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Georges de Beauregard

Georges de Beauregard

Producer · Died September 10, 1984, aged 63 · Marseille, Bouches-du-Rhône, France

Georges de Beauregard (23 December 1920 Marseille – 10 September 1984 Paris) was a French film producer who produced works by many of the French New Wave directors. In 1968, he was a member of the jury at the 18th Berlin International Film Festival. In 1983 he was awarded a Special César Award, the French national film prize. The second place prize at the annual FIDMarseille film festival is named for de Beauregard. Source: Article "Georges de Beauregard" from Wikipedia in English, licensed under CC-BY-SA.

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Biography from TMDB.

Born
December 23, 1920
Died
September 10, 1984 (aged 63)
From
Marseille, Bouches-du-Rhône, France
Works as
Producer
Titles
21 on MovieCove · 38 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 22% in 30 days

What are Georges de Beauregard's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Drama7 titlesTypical Midcredits score: 85th percentile, at or above their average across these genres
: browse their Drama movies
Comedy5 titlesTypical Midcredits score: 88th percentile, at or above their average across these genres
: browse their Comedy movies
Crime4 titlesTypical Midcredits score: 93rd percentile, at or above their average across these genres
: browse their Crime movies
Biography2 titlesTypical Midcredits score: 59th percentile
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
29%
Self
21%
Bonds
18%
Power
14%
Survival
11%
Society
4%
Ideas
3%
Romantic love4 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeIdentity4 titles, browse their movies with this themeDuty3 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeObsession2 titles, browse their movies with this themePurpose3 titles, browse their movies with this theme

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 6 · Wry 3 · Earnest 11

Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 10 · Serious 2 · Dark 9

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 9 · Heightened 6

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 8 · Charged 6 · Intense 7

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 10 · Shifting 9 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 13 · Some laughs 5 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 13 · Even-paced 8 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 12 · Full focus 5

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 10 · Open-ended 4 · Ambiguous 7

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
10
Tense
7
Contemplative
8
Absurd
6
Dread
5
Other
17

How their films linger

Thought-provoking8 titles, browse their movies with this aftertasteHaunting8 titles, browse their movies with this aftertasteBittersweet8 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy3
  • Bittersweet5
  • Tragic8
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Georges de Beauregard's films?

As of October 24, 2026, 13 of their 21 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (9).

Also on these channels

Subscription and free streaming for Georges de Beauregard's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

38 credits, 21 with a MovieCove page.

  • A Captain's Honor (not in the MovieCove catalog yet)(1982)

    Producer

  • Operation Leopard (not in the MovieCove catalog yet)(1980)

    Producer

  • Encore un hiver (not in the MovieCove catalog yet)(1979)

    Producer

  • How's It Going? (not in the MovieCove catalog yet)(1978)

    Producer

  • Le Crabe-Tambour(1977)

    Producer

    Midcredits score: 75th percentile of all films

  • Number Two (not in the MovieCove catalog yet)(1975)

    Producer

  • Gross Paris (not in the MovieCove catalog yet)(1974)

    Producer

  • Forbidden Priests(1973)

    Producer

    Midcredits score: 50th percentile of all films

  • Le mur de l'Atlantique(1970)

    Executive Producer

    Midcredits score: 41st percentile of all films

  • Le Petit Bougnat (not in the MovieCove catalog yet)(1970)

    Producer

  • Mad Love(1969)

    Producer

    Midcredits score: 85th percentile of all films

  • Lamiel (not in the MovieCove catalog yet)(1967)

    Producer

  • The Nun (not in the MovieCove catalog yet)(1967)

    Producer

  • The Collector(1967)

    Producer

    Midcredits score: 88th percentile of all films

  • Made in U.S.A(1966)

    Producer

    Midcredits score: 53rd percentile of all films

  • Objective: 500 Million (not in the MovieCove catalog yet)(1966)

    Producer

  • Line of Demarcation(1966)

    Producer

    Midcredits score: 76th percentile of all films

  • Pierrot le fou(1965)

    Producer

    Midcredits score: 91st percentile of all films

  • Blue Panther(1965)

    Producer

    Midcredits score: 20th percentile of all films

  • The Secret Killer(1965)

    Producer

    Midcredits score: 62nd percentile of all films

  • The 317th Platoon(1965)

    Producer

    Midcredits score: 91st percentile of all films

  • Blood and Black Lace(1964)

    Co-Producer

    Midcredits score: 85th percentile of all films

  • Contempt(1963)

    Producer

    Midcredits score: 89th percentile of all films

  • The Carabineers (not in the MovieCove catalog yet)(1963)

    Producer

  • Bluebeard(1963)

    Producer

    Midcredits score: 56th percentile of all films

  • Le Petit Soldat (not in the MovieCove catalog yet)(1963)

    Producer · as Activist Leader (uncredited)

  • Le Doulos(1962)

    Producer · Production Manager

    Midcredits score: 96th percentile of all films

  • Adieu Philippine(1962)

    Producer · Production Manager

    Midcredits score: 77th percentile of all films

  • The Third Lover (not in the MovieCove catalog yet)(1962)

    Producer

  • Cleo from 5 to 7(1962)

    Producer · as The Hearse and Ambulance Driver / Actor in Silent Film

    Midcredits score: 98th percentile of all films

  • Fiancés on the Bridge (not in the MovieCove catalog yet)(1962)

    Producer · as Hearse and Ambulance Driver

  • Léon Morin, Priest(1961)

    Producer

    Midcredits score: 94th percentile of all films

  • A Woman Is a Woman(1961)

    Producer

    Midcredits score: 90th percentile of all films

  • Lola(1961)

    Producer · Production Manager

    Midcredits score: 92nd percentile of all films

  • Breathless(1960)

    Producer

    Midcredits score: 95th percentile of all films

  • An Overcooked Steak (not in the MovieCove catalog yet)(1960)

    Producer

  • The Devil's Pass (not in the MovieCove catalog yet)(1959)

    Producer

  • Ramuntcho (not in the MovieCove catalog yet)(1958)

    Producer

Career shape

A full career of 37 titles from 1958 to 1982.

Biggest box office

Contempt (1963)

$1.3M worldwide

Highest rated

Cleo from 5 to 7 (1962)

Midcredits 98th

Most popular right now

Breathless (1960)

Film career

By role

only this rolewith another role
Acting3 of 37: 0 only acting, 3 with another roleProducing37 of 37: 31 only producing, 6 with another role · typical Midcredits score87thOther crew3 of 37: 0 only other crew, 3 with another role

37 titles, 6 with more than one role — producing and acting overlap on 3 of them.

By decade

1950s2 · crew1960s26 · 3 acting · 26 crew1970s7 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Georges de Beauregard's films land?

Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 21; across their 21 films with reception data, the typical film sits in the 86th percentile for acclaim.

Acclaim · how much people like their films

86thpercentile
Typical film, the median of 21

Approval · how many liked their films

81stpercentile
Typical film, the median of 21

Reach · how many have seen their films

77thpercentile
Typical film, the median of 21

Midcredits score across 21 titles, by percentile

  • 75th and up15
  • 50th to 74th4
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

13 of their 21 titles are Crowd Pleasers.

  • Universally Loved5
  • Crowd Pleaser13
  • Broadly Agreed1
  • Mixed2

Most divisive · producer

Mad Love (1969)

50th percentile spread · 12% rated it 4 or lower

Most loved · actor, producer

Cleo from 5 to 7 (1962)

Midcredits 98th · 86% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Georges de Beauregard's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity and alcohol & drugs run heavier than most films and frightening / intense lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles16–65 · median 39 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity7 titles32–51 · median 44 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles7–44 · median 35 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs5 titles33–56 · median 44 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense5 titles11–54 · median 18 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Georges de Beauregard work with?

People who share at least 2 of Georges de Beauregard's MovieCove titles, grouped by what they did on them; Raoul Coutard shares the most, 8.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles