Elizabeth Reinhardt
Writer · Died January 21, 1954, aged 44 · Ohio, USA
American film and television writer.
Biography from TMDB.
- March 21, 1909
- January 21, 1954 (aged 44)
- Ohio, USA
- Writer
- 7 on MovieCove · 17 credits in all
What are Elizabeth Reinhardt's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 5 · Serious 1 · Dark 1
A split, not a type: Grounded 4 · Stylized 3 · Heightened 0
A split, not a type: Gentle 4 · Charged 3 · Intense 0
Steady 6 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 3
Slow burn 3 · Even-paced 4 · Relentless 0
Casual 6 · Engaged 1 · Full focus 0
Easy watch 5 · Affecting 2 · Heavy 0
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Elizabeth Reinhardt's films?
As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service, most on Prime Video (2).
Subscription and free streaming for Elizabeth Reinhardt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 7 with a MovieCove page.
The Tall Texan(1953)
Midcredits score: 36th percentile of all films
Hit Parade of 1951 (not in the MovieCove catalog yet)(1950)
When My Baby Smiles at Me (not in the MovieCove catalog yet)(1948)
Give My Regards to Broadway (not in the MovieCove catalog yet)(1948)
Carnival in Costa Rica (not in the MovieCove catalog yet)(1947)
Cluny Brown(1946)
Midcredits score: 92nd percentile of all films
Sentimental Journey (not in the MovieCove catalog yet)(1946)
Laura(1944)
Midcredits score: 97th percentile of all films
His Butler's Sister(1943)
Midcredits score: 76th percentile of all films
Maisie Gets Her Man(1942)
Midcredits score: 53rd percentile of all films
Maisie Was a Lady(1941)
Midcredits score: 71st percentile of all films
Gold Rush Maisie (not in the MovieCove catalog yet)(1940)
Everybody's Baby (not in the MovieCove catalog yet)(1939)
Pardon Our Nerve (not in the MovieCove catalog yet)(1939)
Angelina, o El honor de un brigadier (not in the MovieCove catalog yet)(1935)
The Singer of Naples (not in the MovieCove catalog yet)(1935)
La buenaventura(1934)
Career shape
A full career of 16 titles from 1935 to 1953.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Elizabeth Reinhardt's films land?
Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of the 6 of 7 with a score; across their 7 films with reception data, the typical film sits in the 77th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 6 titles divides audiences: 2 are Universally Loved.
- Universally Loved2
- Crowd Pleaser2
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 62/100 and the plot and story 51/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Elizabeth Reinhardt work with?
People who share at least 2 of Elizabeth Reinhardt's MovieCove titles, grouped by what they did on them; Samuel Hoffenstein shares the most, 3.
Writers
- Samuel HoffensteinShared titles: Cluny Brown (1946), Laura (1944), His Butler's Sister (1943)See all 3 shared titles with Samuel Hoffenstein
- Mary C. McCall Jr.Shared titles: Maisie Gets Her Man (1942), Maisie Was a Lady (1941)See all 2 shared titles with Mary C. McCall Jr.
- Wilson CollisonShared titles: Maisie Gets Her Man (1942), Maisie Was a Lady (1941)See all 2 shared titles with Wilson Collison
Actors
- C. Aubrey SmithShared titles: Cluny Brown (1946), Maisie Was a Lady (1941)See all 2 shared titles with C. Aubrey Smith
- Hans ConriedShared titles: His Butler's Sister (1943), Maisie Was a Lady (1941)See all 2 shared titles with Hans Conried
- Walter CatlettShared titles: His Butler's Sister (1943), Maisie Gets Her Man (1942)See all 2 shared titles with Walter Catlett
- Ann SothernShared titles: Maisie Gets Her Man (1942), Maisie Was a Lady (1941)See all 2 shared titles with Ann Sothern
Cinematographers and editors
- Joseph LaShelleShared titles: Cluny Brown (1946), Laura (1944)See all 2 shared titles with Joseph LaShelle
- Fredrick Y. SmithShared titles: Maisie Gets Her Man (1942), Maisie Was a Lady (1941)See all 2 shared titles with Fredrick Y. Smith
Producers
- J. Walter RubenShared titles: Maisie Gets Her Man (1942), Maisie Was a Lady (1941)See all 2 shared titles with J. Walter Ruben
