Anne Dubot

What are Anne Dubot's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anne Dubot's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).

• The Criterion Channel3 titles, browse their movies on this service
  • My Night at Maud's (1969) · actor
  • The Collector (1967) · actor
  • Mad Love (1969) · editor
• HBO Max1 title, browse their movies on this service
  • My Night at Maud's (1969) · actor

Subscription and free streaming for Anne Dubot's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 3 with a MovieCove page.

• 

  My Night at Maud's(1969)

  as Blonde Friend

  Midcredits score: 97th percentile of all films97^th
• 

  Mad Love(1969)

  Editor

  Midcredits score: 85th percentile of all films85^th
• 

  The Nun (not in the MovieCove catalog yet)(1967)

  Assistant Editor
• 

  The Collector(1967)

  Actor

  Midcredits score: 88th percentile of all films88^th

Career shape

Star power in the 64^th percentile of 239,109 people with a billed film role, over a full career of 3 titles from 1967 to 1969.

Biggest box office

My Night at Maud's (1969)

$11K worldwide

Highest rated

My Night at Maud's (1969)

Midcredits 97^th

How do Anne Dubot's films land?

Their typical MovieCove film has a Midcredits score in the 88^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 87^th percentile for acclaim.

Shape of the crowd

2 of their 3 titles are Crowd Pleasers.

12

• Universally Loved1
• Crowd Pleaser2

Most divisive · editor

Mad Love (1969)

50^th percentile spread · 12% rated it 4 or lower

Most loved · actor

My Night at Maud's (1969)

Midcredits 97^th · 85% liked

Reviewers score the acting 78/100 in their films, across 3 reviewed titles; fans 82, detractors 40. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anne Dubot work with?

People who share at least 2 of Anne Dubot's MovieCove titles, grouped by what they did on them; Éric Rohmer shares the most, 2.