Eriprando Visconti

What are Eriprando Visconti's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Eriprando Visconti's films?

As of October 28, 2026, none of Eriprando Visconti's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Eriprando Visconti's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Malamore(1982)

  Director · Writer

  Midcredits score: 19th percentile of all films19^th
• 

  Oedipus orca(1977)

  Director · Writer

  Midcredits score: 15th percentile of all films15^th
• 

  Snatch(1976)

  Director · Writer

  Midcredits score: 31st percentile of all films31^st
• 

  The Hassled Hooker(1972)

  Director · Writer

  Midcredits score: 37th percentile of all films37^th
• 

  The Lady of Monza(1969)

  Director · Writer

  Midcredits score: 17th percentile of all films17^th

Career shape

Across their 5 MovieCove titles from 1969 to 1982.

Highest rated

Snatch (1976)

Midcredits 31^st

Most popular right now

Malamore (1982)

How do Eriprando Visconti's films land?

Their typical MovieCove film has a Midcredits score in the 19^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 22^nd percentile for acclaim.

Shape of the crowd

4 of their 5 titles are Mixed.

14

• Crowd Pleaser1
• Mixed4

Most divisive · director, writer

Oedipus orca (1977)

60^th percentile spread · 38% rated it 4 or lower

Most loved · director, writer

The Hassled Hooker (1972)

Midcredits 37^th · 43% liked

Reviewers score the atmosphere 58/100 and the pacing 33/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Eriprando Visconti work with?

People who share at least 2 of Eriprando Visconti's MovieCove titles, grouped by what they did on them; Roberto Gandus shares the most, 3.