd Pleasers.

102

• Crowd Pleaser10
• Broadly Agreed2
• Mixed1

Most loved · writer

Red Dust (1932)

Midcredits 82^nd · 76% liked

Reviewers score the dialogue 62/100 and the plot and story 39/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Wilson Collison work with?

People who share at least 2 of Wilson Collison's MovieCove titles, grouped by what they did on them; Ann Sothern shares the most, 6.