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Luggi Waldleitner

Luggi Waldleitner

Producer · Died January 16, 1998, aged 84 · Kirchseeon, Germany

Born
December 1, 1913
Died
January 16, 1998 (aged 84)
From
Kirchseeon, Germany
Works as
Producer
Titles
23 on MovieCove · 80 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 5% in 30 days

What are Luggi Waldleitner's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Genres

Drama13 titlesTypical Midcredits score: 42nd percentile, at or above their average across these genres
: browse their Drama movies
Crime3 titlesTypical Midcredits score: 24th percentile
: browse their Crime movies
Comedy2 titlesTypical Midcredits score: 54th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
22%
Bonds
19%
Self
17%
Power
16%
Morality
13%
Society
13%
Ideas
1%
Survival6 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeGreed4 titles, browse their movies with this themeObsession4 titles, browse their movies with this themeIsolation3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this theme

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 6 · Dark 11

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 10 · Stylized 8 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 14 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 11 · Shifting 9 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 15 · Some laughs 5 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 10 · Even-paced 11 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 12 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 10 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Melancholic
9
Romantic
6
Dread
4
Bittersweet
4
Other
13

How their films linger

Bittersweet11 titles, browse their movies with this aftertasteHaunting7 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertasteUnsettling7 titles, browse their movies with this aftertasteWistful4 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy2
  • Bittersweet5
  • Tragic3
  • Ambiguous11

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luggi Waldleitner's films?

As of October 24, 2026, 8 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Luggi Waldleitner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

80 credits, 23 with a MovieCove page; 5 appearances as themselves are hidden until asked for.

  • Almanya: Welcome to Germany(2011)

    Thanks

    Midcredits score: 82nd percentile of all films

  • Internet Love (not in the MovieCove catalog yet)(1998)

    Associate Producer

  • Angel Express (not in the MovieCove catalog yet)(1998)

    Producer

  • Night Time (not in the MovieCove catalog yet)(1998)

    Producer

  • Beyond Silence (not in the MovieCove catalog yet)(1996)

    Producer

  • The Film Narrator (not in the MovieCove catalog yet)(1993)

    Co-Producer

  • Fiorile(1993)

    Producer

    Midcredits score: 70th percentile of all films

  • Silence Like Glass(1989)

    Executive Producer

    Midcredits score: 60th percentile of all films

  • Sukkubus(1989)

    Producer

    Midcredits score: 37th percentile of all films

  • Ballhaus Barmbek - Let's Kiss and Say Goodbye (not in the MovieCove catalog yet)(1988)

    Producer

  • Starke Zeiten (not in the MovieCove catalog yet)(1988)

    Producer

  • Please, Let the Flowers Live (not in the MovieCove catalog yet)(1986)

    Executive Producer

  • Blue Moon (not in the MovieCove catalog yet)(1986)

    Producer

  • Va Banque (not in the MovieCove catalog yet)(1986)

    Other

  • The Beginner (not in the MovieCove catalog yet)(1985)

    Producer

  • Love Pains (not in the MovieCove catalog yet)(1985)

    Producer

  • Coconuts (not in the MovieCove catalog yet)(1985)

    Producer

  • Mama Mia - Nur keine Panik (not in the MovieCove catalog yet)(1984)

    Producer

  • Unerreichbare Nähe(1984)

    Co-Producer

    Midcredits score: 41st percentile of all films (provisional, few ratings)

  • Bei Anruf Liebe (not in the MovieCove catalog yet)(1984)

    Producer

  • The Swing(1983)

    Producer

    Midcredits score: 41st percentile of all films

  • Edith's Diary (not in the MovieCove catalog yet)(1983)

    Producer

  • Marianne and Sophie (not in the MovieCove catalog yet)(1983)

    Producer

  • Fantasma d'amore(1981)

    Producer

    Midcredits score: 67th percentile of all films

  • Lili Marleen(1981)

    Producer

    Midcredits score: 81st percentile of all films

  • Worlds Apart (not in the MovieCove catalog yet)(1980)

    Producer

  • The Shark Hunter(1979)

    Producer

    Midcredits score: 18th percentile of all films

  • La parte più appetitosa del maschio (not in the MovieCove catalog yet)(1979)

    Producer

  • The Glass Cell (not in the MovieCove catalog yet)(1978)

    Producer

  • Die Jugendstreiche des Knaben Karl (not in the MovieCove catalog yet)(1977)

    Producer

  • Kleinhoff Hotel(1977)

    Producer

    Midcredits score: 20th percentile of all films

  • Rosemary's Daughter (not in the MovieCove catalog yet)(1976)

    Producer

  • Die Elixiere des Teufels (not in the MovieCove catalog yet)(1976)

    Producer

  • The Net (not in the MovieCove catalog yet)(1975)

    Producer

  • Hard Women (not in the MovieCove catalog yet)(1975)

    Producer

  • To the Bitter End (not in the MovieCove catalog yet)(1975)

    Producer

  • Die Antwort kennt nur der Wind(1974)

    Producer

    Midcredits score: 17th percentile of all films

  • As Long as One Is Intoxicated (not in the MovieCove catalog yet)(1974)

    Producer

  • One or the Other of Us (not in the MovieCove catalog yet)(1974)

    Producer

  • Drei Männer im Schnee (not in the MovieCove catalog yet)(1974)

    Producer

  • Story of a Cloistered Nun(1973)

    Producer

    Midcredits score: 30th percentile of all films

  • Gott schützt die Liebenden (not in the MovieCove catalog yet)(1973)

    Producer

  • Alle Menschen werden Brüder (not in the MovieCove catalog yet)(1973)

    Producer

  • Tears of Blood (not in the MovieCove catalog yet)(1972)

    Producer

  • Love Is Only a Word (not in the MovieCove catalog yet)(1971)

    Producer

  • Der scharfe Heinrich - Die bumsfidelen Abenteuer einer jungen Ehe (not in the MovieCove catalog yet)(1971)

    Producer

  • And Jimmy Went to the Rainbow's Foot (not in the MovieCove catalog yet)(1971)

    Producer

  • Girls at the Gynecologist (not in the MovieCove catalog yet)(1971)

    Producer

  • Daughters of Darkness(1971)

    Producer

    Midcredits score: 67th percentile of all films

  • The Females (not in the MovieCove catalog yet)(1970)

    Producer

  • The Mafia Wants Blood(1970)

    Executive Producer

    Midcredits score: 16th percentile of all films

  • Children of Mata Hari(1970)

    Producer

    Midcredits score: 24th percentile of all films

  • Das gelbe Haus am Pinnasberg (not in the MovieCove catalog yet)(1970)

    Producer

  • The Servant (not in the MovieCove catalog yet)(1970)

    Producer

  • The Strangers (not in the MovieCove catalog yet)(1969)

    Producer

  • School of Fear (not in the MovieCove catalog yet)(1969)

    Producer

  • The Last Mercenary (not in the MovieCove catalog yet)(1968)

    Producer

  • Come Now, My Dear Little Bird (not in the MovieCove catalog yet)(1968)

    Producer

  • Die Ente klingelt um halb acht (not in the MovieCove catalog yet)(1968)

    Producer

  • La moglie giapponese (not in the MovieCove catalog yet)(1968)

    Producer

  • Beyond the Law(1968)

    Producer

    Midcredits score: 42nd percentile of all films

  • Manon 70(1968)

    Producer

    Midcredits score: 33rd percentile of all films

  • Der Tod eines Doppelgängers(1967)

    Producer

    Midcredits score: 69th percentile of all films (provisional, few ratings)

  • The Battle of the Mods(1966)

    Producer

    Midcredits score: 26th percentile of all films (provisional, few ratings)

  • The Spy with Ten Faces (not in the MovieCove catalog yet)(1966)

    Producer

  • The Treasure of San Gennaro(1966)

    Producer

    Midcredits score: 81st percentile of all films

  • I Knew Her Well(1965)

    Producer

    Midcredits score: 95th percentile of all films

  • 90 Minuten nach Mitternacht (not in the MovieCove catalog yet)(1962)

    Producer

  • Ingeborg (not in the MovieCove catalog yet)(1960)

    Producer

  • Brainwashed(1960)

    Producer

    Midcredits score: 75th percentile of all films

  • Conny und Peter machen Musik (not in the MovieCove catalog yet)(1960)

    Producer

  • Bumerang (not in the MovieCove catalog yet)(1960)

    Producer

  • Blind Date (not in the MovieCove catalog yet)(1959)

    Producer

  • Rosemary (not in the MovieCove catalog yet)(1958)

    Producer

  • El Hakim (not in the MovieCove catalog yet)(1957)

    Producer

  • Der kühne Schwimmer (not in the MovieCove catalog yet)(1957)

    Producer

  • Oasis (not in the MovieCove catalog yet)(1955)

    Producer

  • Regina Amstetten (not in the MovieCove catalog yet)(1954)

    Producer

  • Until we meet again (not in the MovieCove catalog yet)(1952)

    Producer

  • Olympia Part One: Festival of the Nations(1938)

    Assistant Camera

    Midcredits score: 93rd percentile of all films

Career shape

A full career of 75 titles from 1938 to 2011.

Biggest box office

I Knew Her Well (1965)

$18K worldwide

Highest rated

I Knew Her Well (1965)

Midcredits 95th

Most popular right now

Lili Marleen (1981)

By role

only this rolewith another role
Producing72 of 75: 72 only producing, 0 with another role · typical Midcredits score35thOther crew3 of 75: 3 only other crew, 0 with another role

By decade

1930s1 · crew1950s7 · crew1960s15 · crew1970s27 · crew1980s19 · crew1990s5 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Luggi Waldleitner's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 23; across their 21 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 21

Approval · how many liked their films

51stpercentile
Typical film, the median of 21

Reach · how many have seen their films

48thpercentile
Typical film, the median of 21

Midcredits score across 23 titles, by percentile

  • 75th and up6
  • 50th to 74th5
  • 25th to 49th7
  • Below 25th5

Shape of the crowd

11 of their 23 titles are Mixed.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser7
  • Broadly Agreed2
  • Mixed11

Most divisive · producer

Unerreichbare Nähe (1984)

88th percentile spread · 38% rated it 4 or lower

Most loved · producer

I Knew Her Well (1965)

Midcredits 95th · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Luggi Waldleitner work with?

People who share at least 2 of Luggi Waldleitner's MovieCove titles, grouped by what they did on them; Franco Fraticelli shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers