Carlos De Carvalho
- Cinematographer
- 22 on MovieCove · 25 credits in all
What are Carlos De Carvalho's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 0 · Serious 2 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Carlos De Carvalho's films?
As of October 24, 2026, 19 of their 22 MovieCove titles stream on a subscription or free service, most on Disney+ (6).
Subscription and free streaming for Carlos De Carvalho's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 22 with a MovieCove page.

Star Wars: Starfighter (not in the MovieCove catalog yet)(2027)

The Sheep Detectives(2026)
Midcredits score: 95th percentile of all films
The Running Man(2025)
Midcredits score: 57th percentile of all films
Snow White(2025)
Midcredits score: 1st percentile of all films
Midcredits score: 69th percentile of all films
Spider-Man: No Way Home(2021)
Midcredits score: 98th percentile of all films
Black Widow(2021)
Midcredits score: 68th percentile of all films
Midcredits score: 89th percentile of all films
Vita & Virginia(2018)
Midcredits score: 47th percentile of all films
Phantom Thread(2017)
Midcredits score: 93rd percentile of all films
Darkest Hour(2017)
Midcredits score: 93rd percentile of all films
The Foreigner(2017)
Midcredits score: 81st percentile of all films
Wonder Woman(2017)
Midcredits score: 87th percentile of all films
Life(2017)
Midcredits score: 62nd percentile of all films
Burn Burn Burn(2015)
Midcredits score: 75th percentile of all films
Midcredits score: 71st percentile of all films
Spectre(2015)
Midcredits score: 71st percentile of all films
Midcredits score: 94th percentile of all films
Midcredits score: 16th percentile of all films
Sahara(2005)
Midcredits score: 41st percentile of all films
Midcredits score: 24th percentile of all films
Diamond Girl (not in the MovieCove catalog yet)(1998)

Tarzan and the Lost City(1998)
Midcredits score: 6th percentile of all films
Midcredits score: 72nd percentile of all filmsPositano (not in the MovieCove catalog yet)
Career shape
A full career of 24 titles, 22 of them dated from 1996 to 2026.

Biggest box office
Vita & Virginia (2018)

Highest rated
Burn Burn Burn (2015)

Most popular right now
Vita & Virginia (2018)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Carlos De Carvalho's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 22; across a limited sample of 3 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up9
- 50th to 74th7
- 25th to 49th2
- Below 25th4
Shape of the crowd
13 of their 22 titles are Crowd Pleasers.
- Universally Loved3
- Universally Panned1
- Crowd Pleaser13
- Broadly Agreed2
- Mixed3
Reviewers score the cinematography 62/100 in their films, across 3 reviewed titles; fans 68, detractors 38. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Carlos De Carvalho work with?
People who share at least 2 of Carlos De Carvalho's MovieCove titles, grouped by what they did on them; Chanya Button shares the most, 2.
Directors
- Chanya ButtonShared titles: Vita & Virginia (2018), Burn Burn Burn (2015)See all 2 shared titles with Chanya Button

Editors
- Mark TrendShared titles: Vita & Virginia (2018), Burn Burn Burn (2015)See all 2 shared titles with Mark Trend
Producers
- Daniel-Konrad CooperShared titles: Vita & Virginia (2018), Burn Burn Burn (2015)See all 2 shared titles with Daniel-Konrad Cooper



