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Carlos De Carvalho

Cinematographer

Works as
Cinematographer
Titles
22 on MovieCove · 25 credits in all
TMDB popularity, last 64 days to Oct 27Down 16% in 30 days

What are Carlos De Carvalho's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
42%
Self
26%
Bonds
25%
Power
7%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Tense
2
Romantic
1
Dread
1
Bittersweet
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carlos De Carvalho's films?

As of October 24, 2026, 19 of their 22 MovieCove titles stream on a subscription or free service, most on Disney+ (6).

Subscription and free streaming for Carlos De Carvalho's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 22 with a MovieCove page.

  • Star Wars: Starfighter (not in the MovieCove catalog yet)(2027)

    Second Unit Director of Photography

  • The Sheep Detectives(2026)

    Second Unit Director of Photography

    Midcredits score: 95th percentile of all films
  • The Running Man(2025)

    Second Unit Director of Photography

    Midcredits score: 57th percentile of all films
  • Snow White(2025)

    Second Unit Director · Second Unit Director of Photography

    Midcredits score: 1st percentile of all films
  • Black Panther: Wakanda Forever(2022)

    Second Unit Director of Photography

    Midcredits score: 69th percentile of all films
  • Spider-Man: No Way Home(2021)

    Second Unit Director of Photography

    Midcredits score: 98th percentile of all films
  • Black Widow(2021)

    Second Unit Director of Photography

    Midcredits score: 68th percentile of all films
  • Spider-Man: Far from Home(2019)

    Second Unit Director of Photography

    Midcredits score: 89th percentile of all films
  • Vita & Virginia(2018)

    Cinematographer

    Midcredits score: 47th percentile of all films
  • Phantom Thread(2017)

    "B" Camera Operator

    Midcredits score: 93rd percentile of all films
  • Darkest Hour(2017)

    Second Unit Director of Photography

    Midcredits score: 93rd percentile of all films
  • The Foreigner(2017)

    Additional Camera

    Midcredits score: 81st percentile of all films
  • Wonder Woman(2017)

    Additional Photography

    Midcredits score: 87th percentile of all films
  • Life(2017)

    Second Unit Director of Photography

    Midcredits score: 62nd percentile of all films
  • Burn Burn Burn(2015)

    Cinematographer

    Midcredits score: 75th percentile of all films
  • Miss Peregrine's Home for Peculiar Children(2016)

    Second Unit Cinematographer

    Midcredits score: 71st percentile of all films
  • Spectre(2015)

    Additional Camera

    Midcredits score: 71st percentile of all films
  • Mission: Impossible - Rogue Nation(2015)

    Additional Camera

    Midcredits score: 94th percentile of all films
  • Outpost: Rise of the Spetsnaz(2013)

    Cinematographer

    Midcredits score: 16th percentile of all films
  • Sahara(2005)

    Focus Puller

    Midcredits score: 41st percentile of all films
  • Lara Croft: Tomb Raider - The Cradle of Life(2003)

    First Assistant "A" Camera

    Midcredits score: 24th percentile of all films
  • Diamond Girl (not in the MovieCove catalog yet)(1998)

    Camera Operator

  • Tarzan and the Lost City(1998)

    Focus Puller

    Midcredits score: 6th percentile of all films
  • The Ghost and the Darkness(1996)

    First Assistant "B" Camera

    Midcredits score: 72nd percentile of all films
  • Positano (not in the MovieCove catalog yet)

    Second Unit Director of Photography

Career shape

A full career of 24 titles, 22 of them dated from 1996 to 2026.

By role

only this rolewith another role
Cinematography14 of 24: 13 only cinematography, 1 with another role · typical Midcredits score70thOther crew11 of 24: 10 only other crew, 1 with another role · typical Midcredits score72nd

By decade

1990s3 · crew2000s2 · crew2010s11 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Carlos De Carvalho's films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 22; across a limited sample of 3 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 3

Approval · how many liked their films

42ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

75thpercentile
Typical film, the median of 3

Midcredits score across 22 titles, by percentile

  • 75th and up9
  • 50th to 74th7
  • 25th to 49th2
  • Below 25th4

Shape of the crowd

13 of their 22 titles are Crowd Pleasers.

  • Universally Loved3
  • Universally Panned1
  • Crowd Pleaser13
  • Broadly Agreed2
  • Mixed3

Reviewers score the cinematography 62/100 in their films, across 3 reviewed titles; fans 68, detractors 38. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carlos De Carvalho work with?

People who share at least 2 of Carlos De Carvalho's MovieCove titles, grouped by what they did on them; Chanya Button shares the most, 2.

Directors

Editors

Producers