Alain Decaux
- Writer
- 3 on MovieCove
What are Alain Decaux's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 0 · Dark 2
Grounded 0 · Stylized 1 · Heightened 2
Gentle 0 · Charged 2 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 2 · Full focus 1
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alain Decaux's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on Tubi (1).
Subscription and free streaming for Alain Decaux's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Les Misérables(1982)
Midcredits score: 86th percentile of all films
J'ai tué Raspoutine(1967)
Midcredits score: 18th percentile of all films
Angelique and the King(1966)
Midcredits score: 68th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1966 to 1982.
How do Alain Decaux's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alain Decaux work with?
People who share at least 2 of Alain Decaux's MovieCove titles, grouped by what they did on them; Robert Hossein shares the most, 3.
Directors
- Robert HosseinShared titles: Les Misérables (1982), J'ai tué Raspoutine (1967), Angelique and the King (1966)See all 3 shared titles with Robert Hossein
Composers and cinematographers
- André HosseinShared titles: Les Misérables (1982), J'ai tué Raspoutine (1967)See all 2 shared titles with André Hossein
- Michel MagneShared titles: Les Misérables (1982), Angelique and the King (1966)See all 2 shared titles with Michel Magne
- Henri PersinShared titles: J'ai tué Raspoutine (1967), Angelique and the King (1966)See all 2 shared titles with Henri Persin