Federico De Robertis

What are Federico De Robertis' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Federico De Robertis' films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • The Invisible Boy (2014) · composer · free
  • The Invisible Boy: Second Generation (2018) · composer · free
• Pluto TV1 title, browse their movies on this service
  • The Invisible Boy (2014) · composer · free
• Prime Video1 title, browse their movies on this service
  • The Invisible Boy (2014) · composer
• The Roku Channel1 title, browse their movies on this service
  • The Invisible Boy (2014) · composer · free

Subscription and free streaming for Federico De Robertis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  The Invisible Boy: Second Generation(2018)

  Composer

  Midcredits score: 26th percentile of all films26^th
• 

  The Invisible Boy(2014)

  Composer

  Midcredits score: 45th percentile of all films45^th
• 

  Nirvana(1997)

  Composer

  Midcredits score: 56th percentile of all films56^th

Career shape

Across a limited sample of 3 MovieCove titles from 1997 to 2018.

Biggest box office

The Invisible Boy (2014)

$5.2M worldwide

Highest rated

Nirvana (1997)

Midcredits 56^th

Most popular right now

The Invisible Boy (2014)

How do Federico De Robertis' films land?

Their typical MovieCove film has a Midcredits score in the 45^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 44^th percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 1 is Crowd Pleaser.

111

• Crowd Pleaser1
• Broadly Agreed1
• Mixed1

Most loved · composer

Nirvana (1997)

Midcredits 56^th · 51% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Federico De Robertis work with?

People who share at least 2 of Federico De Robertis' MovieCove titles, grouped by what they did on them; Gabriele Salvatores shares the most, 3.