
Karin Dor
Actor · Died November 6, 2017, aged 79 · Wiesbaden, Germany
Karin Dor (born February 22, 1938, Wiesbaden, Germany) was a German actress who became popular in the 1960s playing heroines in Edgar Wallace and Karl May movies. She starred in the James Bond movie You Only Live Twice and the Alfred Hitchcock movie Topaz. Dor was born as Kätherose Derr. She was married to George Robotham, a U.S. stunt-director, from 1988 until his death in 2007. The couple lived in Los Angeles and Munich. Her previous marriage was to Harald Reinl (1954–68); she had a child by that marriage. In 2008 she was back on stage again in Munich in Man lebt nur dreimal ("You Only Live Thrice"). She died in Munich on 6 November 2017. Description above from the Wikipedia article Karin Dor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- February 22, 1938
- November 6, 2017 (aged 79)
- Wiesbaden, Germany
- Actor
- 20 on Motif · 76 credits in all
What are Karin Dor's films like?
Across their 19 Motif titles with a thematic analysis, their films lean Morality and Power.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 3 · Earnest 14
A split, not a type: Light 8 · Serious 6 · Dark 5
A split, not a type: Grounded 8 · Stylized 6 · Heightened 5
Gentle 2 · Charged 13 · Intense 4
Steady 12 · Shifting 6 · Whiplash 1
Straight-faced 10 · Some laughs 8 · Funny 1
Slow burn 6 · Even-paced 12 · Relentless 1
A split, not a type: Casual 9 · Engaged 8 · Full focus 2
Easy watch 11 · Affecting 6 · Heavy 2
Resolved 14 · Open-ended 4 · Ambiguous 1
Roles they play
Usually the Ally: 3 of 6 analyzed roles.
- Allyas Nora Sanders in The Terrible People (1960)
- Allyas Ann Learner in The Carpet of Horror (1962)
- Allyas Clarisse in The Secret of the Black Widow (1963)
- Shapeshifteras Helga Brandt in You Only Live Twice (1967)
- Heraldas Mabel Kingsley in The Valley of Death (1968)
- Shapeshifteras Maleva Kerstein in Assignment Terror (1970)
Moods and endings
- Happy7
- Bittersweet5
- Tragic4
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Karin Dor's films?
As of October 24, 2026, 10 of their 20 Motif titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Karin Dor's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
76 credits, 20 with a Motif page; 17 appearances as themselves are hidden until asked for.

The Misplaced World (not in the Motif catalog yet)(2015)

Rosamunde Pilcher: Herzensfragen (not in the Motif catalog yet)(2011)

I Am the Other Woman(2006)
Midcredits score: 20th percentile of all films
Inga Lindström (not in the Motif catalog yet)(2004)

Rosamunde Pilcher: Ruf der Vergangenheit (not in the Motif catalog yet)(2000)

Rosamunde Pilcher: Der Preis der Liebe (not in the Motif catalog yet)(1998)

Otto – The Series (not in the Motif catalog yet)(1995)

Mein Freund, der Lipizzaner (not in the Motif catalog yet)(1994)

Die große Freiheit (not in the Motif catalog yet)(1992)
Midcredits score: 5th percentile of all films (provisional, few ratings)Gipfeltreffen (not in the Motif catalog yet)(1985)
Der Lord und das Kätzchen (not in the Motif catalog yet)(1983)

Das Traumschiff (not in the Motif catalog yet)(1981)

Achtung Zoll (not in the Motif catalog yet)(1980)

SOKO München (not in the Motif catalog yet)(1978)
Four Against The Desert (not in the Motif catalog yet)(1977)

Women in Hospital (not in the Motif catalog yet)(1977)

Warhead (not in the Motif catalog yet)(1977)

Dark Echoes (not in the Motif catalog yet)(1977)
Midcredits score: 17th percentile of all filmsHochzeitsnacht im Paradies (not in the Motif catalog yet)(1974)

Haie an Bord (not in the Motif catalog yet)(1971)

Assignment Terror(1970)
Midcredits score: 6th percentile of all films
Topaz(1969)
Midcredits score: 46th percentile of all films
The Valley of Death(1968)
Midcredits score: 48th percentile of all films
Caroline chérie(1968)
Midcredits score: 7th percentile of all films
Midcredits score: 32nd percentile of all films
You Only Live Twice(1967)
Midcredits score: 72nd percentile of all films
Ironside (not in the Motif catalog yet)(1967)
Midcredits score: 45th percentile of all films
Midcredits score: 46th percentile of all films
Target for Killing (not in the Motif catalog yet)(1966)

Killer's Carnival(1966)
Midcredits score: 13th percentile of all films
The Spy with Ten Faces (not in the Motif catalog yet)(1966)

The Sinister Monk (not in the Motif catalog yet)(1965)

I Knew Her Well(1965)
Midcredits score: 95th percentile of all films
The Desperado Trail(1965)
Midcredits score: 71st percentile of all films
The F.B.I. (not in the Motif catalog yet)(1965)

The Face of Fu Manchu(1965)
Midcredits score: 32nd percentile of all films
The Last Tomahawk (not in the Motif catalog yet)(1965)

Hotel der toten Gäste (not in the Motif catalog yet)(1965)

Last of the Renegades(1964)
Midcredits score: 65th percentile of all films
Room 13 (not in the Motif catalog yet)(1964)
Midcredits score: 21st percentile of all films
The Strangler of Blackmoor Castle (not in the Motif catalog yet)(1963)

The White Spider (not in the Motif catalog yet)(1963)

Treasure of Silver Lake(1962)
Midcredits score: 77th percentile of all films
Ohne Krimi geht die Mimi nie ins Bett (not in the Motif catalog yet)(1962)

The Carpet of Horror(1962)
Midcredits score: 14th percentile of all films
The Invisible Dr. Mabuse (not in the Motif catalog yet)(1962)

The Bellboy and the Playgirls (not in the Motif catalog yet)(1962)

Im schwarzen Rössl (not in the Motif catalog yet)(1961)

My Sweetheart Wants to Go Sailing on Sunday (not in the Motif catalog yet)(1961)

So angelt man keinen Mann (not in the Motif catalog yet)(1961)

The Forger of London (not in the Motif catalog yet)(1961)

Bei Pichler stimmt die Kasse nicht (not in the Motif catalog yet)(1961)

The Green Archer (not in the Motif catalog yet)(1961)

The White Horse Inn (not in the Motif catalog yet)(1960)

The Terrible People(1960)
Midcredits score: 57th percentile of all films
Ein Sommer, den man nie vergißt (not in the Motif catalog yet)(1959)

Das blaue Meer und Du (not in the Motif catalog yet)(1959)

Whicker's World (not in the Motif catalog yet)(1959)
Skandal um Dodo (not in the Motif catalog yet)(1959)

13 Little Donkeys and the Sun Court (not in the Motif catalog yet)(1958)

Worüber man nicht spricht (not in the Motif catalog yet)(1958)

Sin Began with Eve (not in the Motif catalog yet)(1958)

Almenrausch und Edelweiß (not in the Motif catalog yet)(1957)

Die Zwillinge vom Zillertal (not in the Motif catalog yet)(1957)

Kleiner Mann - ganz groß (not in the Motif catalog yet)(1957)

Santa Lucia (not in the Motif catalog yet)(1956)

As Long as You Live (not in the Motif catalog yet)(1955)
Ihre große Prüfung (not in the Motif catalog yet)(1954)

Der schweigende Engel (not in the Motif catalog yet)(1954)

Rosen-Resli (not in the Motif catalog yet)(1954)

Rosen aus dem Süden (not in the Motif catalog yet)(1954)

The Last Waltz (not in the Motif catalog yet)(1953)
Career shape
Star power in the 96th percentile of 239,109 people with a billed film role, over a full career of 76 titles from 1953 to 2015; peak year 1966.

Biggest box office
You Only Live Twice (1967)

Highest rated
I Knew Her Well (1965)

Most popular right now
You Only Live Twice (1967)
Film career
Peak 1966 · steadily prominent in film for years. Top draw in 2 Motif titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1960Screen debut· The White Horse Inn
- 1965First top-billed film· The Sinister Monk
- 1965Career best· The Sinister Monk
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Karin Dor's films land?
Their typical Motif film has a Midcredits score in the 39th percentile, the median of all 20; across their 19 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th6
- Below 25th8
Shape of the crowd
8 of their 20 titles are Broadly Agreed.
- Universally Loved1
- Universally Panned2
- Crowd Pleaser5
- Broadly Agreed8
- Mixed4
Reviewers score the acting 59/100 in their films, across 17 reviewed titles; fans 68, detractors 42. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Karin Dor's work okay for kids?
Across a limited sample of up to 3 Motif titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Karin Dor work with?
People who share at least 2 of Karin Dor's Motif titles, grouped by what they did on them; Harald Reinl shares the most, 8.
Directors
- Harald ReinlShared titles: The Valley of Death (1968), Die Nibelungen 2. Teil - Kriemhilds Rache (1967), The Torture Chamber of Dr. Sadism (1967), Die Nibelungen, Teil 1 - Siegfried (1966), Last of the Renegades (1964), The Carpet of Horror (1962), Treasure of Silver Lake (1962), The Terrible People (1960)See all 8 shared titles with Harald Reinl

Writers
- Harald G. PeterssonShared titles: Die Nibelungen 2. Teil - Kriemhilds Rache (1967), Die Nibelungen, Teil 1 - Siegfried (1966), Last of the Renegades (1964), Treasure of Silver Lake (1962)See all 4 shared titles with Harald G. Petersson
- Karl MayShared titles: The Valley of Death (1968), Last of the Renegades (1964), Treasure of Silver Lake (1962)See all 3 shared titles with Karl May

- Ladislas FodorShared titles: Die Nibelungen 2. Teil - Kriemhilds Rache (1967), Die Nibelungen, Teil 1 - Siegfried (1966)See all 2 shared titles with Ladislas Fodor

- Louis Weinert-WiltonShared titles: The Secret of the Black Widow (1963), The Carpet of Horror (1962)See all 2 shared titles with Louis Weinert-Wilton
Actors
- Eddi ArentShared titles: The Valley of Death (1968), Last of the Renegades (1964), The Secret of the Black Widow (1963), Treasure of Silver Lake (1962), The Terrible People (1960)See all 5 shared titles with Eddi Arent

- Lex BarkerShared titles: The Valley of Death (1968), The Torture Chamber of Dr. Sadism (1967), Killer's Carnival (1966), Last of the Renegades (1964), Treasure of Silver Lake (1962)See all 5 shared titles with Lex Barker

- Pierre BriceShared titles: The Valley of Death (1968), Killer's Carnival (1966), Last of the Renegades (1964), Treasure of Silver Lake (1962)See all 4 shared titles with Pierre Brice

- Dieter EpplerShared titles: Die Nibelungen 2. Teil - Kriemhilds Rache (1967), The Torture Chamber of Dr. Sadism (1967), Die Nibelungen, Teil 1 - Siegfried (1966), The Terrible People (1960)See all 4 shared titles with Dieter Eppler

Composers, cinematographers and editors
- Hermann HallerShared titles: The Valley of Death (1968), Die Nibelungen 2. Teil - Kriemhilds Rache (1967), The Torture Chamber of Dr. Sadism (1967), Die Nibelungen, Teil 1 - Siegfried (1966), Last of the Renegades (1964), Treasure of Silver Lake (1962)See all 6 shared titles with Hermann Haller
- Ernst W. KalinkeShared titles: The Valley of Death (1968), Die Nibelungen 2. Teil - Kriemhilds Rache (1967), Die Nibelungen, Teil 1 - Siegfried (1966), Last of the Renegades (1964), Treasure of Silver Lake (1962)See all 5 shared titles with Ernst W. Kalinke
- Martin BöttcherShared titles: The Valley of Death (1968), Last of the Renegades (1964), The Secret of the Black Widow (1963), Treasure of Silver Lake (1962)See all 4 shared titles with Martin Böttcher

- Godofredo PachecoShared titles: Assignment Terror (1970), The Secret of the Black Widow (1963), The Carpet of Horror (1962)See all 3 shared titles with Godofredo Pacheco
Producers
- Artur BraunerShared titles: The Valley of Death (1968), Die Nibelungen 2. Teil - Kriemhilds Rache (1967), Die Nibelungen, Teil 1 - Siegfried (1966)See all 3 shared titles with Artur Brauner

- Götz Dieter WulfShared titles: The Valley of Death (1968), Die Nibelungen 2. Teil - Kriemhilds Rache (1967), Die Nibelungen, Teil 1 - Siegfried (1966)See all 3 shared titles with Götz Dieter Wulf
- Erwin GittShared titles: The Torture Chamber of Dr. Sadism (1967), Last of the Renegades (1964), Treasure of Silver Lake (1962)See all 3 shared titles with Erwin Gitt
- Luggi WaldleitnerShared titles: Die Antwort kennt nur der Wind (1974), I Knew Her Well (1965)See all 2 shared titles with Luggi Waldleitner


