
Donald Douglas
Actor · Died December 31, 1945, aged 40 · Edinburgh, Scotland, UK
From Wikipedia, the free encyclopedia Donald Douglas (24 August 1905 – 31 December 1945) was a Scottish actor in films and on radio. Douglas appeared in over 100 films from the late 1920s to the 1940s including The Great Gabbo (1929), Life Begins (1932), Men in White (1934), Madame X (1937), Cheers for Miss Bishop (1941), Now, Voyager (1942), Little Tokyo, U.S.A. (1942), Tall in the Saddle (1944), Murder, My Sweet (1944), Show Business (1944) and Gilda (1946). Douglas was a one-man cast on The Black Castle. He played all roles in each episode and was the announcer. A review of The Black Castle in the trade publication Billboard complimented Douglas's handling of multiple roles in the drama. Bob Francis wrote: "Except for the fact that he is inclined to ham the wizard, making the role often seem more silly than awesome, Douglas puts on a good 15 minutes. His vocal changes are sharp and clear, and his characterizations come over effectively." He also had the title role in John Steele, Adventurer and played Chief Jake Workley in Scattergood Baines. He was also a member of the cast of Kelly's Courthouse. Douglas died on 31 December 1945 in Los Angeles, California, aged 40, after emergency surgery for a ruptured appendix. He is interred in the Forest Lawn Memorial Park Cemetery in Glendale, California.
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Biography from TMDB.
- August 24, 1905
- December 31, 1945 (aged 40)
- Edinburgh, Scotland, UK
- Actor
- 34 on Motif · 93 credits in all
What are Donald Douglas' films like?
Across their 17 Motif titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 16
Light 11 · Serious 1 · Dark 5
A split, not a type: Grounded 10 · Stylized 6 · Heightened 1
A split, not a type: Gentle 9 · Charged 5 · Intense 3
Steady 10 · Shifting 7 · Whiplash 0
Straight-faced 6 · Some laughs 7 · Funny 4
Slow burn 6 · Even-paced 9 · Relentless 2
Casual 11 · Engaged 5 · Full focus 1
Easy watch 11 · Affecting 4 · Heavy 2
Resolved 15 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy11
- Bittersweet4
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Donald Douglas' films?
As of October 24, 2026, 6 of their 34 Motif titles stream on a subscription or free service.
Subscription and free streaming for Donald Douglas' titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
93 credits, 34 with a Motif page.

Mr. Palfrey of Westminster (not in the Motif catalog yet)(1984)

Budgie (not in the Motif catalog yet)(1971)

ITV Playhouse (not in the Motif catalog yet)(1967)

Petticoat Junction(1963)
Midcredits score: 44th percentile of all showsMoonstrike (not in the Motif catalog yet)(1963)

Gilda(1946)
Midcredits score: 95th percentile of all films
The Truth About Murder(1946)
Midcredits score: 30th percentile of all films
Tokyo Rose (not in the Motif catalog yet)(1946)

Club Havana (not in the Motif catalog yet)(1945)

Tarzan and the Amazons(1945)
Midcredits score: 62nd percentile of all films
A Royal Scandal(1945)
Midcredits score: 67th percentile of all films
Grissly's Millions (not in the Motif catalog yet)(1945)

The Strange Mr. Gregory (not in the Motif catalog yet)(1945)

Murder, My Sweet(1944)
Midcredits score: 93rd percentile of all films
Heavenly Days (not in the Motif catalog yet)(1944)

Tall in the Saddle(1944)
Midcredits score: 79th percentile of all films
Show Business(1944)
Midcredits score: 50th percentile of all films
The Falcon Out West(1944)
Midcredits score: 44th percentile of all films
Wintertime (not in the Motif catalog yet)(1943)

Behind the Rising Sun(1943)
Midcredits score: 22nd percentile of all films
Appointment in Berlin (not in the Motif catalog yet)(1943)
Midcredits score: 79th percentile of all films
The More the Merrier(1943)
Midcredits score: 93rd percentile of all films
He's My Guy (not in the Motif catalog yet)(1943)

Tales of Manhattan(1942)
Midcredits score: 86th percentile of all films
Little Tokyo, U.S.A. (not in the Motif catalog yet)(1942)

Juke Box Jenny (not in the Motif catalog yet)(1942)

Don't Talk (not in the Motif catalog yet)(1942)

On the Sunny Side(1942)
Midcredits score: 48th percentile of all films
Melody Lane (not in the Motif catalog yet)(1941)

The Night of January 16th (not in the Motif catalog yet)(1941)

Mercy Island (not in the Motif catalog yet)(1941)

Sergeant York(1941)
Midcredits score: 93rd percentile of all films
Hold Back the Dawn(1941)
Midcredits score: 88th percentile of all films
The Pittsburgh Kid (not in the Motif catalog yet)(1941)

Whistling in the Dark(1941)
Midcredits score: 69th percentile of all films
The Get-Away (not in the Motif catalog yet)(1941)

The Great Swindle (not in the Motif catalog yet)(1941)

A Shot in the Dark(1941)
Midcredits score: 24th percentile of all films
Dead Men Tell (not in the Motif catalog yet)(1941)

Sleepers West (not in the Motif catalog yet)(1941)

Murder Among Friends (not in the Motif catalog yet)(1941)

Cheers for Miss Bishop(1941)
Midcredits score: 55th percentile of all films
Flight Command(1940)
Midcredits score: 57th percentile of all films
Gallant Sons(1940)
Midcredits score: 56th percentile of all films
I Love You Again(1940)
Midcredits score: 92nd percentile of all films
Deadwood Dick (not in the Motif catalog yet)(1940)

A Fugitive from Justice (not in the Motif catalog yet)(1940)

Island of Doomed Men(1940)
Midcredits score: 33rd percentile of all films
Edison, the Man(1940)
Midcredits score: 80th percentile of all films
Dr. Kildare's Strange Case (not in the Motif catalog yet)(1940)

Charlie Chan in Panama(1940)
Midcredits score: 85th percentile of all films
Calling Philo Vance(1939)
Midcredits score: 26th percentile of all films
Forgotten Victory (not in the Motif catalog yet)(1939)

Fugitive at Large (not in the Motif catalog yet)(1939)

On Dress Parade (not in the Motif catalog yet)(1939)

Smashing the Money Ring(1939)
Midcredits score: 29th percentile of all films
Sabotage (not in the Motif catalog yet)(1939)

Second Fiddle (not in the Motif catalog yet)(1939)

Stronger Than Desire (not in the Motif catalog yet)(1939)

The House of Fear (not in the Motif catalog yet)(1939)

The Zero Hour (not in the Motif catalog yet)(1939)
Midcredits score: 68th percentile of all films
Within the Law (not in the Motif catalog yet)(1939)

Fast and Loose (not in the Motif catalog yet)(1939)

Wings of the Navy(1939)
Midcredits score: 40th percentile of all films
Jesse James(1939)
Midcredits score: 80th percentile of all films
The Mysterious Miss X (not in the Motif catalog yet)(1939)

Pacific Liner (not in the Motif catalog yet)(1939)

Law of the Texan (not in the Motif catalog yet)(1938)

The Spider's Web (not in the Motif catalog yet)(1938)

Convicted (not in the Motif catalog yet)(1938)

Smashing the Rackets(1938)
Midcredits score: 40th percentile of all films
The Crowd Roars (not in the Motif catalog yet)(1938)

Fast Company (not in the Motif catalog yet)(1938)

Come Across (not in the Motif catalog yet)(1938)

Judge Hardy's Children (not in the Motif catalog yet)(1938)

Special Inspector (not in the Motif catalog yet)(1938)

Headin' East (not in the Motif catalog yet)(1937)

Navy Blue and Gold(1937)
Midcredits score: 62nd percentile of all films
Madame X (not in the Motif catalog yet)(1937)

The Women Men Marry (not in the Motif catalog yet)(1937)

The Love Department (not in the Motif catalog yet)(1935)

Sequoia (not in the Motif catalog yet)(1935)

Tomorrow's Children (not in the Motif catalog yet)(1934)

Men in White (not in the Motif catalog yet)(1934)

Lazy River (not in the Motif catalog yet)(1934)

A Woman's Man(1934)
Midcredits score: 17th percentile of all films (provisional, few ratings)
He Couldn't Take It (not in the Motif catalog yet)(1933)

Life Begins (not in the Motif catalog yet)(1932)

Murder in the Pullman (not in the Motif catalog yet)(1932)

Tonight at Twelve (not in the Motif catalog yet)(1929)

The Great Gabbo(1929)
Midcredits score: 39th percentile of all films
Career shape
Star power in the 86th percentile of 239,109 people with a billed film role, over a full career of 93 titles from 1929 to 1984.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Donald Douglas' films land?
Their typical Motif film has a Midcredits score in the 62nd percentile, the median of all 33; across their 17 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up12
- 50th to 74th9
- 25th to 49th10
- Below 25th3
Shape of the crowd
16 of their 34 titles are Crowd Pleasers.
- Universally Loved6
- Crowd Pleaser16
- Broadly Agreed6
- Mixed6
Reviewers score the acting 71/100 in their films, across 17 reviewed titles; fans 76, detractors 52. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Donald Douglas work with?
People who share at least 2 of Donald Douglas' Motif titles, grouped by what they did on them; Leigh Harline shares the most, 4.
Directors
- Lew LandersShared titles: The Truth About Murder (1946), Smashing the Rackets (1938)See all 2 shared titles with Lew Landers

- Edward DmytrykShared titles: Murder, My Sweet (1944), Behind the Rising Sun (1943)See all 2 shared titles with Edward Dmytryk

- Edwin L. MarinShared titles: Show Business (1944), Tall in the Saddle (1944)See all 2 shared titles with Edwin L. Marin

- William ClemensShared titles: The Falcon Out West (1944), Calling Philo Vance (1939)See all 2 shared titles with William Clemens

Writers
- Ben HechtShared titles: Gilda (1946), The Great Gabbo (1929)See all 2 shared titles with Ben Hecht

Actors
- Gerald MohrShared titles: Gilda (1946), The Truth About Murder (1946)See all 2 shared titles with Gerald Mohr

- Steven GerayShared titles: Gilda (1946), Tarzan and the Amazons (1945)See all 2 shared titles with Steven Geray

- Paul FixShared titles: Tall in the Saddle (1944), Smashing the Rackets (1938)See all 2 shared titles with Paul Fix

- Stanley ClementsShared titles: The More the Merrier (1943), On the Sunny Side (1942)See all 2 shared titles with Stanley Clements

Composers, cinematographers and editors
- Leigh HarlineShared titles: The Truth About Murder (1946), Show Business (1944), The More the Merrier (1943), On the Sunny Side (1942)See all 4 shared titles with Leigh Harline

- Roy WebbShared titles: Murder, My Sweet (1944), Tall in the Saddle (1944), The Falcon Out West (1944), Behind the Rising Sun (1943)See all 4 shared titles with Roy Webb

- Theron WarthShared titles: Show Business (1944), Tall in the Saddle (1944), The Falcon Out West (1944)See all 3 shared titles with Theron Warth
- Harry J. WildShared titles: Murder, My Sweet (1944), The Falcon Out West (1944)See all 2 shared titles with Harry J. Wild
Producers
- Sid RogellShared titles: The Truth About Murder (1946), Murder, My Sweet (1944)See all 2 shared titles with Sid Rogell
- Bryan FoyShared titles: A Shot in the Dark (1941), Calling Philo Vance (1939)See all 2 shared titles with Bryan Foy




