
Michel Constantin
Actor · Died August 29, 2003, aged 79 · Boulogne-Billancourt, Hauts-de-Seine, France
Michel Constantin (born Constantin Hokhloff; 13 July 1924 – 28 August 2003) was a French actor and professional volleyball player. He was the men’s national volleyball champion from 1954 to 1956, before making his film debut as a convict in the 1960 prison thriller The Hole. Thanks to his stature and striking features, he became a popular character actor in crime films, often playing thugs and gangsters. He appeared in several films alongside his friend Charles Bronson during the 1970's. Born Constantin Hokhloff in Billancourt (near Paris), he was the son of a White Russian emigre father and his Polish wife. Hokhloff's father was a former officer in the Russian Army, of Kalmyk descent. He had met Hokhloff's mother while he was stationed in Warsaw, Congress Poland. After the Russian Civil War, the coupled moved to Paris, along with many other White emigres. During World War II, he worked at the Renault factories in Boulogne-Billancourt, where his family lived. Thanks to his height (1.85 meters) and athletic ability, Constantin was recruited by the volleyball team of Club olympique de Billancourt (CO Billancourt) in 1943. He switched teams to Racing Club de France for the 1947-48 season, but returned to CO Billancourt the following season. As setter, he led the team to French national championships in 1954, 1955 and 1956. It was during this period that he changed his name to Michel Constantin. During this time, he was also a freelance reporter for the sports journal L'Équipe. Constantin appeared as an extra in the 1956 film Plucking the Daisy, but made his first significant acting debut in the 1960 prison thriller The Hole. Director Jacques Becker and screenwriter José Giovanni sought to recruit a cast of non-professional actors to play the various convicts. Becker's son Jean knew Constantin from his volleyball days, and recommended him for the part. The film was a critical and commercial success, and enabled Constantin's transition into an acting career. Source: Article "Michel Constantin" from Wikipedia in English, licensed under CC-BY-SA.
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Biography from TMDB.
- July 13, 1924
- August 29, 2003 (aged 79)
- Boulogne-Billancourt, Hauts-de-Seine, France
- Actor
- 23 on MovieCove · 55 credits in all
What are Michel Constantin's films like?
Across their 21 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 5 · Wry 2 · Earnest 13
A split, not a type: Light 9 · Serious 4 · Dark 8
A split, not a type: Grounded 10 · Stylized 7 · Heightened 4
Gentle 3 · Charged 10 · Intense 8
Steady 8 · Shifting 11 · Whiplash 2
A split, not a type: Straight-faced 13 · Some laughs 4 · Funny 4
Slow burn 5 · Even-paced 14 · Relentless 2
A split, not a type: Casual 9 · Engaged 8 · Full focus 4
A split, not a type: Easy watch 10 · Affecting 6 · Heavy 5
Resolved 15 · Open-ended 5 · Ambiguous 1
Roles they play
Usually the Ally: 5 of 13 analyzed roles.
Show the 13 rolesHide the roles
- Allyas Geo Cassine in Le Trou (1960)
- Shadowas Le chef des racketteurs américains in Man Called Rocca (1961)
- Shadowas Tony Cicero in Maigret Sees Red (1963)
- Allyas Jeff in Let's Not Get Angry (1966)
- Allyas Sgt Rudolph Petrowsky in Dirty Heroes (1967)
- Heroas Vincent in Jerk à Istanbul (1967)
- Allyas André in A Very Curious Girl (1969)
- Shadowas Viletti in The Cop (1970)
- Shadowas Katanga in Cold Sweat (1970)
- Allyas Xavier Saratov in Scoumoune (1972)
- Heroas Le commissaire Campana in Cops Is Cops (1972)
- Heroas Marius Fantoni in Les hommes (1973)
- Threshold guardianas Adjudant Édouard Mahuzard in The Vultures (1984)
Moods and endings
- Happy9
- Bittersweet4
- Tragic3
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Michel Constantin's films?
As of October 24, 2026, 6 of their 23 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Michel Constantin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
55 credits, 23 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

Ville à vendre (not in the MovieCove catalog yet)(1992)

Big Man (not in the MovieCove catalog yet)(1988)

Paparoff (not in the MovieCove catalog yet)(1988)

La loi sauvage (not in the MovieCove catalog yet)(1988)

The Compromise (not in the MovieCove catalog yet)(1986)

La Baston (not in the MovieCove catalog yet)(1985)

Le Deuxième Couteau (not in the MovieCove catalog yet)(1985)
Midcredits score: 41st percentile of all films
The Vultures(1984)
Midcredits score: 42nd percentile of all films
Amok (not in the MovieCove catalog yet)(1983)
Midcredits score: 46th percentile of all films
Shot Pattern (not in the MovieCove catalog yet)(1982)

Fear in the City (not in the MovieCove catalog yet)(1981)

Signé Furax(1981)
Midcredits score: 21st percentile of all films
Plein les poches pour pas un rond... (not in the MovieCove catalog yet)(1978)

The Inglorious Bastards(1978)
Midcredits score: 67th percentile of all films
Les Diamants du Président (not in the MovieCove catalog yet)(1977)

Sahara Cross (not in the MovieCove catalog yet)(1977)

Beyond Fear (not in the MovieCove catalog yet)(1975)

The Track (not in the MovieCove catalog yet)(1975)

No Pockets in a Shroud (not in the MovieCove catalog yet)(1974)

The Beast (not in the MovieCove catalog yet)(1974)

OK Patron (not in the MovieCove catalog yet)(1974)

Man in the Trunk (not in the MovieCove catalog yet)(1973)

Special Killers (not in the MovieCove catalog yet)(1973)

The Seaman (not in the MovieCove catalog yet)(1973)

Les hommes(1973)
Midcredits score: 25th percentile of all films
The Outside Man(1972)
Midcredits score: 62nd percentile of all films
Scoumoune(1972)
Midcredits score: 51st percentile of all films
The Big Shots (not in the MovieCove catalog yet)(1972)

Cops Is Cops(1972)
Midcredits score: 47th percentile of all films
The Lion's Share (not in the MovieCove catalog yet)(1971)

Troubleshooters (not in the MovieCove catalog yet)(1971)

Cold Sweat(1970)
Midcredits score: 29th percentile of all films
The Cop(1970)
Midcredits score: 67th percentile of all films
Violent City(1970)
Midcredits score: 49th percentile of all films
Vertigo for a Killer (not in the MovieCove catalog yet)(1970)

Children of Mata Hari(1970)
Midcredits score: 24th percentile of all films
Last Known Address(1970)
Midcredits score: 81st percentile of all films
The Comeuppance (not in the MovieCove catalog yet)(1970)

A Very Curious Girl(1969)
Midcredits score: 76th percentile of all films
The Strangers (not in the MovieCove catalog yet)(1969)

The Southern Star (not in the MovieCove catalog yet)(1969)

Pillaged (not in the MovieCove catalog yet)(1967)

Dirty Heroes(1967)
Midcredits score: 11th percentile of all films
Jerk à Istanbul(1967)
Midcredits score: 3rd percentile of all films
Law of Survival (not in the MovieCove catalog yet)(1967)

Second Wind(1966)
Midcredits score: 97th percentile of all films
Let's Not Get Angry(1966)
Midcredits score: 73rd percentile of all films
The Wise Guys (not in the MovieCove catalog yet)(1965)

Les gorilles(1964)
Midcredits score: 20th percentile of all films (provisional, few ratings)
Maigret Sees Red(1963)
Midcredits score: 51st percentile of all films
Law of Men (not in the MovieCove catalog yet)(1962)

Man Called Rocca(1961)
Midcredits score: 55th percentile of all films
Le Trou(1960)
Midcredits score: 99th percentile of all films
Career shape
Star power in the 98th percentile of 239,109 people with a billed film role, over a full career of 55 titles from 1960 to 1992; peak year 1971.
Film career
Peak 1971 · back in prominent film roles after a quiet stretch. Top draw in 3 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1960Screen debut· Le Trou
- 1960First top-billed film· Le Trou
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Michel Constantin's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 23; across their 21 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up4
- 50th to 74th7
- 25th to 49th7
- Below 25th5
Shape of the crowd
8 of their 23 titles are Broadly Agreed.
- Universally Loved2
- Universally Panned1
- Crowd Pleaser7
- Broadly Agreed8
- Mixed5
Reviewers score the acting 68/100 in their films, across 20 reviewed titles; fans 78, detractors 49. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Michel Constantin's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Michel Constantin work with?
People who share at least 2 of Michel Constantin's MovieCove titles, grouped by what they did on them; José Giovanni shares the most, 5.
Directors
- José GiovanniShared titles: Scoumoune (1972), Last Known Address (1970), Second Wind (1966), Man Called Rocca (1961), Le Trou (1960)See all 5 shared titles with José Giovanni

- Georges LautnerShared titles: Cops Is Cops (1972), Let's Not Get Angry (1966)See all 2 shared titles with Georges Lautner

Writers
- Michel AudiardShared titles: The Vultures (1984), Let's Not Get Angry (1966)See all 2 shared titles with Michel Audiard

- Sandro ContinenzaShared titles: The Inglorious Bastards (1978), The Cop (1970)See all 2 shared titles with Sandro Continenza
- Jacques RobertShared titles: Les hommes (1973), Maigret Sees Red (1963)See all 2 shared titles with Jacques Robert
Actors
- Jean-Paul BelmondoShared titles: The Vultures (1984), Scoumoune (1972), Man Called Rocca (1961)See all 3 shared titles with Jean-Paul Belmondo

- Françoise FabianShared titles: Deux heures moins le quart avant Jésus-Christ (1982), The Cop (1970), Maigret Sees Red (1963)See all 3 shared titles with Françoise Fabian

- Marcel BozzuffiShared titles: Les hommes (1973), Second Wind (1966), Maigret Sees Red (1963)See all 3 shared titles with Marcel Bozzuffi

- Lino VenturaShared titles: Last Known Address (1970), Let's Not Get Angry (1966), Second Wind (1966)See all 3 shared titles with Lino Ventura

Composers, cinematographers and editors
- François de RoubaixShared titles: Scoumoune (1972), Children of Mata Hari (1970), Last Known Address (1970)See all 3 shared titles with François de Roubaix

- Maurice FellousShared titles: Cops Is Cops (1972), Jerk à Istanbul (1967), Let's Not Get Angry (1966)See all 3 shared titles with Maurice Fellous
- Michelle DavidShared titles: Cops Is Cops (1972), Jerk à Istanbul (1967), Let's Not Get Angry (1966)See all 3 shared titles with Michelle David
- Edmond SéchanShared titles: The Vultures (1984), Children of Mata Hari (1970)See all 2 shared titles with Edmond Séchan

Producers
- Maurice JacquinShared titles: Children of Mata Hari (1970), Cold Sweat (1970), Maigret Sees Red (1963)See all 3 shared titles with Maurice Jacquin

- Tarak Ben AmmarShared titles: The Vultures (1984), Deux heures moins le quart avant Jésus-Christ (1982)See all 2 shared titles with Tarak Ben Ammar

- Jacques BarShared titles: The Outside Man (1972), Last Known Address (1970)See all 2 shared titles with Jacques Bar
- Raymond DanonShared titles: Scoumoune (1972), Maigret Sees Red (1963)See all 2 shared titles with Raymond Danon

Mixed roles
- Jean BeckerShared titles: Man Called Rocca (1961), Le Trou (1960)See all 2 shared titles with Jean Becker
