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Kenneth V. Jones

Composer

Works as
Composer
Titles
17 on MovieCove · 36 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 13% in 30 days

What are Kenneth V. Jones' films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Comedy4 titlesTypical Midcredits score: 44th percentile, at or above their average across these genres
: browse their Comedy movies
Drama4 titlesTypical Midcredits score: 50th percentile, at or above their average across these genres
: browse their Drama movies
Action3 titlesTypical Midcredits score: 44th percentile, at or above their average across these genres
: browse their Action movies
Horror2 titlesTypical Midcredits score: 38th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
35%
Survival
21%
Bonds
16%
Self
13%
Ideas
8%
Power
5%
Society
2%
Survival4 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themeGrief2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeTruth2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 6 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 8 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 8 · Shifting 7 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 10 · Some laughs 3 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 10 · Even-paced 5 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 9 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 10 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Dread
7
Melancholic
7
Joyful
3
Thrilling
4
Other
10

How their films linger

Fun7 titles, browse their movies with this aftertasteUnsettling7 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy4
  • Bittersweet8
  • Tragic4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kenneth V. Jones' films?

As of October 24, 2026, 7 of their 17 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Kenneth V. Jones' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

36 credits, 17 with a MovieCove page.

  • Rail Report 13: On Track for the Eighties (not in the MovieCove catalog yet)(1980)

    Composer · Conductor

  • Leopard in the Snow (not in the MovieCove catalog yet)(1979)

    Composer

  • The Brute (not in the MovieCove catalog yet)(1977)

    Composer

  • Age of Invention (not in the MovieCove catalog yet)(1975)

    Composer

  • The Bananas Boat(1975)

    Composer

    Midcredits score: 7th percentile of all films

  • Midland Country (not in the MovieCove catalog yet)(1974)

    Composer

  • Paganini Strikes Again (not in the MovieCove catalog yet)(1973)

    Composer

  • Tower of Evil(1972)

    Composer

    Midcredits score: 29th percentile of all films

  • Whoever Slew Auntie Roo?(1972)

    Composer · Conductor

    Midcredits score: 47th percentile of all films

  • Witchfinder General(1968)

    Additional Music

    Midcredits score: 70th percentile of all films

  • Maroc 7(1967)

    Composer

    Midcredits score: 13th percentile of all films

  • The Projected Man (not in the MovieCove catalog yet)(1966)

    Composer

  • The Tomb of Ligeia(1964)

    Composer

    Midcredits score: 59th percentile of all films

  • Psyche 59(1964)

    Composer

    Midcredits score: 41st percentile of all films

  • Down to Sussex (not in the MovieCove catalog yet)(1964)

    Composer

  • Cairo (not in the MovieCove catalog yet)(1963)

    Composer

  • Omnibus for All (not in the MovieCove catalog yet)(1963)

    Composer

  • The Brain (not in the MovieCove catalog yet)(1962)

    Composer

  • The Girl on the Boat(1962)

    Composer

    Midcredits score: 29th percentile of all films

  • The Innocents(1961)

    Composer

    Midcredits score: 96th percentile of all films

  • A Story of David: The Hunted(1960)

    Composer

    Midcredits score: 13th percentile of all films

  • There Was a Crooked Man(1960)

    Composer

    Midcredits score: 59th percentile of all films

  • Oscar Wilde(1960)

    Composer

    Midcredits score: 64th percentile of all films

  • They Take the High Road (not in the MovieCove catalog yet)(1960)

    Composer

  • Ferry to Hong Kong(1959)

    Composer

    Midcredits score: 19th percentile of all films

  • Four Desperate Men(1959)

    Composer

    Midcredits score: 44th percentile of all films

  • Ten Seconds to Hell(1959)

    Composer

    Midcredits score: 58th percentile of all films

  • The Bandit Of Zhobe (not in the MovieCove catalog yet)(1959)

    Composer

  • The Horse's Mouth(1958)

    Composer

    Midcredits score: 78th percentile of all films

  • The Carringford School Mystery (not in the MovieCove catalog yet)(1958)

    Composer

  • Intent to Kill (not in the MovieCove catalog yet)(1958)

    Composer

  • Tank Force! (not in the MovieCove catalog yet)(1958)

    Composer

  • High Flight (not in the MovieCove catalog yet)(1957)

    Composer

  • How to Murder a Rich Uncle (not in the MovieCove catalog yet)(1957)

    Composer

  • Fire Down Below(1957)

    Composer

    Midcredits score: 39th percentile of all films

  • A Day of One's Own (not in the MovieCove catalog yet)(1956)

    Composer

Career shape

A full career of 33 titles from 1956 to 1980.

Biggest box office

The Innocents (1961)

$30K worldwide

Highest rated

The Innocents (1961)

Midcredits 96th

Most popular right now

The Tomb of Ligeia (1964)

By role

only this rolewith another role
Music33 of 33: 31 only music, 2 with another role · typical Midcredits score46thOther crew2 of 33: 0 only other crew, 2 with another role

By decade

1950s12 · crew1960s13 · crew1970s7 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kenneth V. Jones' films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 17; across their 16 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 16

Approval · how many liked their films

38thpercentile
Typical film, the median of 16

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 16

Midcredits score across 17 titles, by percentile

  • 75th and up2
  • 50th to 74th5
  • 25th to 49th6
  • Below 25th4

Shape of the crowd

6 of their 17 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser6
  • Broadly Agreed4
  • Mixed6

Most divisive · composer

The Bananas Boat (1975)

66th percentile spread · 68% rated it 4 or lower

Most loved · composer

The Innocents (1961)

Midcredits 96th · 84% liked

Reviewers score the sound and music 54/100 in their films, across 12 reviewed titles; fans 62, detractors 40. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kenneth V. Jones work with?

People who share at least 2 of Kenneth V. Jones' MovieCove titles, grouped by what they did on them; Albert Fennell shares the most, 4.

Writers

Actors

Cinematographers and editors

Producers

Mixed roles