- Director, producer and writer
- 7 on MovieCove · 12 credits in all
What are Robert Marcarelli's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 1 · Serious 6 · Dark 0
Grounded 7 · Stylized 0 · Heightened 0
Gentle 1 · Charged 6 · Intense 0
Steady 6 · Shifting 1 · Whiplash 0
Straight-faced 6 · Some laughs 0 · Funny 1
Slow burn 4 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 4 · Full focus 0
Easy watch 1 · Affecting 5 · Heavy 1
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Marcarelli's films?
As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (6).
- The Gospel According to Matthew (1993) · producer · free
- The Visual Bible: Acts (1994) · producer · free
- The Emissary: A Biblical Epic (1997) · director, producer · free
- The Long Ride Home (2003) · director, producer · free
- The Omega Code (1999) · director, producer · free
- Original Intent (1990) · actor, director, writer, producer · free
Subscription and free streaming for Robert Marcarelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 7 with a MovieCove page.

Facing Extinction: Christians of Iraq (not in the MovieCove catalog yet)(2009)

Not For Sale (not in the MovieCove catalog yet)(2007)

The Long Ride Home(2003)
Midcredits score: 22nd percentile of all films
The Omega Code(1999)
Midcredits score: 3rd percentile of all films
The Birth of Jesus (not in the MovieCove catalog yet)(1998)
Midcredits score: 67th percentile of all films
The Revolutionary (not in the MovieCove catalog yet)(1995)

The Visual Bible: Acts(1994)
Midcredits score: 91st percentile of all films
Midcredits score: 95th percentile of all films
Eye of the Storm (not in the MovieCove catalog yet)(1992)

Original Intent(1990)
Midcredits score: 1st percentile of all films
Midcredits score: 32nd percentile of all films
Career shape
A full career of 11 titles from 1992 to 2009.

Biggest box office
The Omega Code (1999)

Highest rated
The Gospel According to Matthew (1993)

Most popular right now
Original Intent (1990)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Robert Marcarelli's films land?
Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 24th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th1
- Below 25th3
Shape of the crowd
3 of their 7 titles are Mixed.
- Universally Panned1
- Divisive1
- Cult Classic1
- Crowd Pleaser1
- Mixed3
Reviewers score the atmosphere 53/100 and the pacing 38/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert Marcarelli work with?
People who share at least 2 of Robert Marcarelli's MovieCove titles, grouped by what they did on them; Joyce Marcarelli shares the most, 3.
Directors
- Regardt van den BerghShared titles: The Visual Bible: Acts (1994), The Gospel According to Matthew (1993)See all 2 shared titles with Regardt van den Bergh

Writers
- Joyce MarcarelliShared titles: The Emissary: A Biblical Epic (1997), The Visual Bible: Acts (1994), Original Intent (1990)See all 3 shared titles with Joyce Marcarelli
Actors
- Bruce MarchianoShared titles: The Visual Bible: Acts (1994), The Gospel According to Matthew (1993)See all 2 shared titles with Bruce Marchiano

Composers, cinematographers and editors
- Carlos GonzálezShared titles: The Omega Code (1999), The Emissary: A Biblical Epic (1997)See all 2 shared titles with Carlos González
- David MinerShared titles: The Emissary: A Biblical Epic (1997), The Visual Bible: Acts (1994)See all 2 shared titles with David Miner
- Joanne D'AntonioShared titles: The Visual Bible: Acts (1994), I Don't Buy Kisses Anymore (1992)See all 2 shared titles with Joanne D'Antonio
- Tobie SwanepoelShared titles: The Visual Bible: Acts (1994), The Gospel According to Matthew (1993)See all 2 shared titles with Tobie Swanepoel
Producers
- Edward LopatinShared titles: The Emissary: A Biblical Epic (1997), The Visual Bible: Acts (1994), I Don't Buy Kisses Anymore (1992)See all 3 shared titles with Edward Lopatin
- Gary M. BettmanShared titles: The Omega Code (1999), I Don't Buy Kisses Anymore (1992)See all 2 shared titles with Gary M. Bettman
- Paul CrouchShared titles: The Omega Code (1999), The Emissary: A Biblical Epic (1997)See all 2 shared titles with Paul Crouch
- Carole PrenticeShared titles: The Visual Bible: Acts (1994), The Gospel According to Matthew (1993)See all 2 shared titles with Carole Prentice