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Tristam Cones

Editor, also producer

Works as
Editor, also producer
Titles
10 on MovieCove · 22 credits in all
TMDB popularity, last 38 days to Oct 27Down 20% in 30 days

What are Tristam Cones' films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Light 5 · Serious 3 · Dark 1

A split, not a type: Grounded 2 · Stylized 3 · Heightened 4

Gentle 2 · Charged 6 · Intense 1

Steady 2 · Shifting 7 · Whiplash 0

A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 5

Slow burn 2 · Even-paced 6 · Relentless 1

Casual 6 · Engaged 3 · Full focus 0

Resolved 8 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Absurd
6
Joyful
3
Cold
3
Melancholic
2
Other
4

How their films end · 1 with a twist

  • Happy3
  • Bittersweet3
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tristam Cones' films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Tristam Cones' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 10 with a MovieCove page.

  • Edward II(1991)

    as Youth

    Midcredits score: 75th percentile of all films
  • The Bananas Boat(1975)

    Producer

    Midcredits score: 7th percentile of all films
  • Midcredits score: 55th percentile of all films
  • Midcredits score: 47th percentile of all films
  • Midcredits score: 18th percentile of all films
  • Midcredits score: 82nd percentile of all films
  • Cool It, Carol! (not in the MovieCove catalog yet)(1970)

    Editor

  • Girly(1970)

    Editor

    Midcredits score: 59th percentile of all films
  • The Southern Star (not in the MovieCove catalog yet)(1969)

    Editor

  • Mrs. Brown, You've Got a Lovely Daughter (not in the MovieCove catalog yet)(1968)

    Editor

  • The Cuckoo Patrol (not in the MovieCove catalog yet)(1967)

    Editor

  • The Plank (not in the MovieCove catalog yet)(1967)

    Sound Editor

  • Finders Keepers(1966)

    Editor

    Midcredits score: 19th percentile of all films
  • The Trap(1966)

    Editor

    Midcredits score: 84th percentile of all films
  • Every Day's a Holiday (not in the MovieCove catalog yet)(1965)

    Editor

  • Three Hats for Lisa (not in the MovieCove catalog yet)(1965)

    Editor

  • Strictly for the Birds (not in the MovieCove catalog yet)(1964)

    Sound Editor

  • Midcredits score: 71st percentile of all films
  • Echo of Barbara (not in the MovieCove catalog yet)(1961)

    Editor

  • Payroll (not in the MovieCove catalog yet)(1961)

    Editor

  • The Malpas Mystery (not in the MovieCove catalog yet)(1960)

    Editor

  • The White Trap (not in the MovieCove catalog yet)(1959)

    Editor

Career shape

A full career of 22 titles from 1959 to 1991.

By role

only this rolewith another role
Acting1 of 22: 1 only acting, 0 with another roleProducing1 of 22: 1 only producing, 0 with another roleEditing18 of 22: 18 only editing, 0 with another role · typical Midcredits score57thOther crew2 of 22: 2 only other crew, 0 with another role

By decade

1950s1 · crew1960s13 · crew1970s7 · crew1990s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Tristam Cones' films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 9

Approval · how many liked their films

51stpercentile
Typical film, the median of 9

Reach · how many have seen their films

66thpercentile
Typical film, the median of 9

Midcredits score across 10 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th1
  • Below 25th3

Shape of the crowd

5 of their 10 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed3

Reviewers score the pacing 46/100 in their films, across 8 reviewed titles; fans 56, detractors 29. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Tristam Cones' work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 21 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Tristam Cones work with?

People who share at least 2 of Tristam Cones' MovieCove titles, grouped by what they did on them; Sidney Hayers shares the most, 3.

Directors

Writers

Actors

Composers

Producers