Fabio Ferro

What are Fabio Ferro's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fabio Ferro's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

• Netflix1 title, browse their movies on this service
  • Rose Island (2020) · producer
• Tubi1 title, browse their movies on this service
  • The Champion (2019) · producer · free

Subscription and free streaming for Fabio Ferro's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Rose Island(2020)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  The Champion(2019)

  Producer

  Midcredits score: 59th percentile of all films59^th
• 

  I Can Quit Whenever I Want: Ad Honorem(2017)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  I Can Quit Whenever I Want: Masterclass(2017)

  Producer

  Midcredits score: 82nd percentile of all films82^nd

Career shape

Across a limited sample of 4 MovieCove titles from 2017 to 2020.

Biggest box office

I Can Quit Whenever I Want: Masterclass (2017)

$3.5M worldwide

Highest rated

Rose Island (2020)

Midcredits 85^th

How do Fabio Ferro's films land?

Their typical MovieCove film has a Midcredits score in the 81^st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 83^rd percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

31

• Crowd Pleaser3
• Broadly Agreed1

Most loved · producer

Rose Island (2020)

Midcredits 85^th · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Fabio Ferro work with?

People who share at least 2 of Fabio Ferro's MovieCove titles, grouped by what they did on them; Sydney Sibilia shares the most, 4.