
Orville O. Dull
- Producer
- 8 on MovieCove · 22 credits in all
What are Orville O. Dull's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 5 · Serious 2 · Dark 0
Grounded 5 · Stylized 2 · Heightened 0
Gentle 4 · Charged 3 · Intense 0
Steady 5 · Shifting 1 · Whiplash 1
Straight-faced 1 · Some laughs 4 · Funny 2
Slow burn 1 · Even-paced 6 · Relentless 0
Casual 5 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 1 · Heavy 0
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Orville O. Dull's films?
As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Orville O. Dull's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 8 with a MovieCove page.

The Secret Land (not in the MovieCove catalog yet)(1948)

Bad Bascomb (not in the MovieCove catalog yet)(1946)

Rationing (not in the MovieCove catalog yet)(1944)

The Man from Down Under(1943)
Midcredits score: 41st percentile of all films
Stand by for Action(1942)
Midcredits score: 69th percentile of all films
Tish(1942)
Midcredits score: 44th percentile of all films
We Were Dancing(1942)
Midcredits score: 44th percentile of all films
When Ladies Meet(1941)
Midcredits score: 62nd percentile of all films
Young Tom Edison(1940)
Midcredits score: 73rd percentile of all films
Edison, the Man(1940)
Midcredits score: 80th percentile of all films
Vacation from Love (not in the MovieCove catalog yet)(1938)

Abraham Lincoln(1930)
Midcredits score: 33rd percentile of all films
Du Barry, Woman of Passion (not in the MovieCove catalog yet)(1930)

Glorious Vamps (not in the MovieCove catalog yet)(1930)
Irish Fantasy (not in the MovieCove catalog yet)(1929)

Too Many Cookies (not in the MovieCove catalog yet)(1928)

Black Jack (not in the MovieCove catalog yet)(1927)
Car Shy (not in the MovieCove catalog yet)(1927)

The Broncho Twister (not in the MovieCove catalog yet)(1927)

The Flying Horseman (not in the MovieCove catalog yet)(1926)

The Dixie Merchant (not in the MovieCove catalog yet)(1926)

The Lady (not in the MovieCove catalog yet)(1925)
Career shape
A full career of 18 titles from 1925 to 1948.
How do Orville O. Dull's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th4
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Orville O. Dull work with?
People who share at least 2 of Orville O. Dull's MovieCove titles, grouped by what they did on them; Robert Z. Leonard shares the most, 4.
Directors
- Robert Z. LeonardShared titles: The Man from Down Under (1943), Stand by for Action (1942), We Were Dancing (1942), When Ladies Meet (1941)See all 4 shared titles with Robert Z. Leonard

Writers
- Tom SellerShared titles: The Man from Down Under (1943), Tish (1942)See all 2 shared titles with Tom Seller
- Bradbury FooteShared titles: Edison, the Man (1940), Young Tom Edison (1940)See all 2 shared titles with Bradbury Foote
- Dore ScharyShared titles: Edison, the Man (1940), Young Tom Edison (1940)See all 2 shared titles with Dore Schary

- Hugo ButlerShared titles: Edison, the Man (1940), Young Tom Edison (1940)See all 2 shared titles with Hugo Butler
Actors
- Charles LaughtonShared titles: The Man from Down Under (1943), Stand by for Action (1942)See all 2 shared titles with Charles Laughton

- Lee BowmanShared titles: Tish (1942), We Were Dancing (1942)See all 2 shared titles with Lee Bowman

- Marjorie MainShared titles: Tish (1942), We Were Dancing (1942)See all 2 shared titles with Marjorie Main

- Richard QuineShared titles: Stand by for Action (1942), Tish (1942)See all 2 shared titles with Richard Quine

Composers, cinematographers and editors
- David SnellShared titles: The Man from Down Under (1943), Tish (1942)See all 2 shared titles with David Snell

- Sidney WagnerShared titles: The Man from Down Under (1943), Young Tom Edison (1940)See all 2 shared titles with Sidney Wagner
- Bronislau KaperShared titles: We Were Dancing (1942), When Ladies Meet (1941)See all 2 shared titles with Bronislau Kaper

- George BoemlerShared titles: Stand by for Action (1942), We Were Dancing (1942)See all 2 shared titles with George Boemler
Producers
- John W. Considine Jr.Shared titles: Edison, the Man (1940), Young Tom Edison (1940)See all 2 shared titles with John W. Considine Jr.