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Alessandro Fabbri

Alessandro Fabbri

Writer · Born August 3, 1978 (48) · Ravenna, Emilia-Romagna, Italy

Alessandro Fabbri was born on 3 August 1978 in Ravenna, Emilia-Romagna, Italy. He is a writer, known for The Invisible Boy (2014), Citadel: Diana (2024) and The Invisible Boy: Second Generation (2018).

Biography from IMDb.

Born
August 3, 1978 (48)
From
Ravenna, Emilia-Romagna, Italy
Works as
Writer
Titles
12 on MovieCove · 19 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 8% in 30 days

What are Alessandro Fabbri's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Action2 titlesTypical Midcredits score: 36th percentile
: browse their Action movies
Crime2 titlesTypical Midcredits score: 37th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
30%
Self
27%
Bonds
23%
Power
12%
Survival
6%
Ideas
2%
Identity4 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themePower2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 0 · Shifting 3 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 3 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 1 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Dread
3
Contemplative
3
Melancholic
2
Thrilling
1
Other
7

How their films linger

Thought-provoking5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet6
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alessandro Fabbri's films?

As of October 24, 2026, all 12 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Alessandro Fabbri's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 12 with a MovieCove page.

  • Masterplan (not in the MovieCove catalog yet)(2026)

    Story

  • Carême(2025)

    Show Writer

    Midcredits score: 51st percentile of all shows

  • Citadel: Diana(2024)

    Show 3 episodes · Creator · Writer

    Midcredits score: 18th percentile of all shows

  • Fidelity(2022)

    Show 6 episodes · Writer

    Midcredits score: 21st percentile of all shows

  • The King(2022)

    Show Writer

    Midcredits score: 44th percentile of all shows

  • The Trial(2019)

    Show Creator · Writer

    Midcredits score: 64th percentile of all shows

  • 1994(2019)

    Show 8 episodes · Creator · Writer

    Midcredits score: 70th percentile of all shows

  • The Invisible Boy: Second Generation(2018)

    Writer

    Midcredits score: 26th percentile of all films

  • 1993(2017)

    Show 8 episodes · Writer

    Midcredits score: 74th percentile of all shows

  • Catturandi - Nel Nome del Padre (not in the MovieCove catalog yet)(2016)

    Show Creator

  • 1992: Berlusconi Rising(2015)

    Show 10 episodes · Creator · Writer

    Midcredits score: 75th percentile of all shows

  • The Invisible Boy(2014)

    Screenplay

    Midcredits score: 45th percentile of all films

  • The Error (not in the MovieCove catalog yet)(2014)

    Screenplay

  • Dove la trovi una come me? (not in the MovieCove catalog yet)(2011)

    Show 2 episodes · Creator · Writer

  • Dove la trovi una come me? (not in the MovieCove catalog yet)(2011)

    Screenplay

  • The Double Hour(2009)

    Writer

    Midcredits score: 66th percentile of all films

  • Hollywood Flies(2005)

    Book

    Midcredits score: 8th percentile of all films

  • Bestie di Satana (not in the MovieCove catalog yet)

    Screenplay

  • Nemesi (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 17 titles, 15 of them dated from 2005 to 2026.

Biggest box office

The Invisible Boy (2014)

$5.2M worldwide

Highest rated

1994 (2019)

Midcredits 70th

Most popular right now

Citadel: Diana (2024)

By role

only this rolewith another role
Writing14 of 17: 11 only writing, 3 with another role · typical Midcredits score36thOther crew6 of 17: 3 only other crew, 3 with another role

17 titles, 3 with more than one role — writing and other crew overlap on 3 of them.

By decade

2000s2 · crew2010s10 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alessandro Fabbri's films land?

Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 4

Approval · how many liked their films

30thpercentile
Typical film, the median of 4

Reach · how many have seen their films

71stpercentile
Typical film, the median of 4

Midcredits score across 12 titles, by percentile

  • 75th and up1
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th3

Shape of the crowd

5 of their 12 titles are Crowd Pleasers.

  • Crowd Pleaser5
  • Broadly Agreed3
  • Mixed4

Most divisive · writer

Hollywood Flies (2005)

74th percentile spread · 51% rated it 4 or lower

Most loved · writer

1992: Berlusconi Rising (2015)

Midcredits 75th · 84% liked

Reviewers score the plot and story 38/100 in their films, across 4 reviewed titles; fans 65, detractors 18. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alessandro Fabbri's work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 49 · moderateMedian of all films: 44
Sex & Nudity6 titles43–65 · median 55 · moderateheavier than most filmsMedian of all films: 32
Alcohol & Drugs3 titlesmedian 37 · moderateMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alessandro Fabbri work with?

People who share at least 2 of Alessandro Fabbri's MovieCove titles, grouped by what they did on them; Stefano Sardo shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles