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José Luis Dibildos

Writer and producer

Works as
Writer and producer
Titles
5 on MovieCove · 44 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 16% in 30 days

What are José Luis Dibildos' films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
34%
Bonds
22%
Power
20%
Self
17%
Survival
7%
Justice2 titles, browse their movies with this themeClass2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 2 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 3 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 0 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 2 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
2
Thrilling
2
Romantic
2
Warm
2
Tense
1
Other
2

How their films linger

Fun4 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end

  • Happy3
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch José Luis Dibildos' films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for José Luis Dibildos' titles on MovieCove; rent and buy are not counted.

Filmography

44 credits, 5 with a MovieCove page.

  • A la pálida luz de la luna (not in the MovieCove catalog yet)(1985)

    Executive Producer · Story · Writer

  • The Beehive (not in the MovieCove catalog yet)(1982)

    Producer · Writer

  • Rocky Carambola (not in the MovieCove catalog yet)(1979)

    Executive Producer · Screenplay · Screenstory

  • Vota a Gundisalvo (not in the MovieCove catalog yet)(1978)

    Producer · Writer

  • Till Divorce Us Do Part (not in the MovieCove catalog yet)(1977)

    Story

  • Libertad provisional (not in the MovieCove catalog yet)(1976)

    Producer

  • La mujer es cosa de hombres (not in the MovieCove catalog yet)(1976)

    Writer

  • Mi mujer es muy decente, dentro de lo que cabe (not in the MovieCove catalog yet)(1975)

    Producer · Writer

  • Los nuevos españoles (not in the MovieCove catalog yet)(1974)

    Producer · Screenplay · Story

  • Tocata y fuga de Lolita (not in the MovieCove catalog yet)(1974)

    Executive Producer · Writer

  • Vida conyugal sana (not in the MovieCove catalog yet)(1974)

    Producer · Writer

  • Spaniards in Paris (not in the MovieCove catalog yet)(1971)

    Executive Producer · Screenplay · Screenstory

  • Pierna creciente, falda menguante (not in the MovieCove catalog yet)(1970)

    Executive Producer · Writer

  • Unmarried and Mother in Life (not in the MovieCove catalog yet)(1969)

    Executive Producer · Screenplay · Story

  • Simón Bolívar (not in the MovieCove catalog yet)(1969)

    Screenplay · Story

  • Una vez al año ser hippy no hace daño (not in the MovieCove catalog yet)(1969)

    Producer · Screenplay

  • La dinamita está servida (not in the MovieCove catalog yet)(1968)

    Producer · Writer

  • Los subdesarrollados (not in the MovieCove catalog yet)(1968)

    Producer · Writer

  • Los que tocan el piano (not in the MovieCove catalog yet)(1968)

    Writer

  • Las que tienen que servir (not in the MovieCove catalog yet)(1967)

    Dialogue · Executive Producer · Producer · Writer

  • You Only Die Once (not in the MovieCove catalog yet)(1967)

    Writer

  • Amor a la española(1967)

    Executive Producer · Writer

    Midcredits score: 5th percentile of all films

  • Lola, espejo oscuro (not in the MovieCove catalog yet)(1966)

    Executive Producer · Writer

  • Z7 Operation Rembrandt (not in the MovieCove catalog yet)(1966)

    Screenplay

  • The Dictator's Guns(1965)

    Writer

    Midcredits score: 61st percentile of all films

  • Los dinamiteros (not in the MovieCove catalog yet)(1964)

    Executive Producer

  • The Black Tulip(1964)

    Screenplay

    Midcredits score: 67th percentile of all films

  • Cyrano et d'Artagnan(1964)

    Writer

    Midcredits score: 44th percentile of all films

  • I tromboni di Fra' Diavolo (not in the MovieCove catalog yet)(1962)

    Screenplay

  • Madame(1961)

    Screenplay

    Midcredits score: 40th percentile of all films

  • Los económicamente débiles (not in the MovieCove catalog yet)(1960)

    Producer · Writer

  • For Men Only (not in the MovieCove catalog yet)(1960)

    Executive Producer

  • La fiel infanteria (not in the MovieCove catalog yet)(1960)

    Executive Producer · Writer

  • Trío de damas (not in the MovieCove catalog yet)(1960)

    Executive Producer · Writer

  • Los tramposos (not in the MovieCove catalog yet)(1959)

    Producer · Screenplay

  • Anna Said Yes (not in the MovieCove catalog yet)(1958)

    Line Producer · Writer

  • La frontera del miedo (not in the MovieCove catalog yet)(1958)

    Line Producer · Writer

  • Las muchachas de azul (not in the MovieCove catalog yet)(1957)

    Producer · Writer

  • Viaje de novios (not in the MovieCove catalog yet)(1956)

    Writer

  • La vida es maravillosa (not in the MovieCove catalog yet)(1956)

    Screenplay

  • Blocked paths (not in the MovieCove catalog yet)(1955)

    Dialogue

  • Cursed Mountains (not in the MovieCove catalog yet)(1955)

    Writer

  • Merry Christmas (not in the MovieCove catalog yet)(1954)

    Writer

  • Hombre acosado (not in the MovieCove catalog yet)(1952)

    Writer

Career shape

A full career of 42 titles from 1952 to 1985.

Highest rated

The Black Tulip (1964)

Midcredits 67th

By role

only this rolewith another role
Writing39 of 42: 15 only writing, 24 with another roleProducing27 of 42: 3 only producing, 24 with another role

42 titles, 24 with more than one role — writing and producing overlap on 24 of them.

By decade

1950s10 · crew1960s19 · crew1970s11 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do José Luis Dibildos' films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 5

Approval · how many liked their films

44thpercentile
Typical film, the median of 5

Reach · how many have seen their films

47thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 50th to 74th2
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

2 of their 5 titles are Crowd Pleasers.

  • Universally Panned1
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed1

Most divisive · writer

Cyrano et d'Artagnan (1964)

51st percentile spread · 17% rated it 4 or lower

Most loved · writer

The Black Tulip (1964)

Midcredits 67th · 61% liked

Reviewers score the plot and story 41/100 in their films, across 3 reviewed titles; fans 48, detractors 27. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does José Luis Dibildos work with?

People who share at least 2 of José Luis Dibildos' MovieCove titles, grouped by what they did on them; Rafael García Serrano shares the most, 3.

Directors

Writers

Actors

Editors