
Anne Bauchens
Editor · Died May 7, 1967, aged 85 · St. Louis, Missouri, USA
From Wikipedia Anne Bauchens (February 2, 1882 – May 7, 1967) was an American film editor who is particularly noted for her collaboration over 40 years with the director Cecil B. DeMille. When the Academy Award for Film Editing was created in 1934, Bauchens received one of the three nominations for her editing of Cleopatra. She later won the Academy Award for North West Mounted Police (1940). Bauchens was trained as an editor by DeMille, and shared her first credit with him on the film Carmen. Prior to 1918, DeMille had edited, as well as directed, his films. After Carmen and We Can't Have Everything (1918), Bauchens no longer shared the editing credits with DeMille. She edited DeMille's films for the rest of their long careers, through the 1956 film The Ten Commandments. She was nominated for the Academy Award for Film editing again twice, for The Greatest Show on Earth in 1952 and for The Ten Commandments in 1956. In total, Bauchens' editing is credited on 41 films directed by DeMille, and on 20 films with other directors. Despite her long career and her series of awards, the characterizations of Bauchens as an editor are not invariably flattering. Margaret Booth, another distinguished film editor, has been quoted as saying in 1965 that, "Anne Bauchens is the oldest editor in the business. She was editing for years before I came into the business. DeMille was a bad editor, I thought, and made her look like a bad editor. I think Anne really would have been a good editor, but she had to put up with him––which was something."
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Biography from TMDB.
- February 2, 1882
- May 7, 1967 (aged 85)
- St. Louis, Missouri, USA
- Editor
- 23 on MovieCove · 53 credits in all
What are Anne Bauchens' films like?
Across their 22 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 2 · Earnest 19
Light 4 · Serious 10 · Dark 8
A split, not a type: Grounded 4 · Stylized 7 · Heightened 11
Gentle 1 · Charged 11 · Intense 10
Steady 6 · Shifting 13 · Whiplash 3
Straight-faced 12 · Some laughs 9 · Funny 1
Slow burn 7 · Even-paced 15 · Relentless 0
Casual 10 · Engaged 11 · Full focus 1
Easy watch 8 · Affecting 10 · Heavy 4
Resolved 20 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy12
- Bittersweet7
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anne Bauchens' films?
As of October 24, 2026, 8 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Anne Bauchens' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
53 credits, 23 with a MovieCove page.

The Ten Commandments(1956)
Midcredits score: 97th percentile of all films
Midcredits score: 60th percentile of all films
Sunset Boulevard(1950)
Midcredits score: 99th percentile of all films
Samson and Delilah(1949)
Midcredits score: 74th percentile of all films
Unconquered(1947)
Midcredits score: 76th percentile of all films
Love Letters(1945)
Midcredits score: 80th percentile of all films
The Story of Dr. Wassell(1944)
Midcredits score: 67th percentile of all films
Commandos Strike at Dawn(1942)
Midcredits score: 59th percentile of all films
Reap the Wild Wind(1942)
Midcredits score: 68th percentile of all films
Midcredits score: 58th percentile of all films
Women Without Names (not in the MovieCove catalog yet)(1940)

Television Spy (not in the MovieCove catalog yet)(1939)

Union Pacific(1939)
Midcredits score: 79th percentile of all films
Sons of the Legion (not in the MovieCove catalog yet)(1938)
Midcredits score: 41st percentile of all films
Hunted Men (not in the MovieCove catalog yet)(1938)

The Buccaneer(1938)
Midcredits score: 65th percentile of all films
The Plainsman(1936)
Midcredits score: 71st percentile of all films
The Crusades(1935)
Midcredits score: 62nd percentile of all films
Cleopatra(1934)
Midcredits score: 70th percentile of all films
Four Frightened People (not in the MovieCove catalog yet)(1934)

Cradle Song (not in the MovieCove catalog yet)(1933)

This Day and Age(1933)
Midcredits score: 51st percentile of all films
The Sign of the Cross(1932)
Midcredits score: 73rd percentile of all films
The Wet Parade (not in the MovieCove catalog yet)(1932)

The Beast of the City(1932)
Midcredits score: 67th percentile of all films
Guilty Hands (not in the MovieCove catalog yet)(1931)

The Squaw Man (not in the MovieCove catalog yet)(1931)

Madam Satan(1930)
Midcredits score: 54th percentile of all films
This Mad World (not in the MovieCove catalog yet)(1930)

Lord Byron of Broadway (not in the MovieCove catalog yet)(1930)

Dynamite (not in the MovieCove catalog yet)(1929)

Noisy Neighbors (not in the MovieCove catalog yet)(1929)

Craig's Wife (not in the MovieCove catalog yet)(1928)

The Godless Girl (not in the MovieCove catalog yet)(1928)

Chicago (not in the MovieCove catalog yet)(1927)

The King of Kings(1927)
Midcredits score: 81st percentile of all films
The Volga Boatman (not in the MovieCove catalog yet)(1926)

The Road to Yesterday (not in the MovieCove catalog yet)(1925)

Feet of Clay (not in the MovieCove catalog yet)(1924)

The Ten Commandments(1923)
Midcredits score: 69th percentile of all films
Adam's Rib (not in the MovieCove catalog yet)(1923)

Saturday Night (not in the MovieCove catalog yet)(1922)

Fool's Paradise (not in the MovieCove catalog yet)(1921)

Forbidden Fruit (not in the MovieCove catalog yet)(1921)

The Affairs of Anatol(1921)
Midcredits score: 77th percentile of all films
Something to Think About (not in the MovieCove catalog yet)(1920)

Why Change Your Wife? (not in the MovieCove catalog yet)(1920)

Male and Female (not in the MovieCove catalog yet)(1919)

The Squaw Man (not in the MovieCove catalog yet)(1918)

Till I Come Back to You (not in the MovieCove catalog yet)(1918)

We Can't Have Everything (not in the MovieCove catalog yet)(1918)

Carmen (not in the MovieCove catalog yet)(1915)
Career shape
A full career of 52 titles from 1915 to 1956.
Film career
- 1950Screen debut· Sunset Boulevard
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Anne Bauchens' films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 23; across their 22 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up7
- 50th to 74th15
- 25th to 49th1
Shape of the crowd
19 of their 23 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser19
- Broadly Agreed1
- Mixed1
Reviewers score the pacing 46/100 in their films, across 22 reviewed titles; fans 55, detractors 29. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Anne Bauchens' work okay for kids?
Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Anne Bauchens work with?
People who share at least 2 of Anne Bauchens' MovieCove titles, grouped by what they did on them; Cecil B. DeMille shares the most, 18.
Directors
- Cecil B. DeMilleShared titles: The Ten Commandments (1956), The Greatest Show on Earth (1952), Samson and Delilah (1949), Unconquered (1947), The Story of Dr. Wassell (1944), Reap the Wild Wind (1942), North West Mounted Police (1940), Union Pacific (1939), The Buccaneer (1938), The Plainsman (1936), The Crusades (1935), Cleopatra (1934) and 6 moreSee newest 12 of 18 shared titles with Cecil B. DeMille

Writers
- Jesse Lasky Jr.Shared titles: The Ten Commandments (1956), Samson and Delilah (1949), Unconquered (1947), Reap the Wild Wind (1942), North West Mounted Police (1940), Union Pacific (1939)See all 6 shared titles with Jesse Lasky Jr.

- Jeanie MacphersonShared titles: The Crusades (1935), Madam Satan (1930), The King of Kings (1927), The Ten Commandments (1923), The Affairs of Anatol (1921)See all 5 shared titles with Jeanie Macpherson

- Fredric M. FrankShared titles: The Ten Commandments (1956), The Greatest Show on Earth (1952), Samson and Delilah (1949), Unconquered (1947)See all 4 shared titles with Fredric M. Frank
- Waldemar YoungShared titles: The Plainsman (1936), The Crusades (1935), Cleopatra (1934), The Sign of the Cross (1932)See all 4 shared titles with Waldemar Young

Actors
- Henry WilcoxonShared titles: The Greatest Show on Earth (1952), Samson and Delilah (1949), Unconquered (1947), The Crusades (1935), Cleopatra (1934)See all 5 shared titles with Henry Wilcoxon

- Gary CooperShared titles: Unconquered (1947), The Story of Dr. Wassell (1944), North West Mounted Police (1940), The Plainsman (1936)See all 4 shared titles with Gary Cooper

- Ian KeithShared titles: The Buccaneer (1938), The Crusades (1935), Cleopatra (1934), The Sign of the Cross (1932)See all 4 shared titles with Ian Keith

- C. Aubrey SmithShared titles: Unconquered (1947), The Crusades (1935), Cleopatra (1934)See all 3 shared titles with C. Aubrey Smith

Composers and cinematographers
- Victor YoungShared titles: The Greatest Show on Earth (1952), Samson and Delilah (1949), Unconquered (1947), Love Letters (1945), The Story of Dr. Wassell (1944), Reap the Wild Wind (1942), North West Mounted Police (1940), Union Pacific (1939)See all 8 shared titles with Victor Young

- Victor MilnerShared titles: The Story of Dr. Wassell (1944), Reap the Wild Wind (1942), North West Mounted Police (1940), Union Pacific (1939), The Buccaneer (1938), The Plainsman (1936), The Crusades (1935), Cleopatra (1934)See all 8 shared titles with Victor Milner

- Milan RoderShared titles: Bulldog Drummond in Africa (1938), The Sign of the Cross (1932), The Ten Commandments (1923)See all 3 shared titles with Milan Roder
- Rudolph G. KoppShared titles: The Crusades (1935), Cleopatra (1934), The Sign of the Cross (1932)See all 3 shared titles with Rudolph G. Kopp



