- Editor, also producer
- 15 on MovieCove · 18 credits in all
What are Joanne D'Antonio's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 9
A split, not a type: Light 5 · Serious 2 · Dark 3
Grounded 8 · Stylized 2 · Heightened 0
Gentle 3 · Charged 6 · Intense 1
Steady 7 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 0 · Funny 5
Slow burn 6 · Even-paced 4 · Relentless 0
Casual 7 · Engaged 3 · Full focus 0
Easy watch 4 · Affecting 4 · Heavy 2
Resolved 8 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Joanne D'Antonio's films?
As of October 24, 2026, 9 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (8).
- The Visual Bible: Acts (1994) · editor · free
- Terms of Endearment (1983) · sound editor · free
- The Exorcist III (1990) · sound editor · free
- You Must Remember This (1992) · editor · free
- Wolfen (1981) · dialogue editor · free
- Sitting Ducks (1980) · sound editor · free
- Murder by the Book (1987) · editor · free
- Saturday the 14th (1981) · editor · free
Subscription and free streaming for Joanne D'Antonio's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 15 with a MovieCove page.
One True Love (not in the MovieCove catalog yet)(2000)
Sweetwater(1999)
Midcredits score: 53rd percentile of all films
Dog's Best Friend(1997)
Midcredits score: 17th percentile of all films
Our Son, the Matchmaker (not in the MovieCove catalog yet)(1996)
Chameleon(1995)
Midcredits score: 44th percentile of all films
The Visual Bible: Acts(1994)
Midcredits score: 91st percentile of all films
Midcredits score: 32nd percentile of all films
You Must Remember This(1992)
Midcredits score: 59th percentile of all films (provisional, few ratings)
The Exorcist III(1990)
Midcredits score: 66th percentile of all films
Who Gets the Friends?(1988)
Midcredits score: 36th percentile of all films (provisional, few ratings)
Murder by the Book(1987)
Midcredits score: 20th percentile of all films
Broken Rainbow (not in the MovieCove catalog yet)(1985)
Terms of Endearment(1983)
Midcredits score: 91st percentile of all films
Summerspell(1983)
Midcredits score: 14th percentile of all films
Saturday the 14th(1981)
Midcredits score: 10th percentile of all films
Wolfen(1981)
Midcredits score: 54th percentile of all films
Sitting Ducks(1980)
Midcredits score: 40th percentile of all films
Apocalypse Now(1979)
Midcredits score: 99th percentile of all films
Career shape
A full career of 17 titles from 1979 to 2000.
Biggest box office
Summerspell (1983)
Highest rated
The Visual Bible: Acts (1994)
Most popular right now
Summerspell (1983)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Joanne D'Antonio's films land?
Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 15; across their 10 films with reception data, the typical film sits in the 28th percentile for acclaim.
- 75th and up3
- 50th to 74th4
- 25th to 49th4
- Below 25th4
Shape of the crowd
5 of their 15 titles are Crowd Pleasers.
- Universally Loved1
- Divisive2
- Cult Classic2
- Crowd Pleaser5
- Mixed5
Reviewers score the pacing 44/100 in their films, across 4 reviewed titles; fans 52, detractors 35. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Joanne D'Antonio work with?
People who share at least 2 of Joanne D'Antonio's MovieCove titles; Edward Lopatin shares the most, 2.
- Edward LopatinShared titles: The Visual Bible: Acts (1994), I Don't Buy Kisses Anymore (1992)See all 2 shared titles with Edward Lopatin
- Robert MarcarelliShared titles: The Visual Bible: Acts (1994), I Don't Buy Kisses Anymore (1992)See all 2 shared titles with Robert Marcarelli