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Arrigo Colombo

Producer, also writer

Works as
Producer, also writer
Titles
14 on MovieCove · 22 credits in all
TMDB popularity, last 38 days to Oct 27Down 37% in 30 days

What are Arrigo Colombo's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Power.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 3 · Dark 7

A split, not a type: Grounded 4 · Stylized 3 · Heightened 3

Gentle 0 · Charged 5 · Intense 5

Steady 4 · Shifting 5 · Whiplash 1

Straight-faced 6 · Some laughs 4 · Funny 0

Slow burn 5 · Even-paced 5 · Relentless 0

Casual 0 · Engaged 9 · Full focus 1

Resolved 5 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Dread
4
Romantic
2
Melancholic
3
Thrilling
2
Other
6

How their films end

  • Happy1
  • Bittersweet4
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Arrigo Colombo's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Arrigo Colombo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 14 with a MovieCove page.

  • Blood Feud(1978)

    Producer

    Midcredits score: 61st percentile of all films
  • A Night Full of Rain(1978)

    Producer

    Midcredits score: 43rd percentile of all films
  • Seven Beauties(1975)

    Producer

    Midcredits score: 95th percentile of all films
  • Midcredits score: 49th percentile of all films
  • Sacco & Vanzetti(1971)

    Producer

    Midcredits score: 97th percentile of all films
  • More Dollars for the MacGregors (not in the MovieCove catalog yet)(1970)

    Writer

  • Violent City(1970)

    Producer

    Midcredits score: 49th percentile of all films
  • Midcredits score: 46th percentile of all films
  • Grand Slam (not in the MovieCove catalog yet)(1967)

    Producer

  • Madamigella di Maupin(1966)

    Producer

    Midcredits score: 38th percentile of all films
  • 3 notti d'amore(1964)

    Producer

    Midcredits score: 32nd percentile of all films
  • A Fistful of Dollars(1964)

    Producer

    Midcredits score: 98th percentile of all films
  • Bullets Don't Argue(1964)

    Producer

    Midcredits score: 30th percentile of all films
  • La calda vita (not in the MovieCove catalog yet)(1964)

    Producer

  • Gli onorevoli (not in the MovieCove catalog yet)(1963)

    Producer

  • Midcredits score: 21st percentile of all films
  • La cambiale (not in the MovieCove catalog yet)(1959)

    Producer

  • Toto in Paris (not in the MovieCove catalog yet)(1958)

    Producer

  • Inspector Maigret(1958)

    Producer

    Midcredits score: 87th percentile of all films
  • L'intrusa(1956)

    Producer

    Midcredits score: 23rd percentile of all films (provisional, few ratings)
  • On Trial (not in the MovieCove catalog yet)(1954)

    Producer

  • Io sono il capataz (not in the MovieCove catalog yet)(1951)

    Line Producer

Career shape

A full career of 20 titles from 1951 to 1978.

By role

only this rolewith another role
Writing1 of 20: 1 only writing, 0 with another roleProducing19 of 20: 19 only producing, 0 with another role · typical Midcredits score49th

By decade

1950s6 · crew1960s8 · crew1970s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Arrigo Colombo's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 14; across their 10 films with reception data, the typical film sits in the 61st percentile for acclaim.

Acclaim · how much people like their films

61stpercentile
Typical film, the median of 10

Approval · how many liked their films

52ndpercentile
Typical film, the median of 10

Reach · how many have seen their films

60thpercentile
Typical film, the median of 10

Midcredits score across 14 titles, by percentile

  • 75th and up4
  • 50th to 74th1
  • 25th to 49th7
  • Below 25th2

Reviewers score the dialogue 58/100 and the plot and story 52/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Arrigo Colombo's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 42 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Arrigo Colombo work with?

People who share at least 2 of Arrigo Colombo's MovieCove titles, grouped by what they did on them; Lina Wertmüller shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers