- Writer, also producer
- 12 on MovieCove · 26 credits in all
What are Bartlett Cormack's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 10
Light 4 · Serious 6 · Dark 2
A split, not a type: Grounded 6 · Stylized 4 · Heightened 2
A split, not a type: Gentle 2 · Charged 4 · Intense 6
Steady 3 · Shifting 7 · Whiplash 2
A split, not a type: Straight-faced 8 · Some laughs 2 · Funny 2
Slow burn 2 · Even-paced 7 · Relentless 3
Casual 5 · Engaged 6 · Full focus 1
Easy watch 4 · Affecting 7 · Heavy 1
Resolved 9 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy6
- Bittersweet3
- Tragic1
- Ambiguous1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Bartlett Cormack's films?
As of October 24, 2026, 3 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Bartlett Cormack's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 12 with a MovieCove page.

The Racket(1951)
Midcredits score: 68th percentile of all films
Unholy Partners (not in the MovieCove catalog yet)(1941)

Sidewalks of London(1938)
Midcredits score: 76th percentile of all films
Vessel of Wrath (not in the MovieCove catalog yet)(1938)

Fury(1936)
Midcredits score: 97th percentile of all films
Orchids to You (not in the MovieCove catalog yet)(1935)

Doubting Thomas (not in the MovieCove catalog yet)(1935)

We're Only Human(1935)
Midcredits score: 46th percentile of all films
Cleopatra(1934)
Midcredits score: 70th percentile of all films
The Trumpet Blows (not in the MovieCove catalog yet)(1934)

Four Frightened People (not in the MovieCove catalog yet)(1934)

This Day and Age(1933)
Midcredits score: 51st percentile of all films
The Past of Mary Holmes(1933)
Midcredits score: 67th percentile of all films (provisional, few ratings)
The Phantom of Crestwood(1932)
Midcredits score: 61st percentile of all films
Thirteen Women(1932)
Midcredits score: 50th percentile of all films
The Half-Naked Truth(1932)
Midcredits score: 46th percentile of all films
Kick In (not in the MovieCove catalog yet)(1931)

The Front Page(1931)
Midcredits score: 67th percentile of all films
The Spoilers (not in the MovieCove catalog yet)(1930)

The Benson Murder Case(1930)
Midcredits score: 45th percentile of all filmsEl Cuerpo del Delito (not in the MovieCove catalog yet)(1930)

The Laughing Lady (not in the MovieCove catalog yet)(1929)

Woman Trap (not in the MovieCove catalog yet)(1929)

The Greene Murder Case (not in the MovieCove catalog yet)(1929)

Gentlemen of the Press (not in the MovieCove catalog yet)(1929)

The Racket (not in the MovieCove catalog yet)(1928)
Career shape
A full career of 24 titles from 1928 to 1951.

Biggest box office
Fury (1936)

Highest rated
Fury (1936)

Most popular right now
Sidewalks of London (1938)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Bartlett Cormack's films land?
Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up2
- 50th to 74th7
- 25th to 49th3
Shape of the crowd
5 of their 12 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser5
- Broadly Agreed4
- Mixed2
Reviewers score the dialogue 57/100 and the plot and story 50/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Bartlett Cormack work with?
People who share at least 2 of Bartlett Cormack's MovieCove titles, grouped by what they did on them; David O. Selznick shares the most, 4.
Directors
- Cecil B. DeMilleShared titles: Cleopatra (1934), This Day and Age (1933)See all 2 shared titles with Cecil B. DeMille

Actors
- Arthur HohlShared titles: We're Only Human (1935), Cleopatra (1934)See all 2 shared titles with Arthur Hohl

- Mischa AuerShared titles: We're Only Human (1935), The Benson Murder Case (1930)See all 2 shared titles with Mischa Auer

- Richard 'Skeets' GallagherShared titles: The Past of Mary Holmes (1933), The Phantom of Crestwood (1932)See all 2 shared titles with Richard 'Skeets' Gallagher

- Eugene PalletteShared titles: The Half-Naked Truth (1932), The Benson Murder Case (1930)See all 2 shared titles with Eugene Pallette

Composers and editors
- Charles L. KimballShared titles: The Past of Mary Holmes (1933), The Half-Naked Truth (1932), Thirteen Women (1932)See all 3 shared titles with Charles L. Kimball
- Archie MarshekShared titles: We're Only Human (1935), The Phantom of Crestwood (1932)See all 2 shared titles with Archie Marshek
- Anne BauchensShared titles: Cleopatra (1934), This Day and Age (1933)See all 2 shared titles with Anne Bauchens

- Max SteinerShared titles: The Half-Naked Truth (1932), Thirteen Women (1932)See all 2 shared titles with Max Steiner

Producers
- David O. SelznickShared titles: The Past of Mary Holmes (1933), The Half-Naked Truth (1932), The Phantom of Crestwood (1932), Thirteen Women (1932)See all 4 shared titles with David O. Selznick



