
Geoffrey Copleston was an English actor who settled in Italy in the late 1950's. He became heavily involved with the Italian English dubbing industry and his voice can be heard in hundreds of films. He continued physical movie and TV performances as well, almost exclusively in Italian productions or American films made in Italy. He is best remembered for his performance as the chief villain in ROBOT JOX as well as the eccentric reclusive millionaire in EMMANUELLE AND THE LAST CANNIBALS. His final roles of note were the innkeeper in Roger Corman's FRANKENSTEIN UNBOUND and in Al Festa's music-oriented giallo film FATAL FRAMES.
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Biography from TMDB.
- March 19, 1921
- January 1, 1999 (aged 77)
- Manchester, Greater Manchester, England, UK
- Actor, also writer
- 30 on MovieCove · 65 credits in all
What are Geoffrey Copleston's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 11
A split, not a type: Light 7 · Serious 5 · Dark 3
A split, not a type: Grounded 1 · Stylized 6 · Heightened 8
Gentle 5 · Charged 8 · Intense 2
Steady 6 · Shifting 8 · Whiplash 1
A split, not a type: Straight-faced 6 · Some laughs 4 · Funny 5
A split, not a type: Slow burn 8 · Even-paced 6 · Relentless 1
Casual 12 · Engaged 2 · Full focus 1
Easy watch 10 · Affecting 4 · Heavy 1
Resolved 12 · Open-ended 1 · Ambiguous 2
Roles they play
- Threshold guardianas Hotel Manager in A Matter of Time (1976)
Moods and endings
- Happy5
- Bittersweet8
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Geoffrey Copleston's films?
As of October 24, 2026, 18 of their 30 MovieCove titles stream on a subscription or free service.
- Midnight Pulp, show their 4 titles on Midnight Pulp
- ScreenPix, show their 3 titles on ScreenPix
- Cineverse, show their 2 titles on Cineverse
- BFI Player, show their title on BFI Player
- Full Moon, show their title on Full Moon
- IndieFlix, show their title on IndieFlix
- IndiePix Unlimited, show their title on IndiePix Unlimited
- Screambox, show their title on Screambox
- Shout! TV, show their title on Shout! TV
Subscription and free streaming for Geoffrey Copleston's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
65 credits, 30 with a MovieCove page.

Fatal Frames(1996)
Midcredits score: 5th percentile of all films
The Web of Silence - A.I.D.S. (not in the MovieCove catalog yet)(1994)

Killer Rules (not in the MovieCove catalog yet)(1993)

The Godfather Part III(1990)
Midcredits score: 91st percentile of all films
Robot Jox(1989)
Midcredits score: 29th percentile of all films
Midcredits score: 13th percentile of all films
Fear of Scandal (not in the MovieCove catalog yet)(1990)

The Dark Sun (not in the MovieCove catalog yet)(1990)

Willy Signori e vengo da lontano (not in the MovieCove catalog yet)(1989)

I promessi sposi (not in the MovieCove catalog yet)(1989)

A Fine Romance (not in the MovieCove catalog yet)(1989)

Big Man (not in the MovieCove catalog yet)(1988)

The Sicilian(1987)
Midcredits score: 24th percentile of all films
Midcredits score: 78th percentile of all films
Midcredits score: 37th percentile of all films
The Wild Team(1985)
Midcredits score: 9th percentile of all films
Madman at War (not in the MovieCove catalog yet)(1985)

The Assisi Underground(1985)
Midcredits score: 36th percentile of all films
Let's Make It Clear (not in the MovieCove catalog yet)(1984)

One Hundred Days in Palermo (not in the MovieCove catalog yet)(1984)

Il tassinaro (not in the MovieCove catalog yet)(1983)

Neapolitan Story (not in the MovieCove catalog yet)(1983)

God Makes and Then Pairs Them Up (not in the MovieCove catalog yet)(1982)

Good Like Bread (not in the MovieCove catalog yet)(1982)

Hot Spirits (not in the MovieCove catalog yet)(1981)

A Policewoman in New York (not in the MovieCove catalog yet)(1981)

The Black Cat(1981)
Midcredits score: 37th percentile of all films
Bianco, rosso e Verdone(1981)
Midcredits score: 94th percentile of all films
Mia moglie è una strega(1980)
Midcredits score: 43rd percentile of all films
The Warning (not in the MovieCove catalog yet)(1980)
Midcredits score: 11th percentile of all films
The Pumaman(1980)
Midcredits score: 1st percentile of all films
Midcredits score: 12th percentile of all films
Lobster for Breakfast (not in the MovieCove catalog yet)(1979)

Lovers and Liars(1979)
Midcredits score: 12th percentile of all films
Return of the Saint (not in the MovieCove catalog yet)(1978)

The Biggest Battle(1978)
Midcredits score: 10th percentile of all films
Midcredits score: 18th percentile of all films
Beyond Good and Evil(1977)
Midcredits score: 55th percentile of all films
Sahara Cross (not in the MovieCove catalog yet)(1977)

A Man Called Magnum (not in the MovieCove catalog yet)(1977)

The Big Operator (not in the MovieCove catalog yet)(1976)

A Matter of Time(1976)
Midcredits score: 23rd percentile of all films
Mimì Bluette... Flower of My Garden (not in the MovieCove catalog yet)(1976)

Salon Kitty(1976)
Midcredits score: 30th percentile of all films
Red Coat (not in the MovieCove catalog yet)(1975)

Bread and Chocolate (not in the MovieCove catalog yet)(1974)

The Night Porter(1974)
Midcredits score: 68th percentile of all films
Paid in Blood (not in the MovieCove catalog yet)(1971)

Tre nel mille (not in the MovieCove catalog yet)(1971)
Midcredits score: 69th percentile of all films
Detective Belli (not in the MovieCove catalog yet)(1969)

One on Top of the Other(1969)
Midcredits score: 68th percentile of all films
The Prophet (not in the MovieCove catalog yet)(1968)

Matchless(1967)
Midcredits score: 12th percentile of all films
Riderà! - Cuore matto (not in the MovieCove catalog yet)(1967)

Superargo vs Diabolicus (not in the MovieCove catalog yet)(1966)

The Big Blackout (not in the MovieCove catalog yet)(1966)

7 Golden Women Against Two 07 (not in the MovieCove catalog yet)(1966)

The Hills Run Red(1966)
Midcredits score: 39th percentile of all films
James Tont Operation T.W.O. (not in the MovieCove catalog yet)(1966)
Midcredits score: 49th percentile of all films
Django(1966)
Midcredits score: 89th percentile of all films
War Italian Style(1965)
Midcredits score: 13th percentile of all films
War and Peace(1956)
Midcredits score: 72nd percentile of all films
Career shape
Star power in the 93rd percentile of 239,109 people with a billed film role, over a full career of 64 titles from 1956 to 1996; peak year 1980.

Biggest box office
Dr. Jekyll Likes Them Hot (1979)

Highest rated
Bianco, rosso e Verdone (1981)

Most popular right now
Django (1966)
Film career
Peak 1980 · steadily prominent in film for years. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1966Screen debut· The Hills Run Red
- 1981Career best· Bianco, rosso e Verdone
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Geoffrey Copleston's films land?
Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 30; across their 15 films with reception data, the typical film sits in the 21st percentile for acclaim.
- 75th and up4
- 50th to 74th5
- 25th to 49th8
- Below 25th13
Shape of the crowd
18 of their 30 titles are Mixed.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser8
- Broadly Agreed2
- Mixed18
Reviewers score the acting 53/100 in their films, across 14 reviewed titles; fans 67, detractors 31. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Geoffrey Copleston's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Geoffrey Copleston work with?
People who share at least 2 of Geoffrey Copleston's MovieCove titles, grouped by what they did on them; Leonardo Benvenuti shares the most, 3.
Writers
- Leonardo BenvenutiShared titles: Bianco, rosso e Verdone (1981), Dr. Jekyll Likes Them Hot (1979), Lovers and Liars (1979)See all 3 shared titles with Leonardo Benvenuti

- Piero De BernardiShared titles: Bianco, rosso e Verdone (1981), Dr. Jekyll Likes Them Hot (1979), Lovers and Liars (1979)See all 3 shared titles with Piero De Bernardi
- Franco CastellanoShared titles: Mia moglie è una strega (1980), Dr. Jekyll Likes Them Hot (1979)See all 2 shared titles with Franco Castellano

- Giuseppe MocciaShared titles: Mia moglie è una strega (1980), Dr. Jekyll Likes Them Hot (1979)See all 2 shared titles with Giuseppe Moccia

Actors
- David WarbeckShared titles: Fatal Frames (1996), The Black Cat (1981)See all 2 shared titles with David Warbeck

- Donald PleasenceShared titles: Fatal Frames (1996), The Pumaman (1980)See all 2 shared titles with Donald Pleasence

- Marne MaitlandShared titles: The Belly of an Architect (1987), Lovers and Liars (1979)See all 2 shared titles with Marne Maitland

- Andrea AureliShared titles: The Wild Team (1985), Bianco, rosso e Verdone (1981)See all 2 shared titles with Andrea Aureli

Composers, cinematographers and editors
- Ennio MorriconeShared titles: Bianco, rosso e Verdone (1981), Lovers and Liars (1979), The Hills Run Red (1966)See all 3 shared titles with Ennio Morricone

- Nino BaragliShared titles: Bianco, rosso e Verdone (1981), Django (1966)See all 2 shared titles with Nino Baragli

- Sergio SalvatiShared titles: The Black Cat (1981), Dr. Jekyll Likes Them Hot (1979)See all 2 shared titles with Sergio Salvati

- Vincenzo TomassiShared titles: The Black Cat (1981), The Pumaman (1980)See all 2 shared titles with Vincenzo Tomassi
Producers
- Giulio SbarigiaShared titles: The Black Cat (1981), A Matter of Time (1976)See all 2 shared titles with Giulio Sbarigia






