Marcello D'Amico
- Producer
- 9 on MovieCove · 17 credits in all
What are Marcello D'Amico's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 0 · Dark 4
Grounded 6 · Stylized 0 · Heightened 0
A split, not a type: Gentle 1 · Charged 2 · Intense 3
Steady 2 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 0 · Funny 2
Slow burn 2 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 4
Resolved 4 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet1
- Tragic3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marcello D'Amico's films?
As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Marcello D'Amico's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 9 with a MovieCove page.
Oedipus orca(1977)
Midcredits score: 15th percentile of all films
Snatch(1976)
Midcredits score: 31st percentile of all films
Come ti rapisco il pupo(1977)
Midcredits score: 6th percentile of all films (provisional, few ratings)
The Sunday Woman(1975)
Midcredits score: 68th percentile of all films
The Great Kidnapping (not in the MovieCove catalog yet)(1973)
Massacre in Rome(1973)
Midcredits score: 62nd percentile of all films
The Pisciotta Case (not in the MovieCove catalog yet)(1972)
Execution Squad(1972)
Midcredits score: 77th percentile of all films
Mastro Don Gesualdo (not in the MovieCove catalog yet)(1964)
The Warrior Empress (not in the MovieCove catalog yet)(1960)
Journey to Italy(1954)
Midcredits score: 89th percentile of all films
The Chicken (not in the MovieCove catalog yet)(1953)
We, the Women (not in the MovieCove catalog yet)(1953)
The Seven Deadly Sins(1952)
Midcredits score: 50th percentile of all films
Flesh Will Surrender(1947)
Midcredits score: 75th percentile of all films
Rome: Free City (not in the MovieCove catalog yet)(1946)
Night of the Storm (not in the MovieCove catalog yet)(1946)
Career shape
A full career of 17 titles from 1946 to 1977.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Marcello D'Amico's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 9; across their 6 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th1
- Below 25th2
Shape of the crowd
6 of their 9 titles are Crowd Pleasers.
- Crowd Pleaser6
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marcello D'Amico work with?
People who share at least 2 of Marcello D'Amico's MovieCove titles, grouped by what they did on them; Blasco Giurato shares the most, 3.
Directors
- Eriprando ViscontiShared titles: Oedipus orca (1977), Snatch (1976)See all 2 shared titles with Eriprando Visconti
Writers
- Lucio De CaroShared titles: Come ti rapisco il pupo (1977), Massacre in Rome (1973)See all 2 shared titles with Lucio De Caro
- Roberto GandusShared titles: Oedipus orca (1977), Snatch (1976)See all 2 shared titles with Roberto Gandus
Actors
- Gabriele FerzettiShared titles: Oedipus orca (1977), Snatch (1976)See all 2 shared titles with Gabriele Ferzetti
- Michele PlacidoShared titles: Oedipus orca (1977), Snatch (1976)See all 2 shared titles with Michele Placido
- Miguel BoséShared titles: Oedipus orca (1977), Snatch (1976)See all 2 shared titles with Miguel Bosé
- Rena NiehausShared titles: Oedipus orca (1977), Snatch (1976)See all 2 shared titles with Rena Niehaus
Composers, cinematographers and editors
- Blasco GiuratoShared titles: Come ti rapisco il pupo (1977), Oedipus orca (1977), Snatch (1976)See all 3 shared titles with Blasco Giurato
- Franco ArcalliShared titles: Oedipus orca (1977), Snatch (1976)See all 2 shared titles with Franco Arcalli
- Ennio MorriconeShared titles: The Sunday Woman (1975), Massacre in Rome (1973)See all 2 shared titles with Ennio Morricone
