
Libero De Rienzo
Actor · Died July 15, 2021, aged 44 · Naples, Italy
Libero De Rienzo (February 24, 1977 – July 15, 2021) was an Italian actor and onetime filmmaker best known for his breakthrough role as wisecracking Bart in Santa Maradona (2001), for which he won the David di Donatello for Best Supporting Actor. His other notable roles include those in Catherine Breillat's Fat Girl (2001), Honey (2013), Fortapàsc (2009) and the Smetto quando voglio trilogy (2014-2017). He died from a heroin overdose at age 44.
Read moreShow less
Biography from TMDB.
- February 24, 1977
- July 15, 2021 (aged 44)
- Naples, Italy
- Actor
- 13 on MovieCove · 39 credits in all
Known for
What are Libero De Rienzo's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
A split, not a type: Light 5 · Serious 2 · Dark 5
A split, not a type: Grounded 6 · Stylized 5 · Heightened 1
Gentle 2 · Charged 5 · Intense 5
Steady 4 · Shifting 7 · Whiplash 1
A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 3
Slow burn 4 · Even-paced 7 · Relentless 1
Casual 3 · Engaged 9 · Full focus 0
Easy watch 4 · Affecting 5 · Heavy 3
Resolved 8 · Open-ended 3 · Ambiguous 1
Roles they play
- Tricksteras Libero Proietti in Milan Palermo - The Return (2007)
- Heroas Mauro in Underworld (2019)
Moods and endings
- Happy1
- Bittersweet6
- Tragic1
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Libero De Rienzo's films?
As of October 24, 2026, 3 of their 13 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Libero De Rienzo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
39 credits, 13 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Takeaway (not in the MovieCove catalog yet)(2022)

Una relazione(2021)
Midcredits score: 39th percentile of all films
Midcredits score: 54th percentile of all films
Fortuna(2020)
Midcredits score: 53rd percentile of all films
Il caso Pantani - L'omicidio di un campione (not in the MovieCove catalog yet)(2020)

Say It Loud (not in the MovieCove catalog yet)(2020)

Underworld(2019)
Midcredits score: 30th percentile of all films
The Two Popes(2019)
Midcredits score: 96th percentile of all films
Let's Stay Friends (not in the MovieCove catalog yet)(2019)

DolceRoma (not in the MovieCove catalog yet)(2019)

Reckless(2018)
Midcredits score: 27th percentile of all films
Midcredits score: 80th percentile of all films
La casa di famiglia (not in the MovieCove catalog yet)(2017)

Easy (not in the MovieCove catalog yet)(2017)
Midcredits score: 82nd percentile of all films
Dead Uncle (not in the MovieCove catalog yet)(2016)

The Ploy (not in the MovieCove catalog yet)(2016)

I Killed Napoleon (not in the MovieCove catalog yet)(2015)
Midcredits score: 88th percentile of all films
Honey (not in the MovieCove catalog yet)(2013)

Kryptonite!(2011)
Midcredits score: 59th percentile of all films
All at Sea (not in the MovieCove catalog yet)(2011)

Dirty War (not in the MovieCove catalog yet)(2010)

Fort Apache Napoli (not in the MovieCove catalog yet)(2009)

Aldo Moro - Il Presidente (not in the MovieCove catalog yet)(2008)
Midcredits score: 12th percentile of all films
Nassiryia - Per non dimenticare (not in the MovieCove catalog yet)(2007)

Sangue - La morte non esiste (not in the MovieCove catalog yet)(2005)

A/R Andata + Ritorno (not in the MovieCove catalog yet)(2004)

Dream Generation (not in the MovieCove catalog yet)(2003)

My House in Umbria(2003)
Midcredits score: 71st percentile of all films
Gasoline (not in the MovieCove catalog yet)(2002)

Gioco perverso (not in the MovieCove catalog yet)(2002)

Il sequestro Soffiantini (not in the MovieCove catalog yet)(2002)

Santa Maradona (not in the MovieCove catalog yet)(2001)

Fat Girl(2001)
Midcredits score: 65th percentile of all films
Midsummer Night Dance (not in the MovieCove catalog yet)(1999)

Asini (not in the MovieCove catalog yet)(1999)

A Lighter Burden to Bear (not in the MovieCove catalog yet)(1998)
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 39 titles from 1998 to 2022; peak year 2018.

Biggest box office
Milan Palermo - The Return (2007)

Highest rated
I Can Quit Whenever I Want (2014)

Most popular right now
Fat Girl (2001)
Film career
Peak 2018 · at the high point of their film career. Top draw in 2 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1999Screen debut· Asini
- 2004First top-billed film· A/R Andata + Ritorno
- 2009Breakout· Fort Apache Napoli
- 2009Career best· Fort Apache Napoli
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Libero De Rienzo's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 75th and up4
- 50th to 74th5
- 25th to 49th3
- Below 25th1
Shape of the crowd
5 of their 13 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser5
- Broadly Agreed2
- Mixed5
Reviewers score the acting 70/100 in their films, across 5 reviewed titles; fans 79, detractors 55. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Libero De Rienzo work with?
People who share at least 2 of Libero De Rienzo's MovieCove titles, grouped by what they did on them; Matteo Rovere shares the most, 4.
Directors
- Sydney SibiliaShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017), I Can Quit Whenever I Want (2014)See all 3 shared titles with Sydney Sibilia

Writers
- Francesca ManieriShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017)See all 2 shared titles with Francesca Manieri

- Luigi Di CapuaShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017)See all 2 shared titles with Luigi Di Capua
Actors
- Edoardo LeoShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017), I Can Quit Whenever I Want (2014)See all 3 shared titles with Edoardo Leo

- Paolo CalabresiShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017), I Can Quit Whenever I Want (2014)See all 3 shared titles with Paolo Calabresi

- Pietro SermontiShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017), I Can Quit Whenever I Want (2014)See all 3 shared titles with Pietro Sermonti

- Stefano FresiShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017), I Can Quit Whenever I Want (2014)See all 3 shared titles with Stefano Fresi

Composers, cinematographers and editors
- Gianni VezzosiShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017), I Can Quit Whenever I Want (2014)See all 3 shared titles with Gianni Vezzosi

- Vladan RadovicShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017), I Can Quit Whenever I Want (2014)See all 3 shared titles with Vladan Radovic

- Michele BragaShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017)See all 2 shared titles with Michele Braga

Producers
- Matteo RovereShared titles: Una relazione (2021), I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017), I Can Quit Whenever I Want (2014)See all 4 shared titles with Matteo Rovere

- Domenico ProcacciShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017), I Can Quit Whenever I Want (2014)See all 3 shared titles with Domenico Procacci

- Andrea ParisShared titles: Una relazione (2021), I Can Quit Whenever I Want (2014)See all 2 shared titles with Andrea Paris

- Fabio FerroShared titles: I Can Quit Whenever I Want: Ad Honorem (2017), I Can Quit Whenever I Want: Masterclass (2017)See all 2 shared titles with Fabio Ferro
