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Roger Edens

Producer and composer

Works as
Producer and composer
Titles
31 on MovieCove · 36 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 24% in 30 days

What are Roger Edens' films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy12 titlesTypical Midcredits score: 75th percentile
: browse their Comedy movies
Musical3 titlesTypical Midcredits score: 80th percentile, at or above their average across these genres
: browse their Musical movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
48%
Self
27%
Society
10%
Morality
7%
Ideas
5%
Power
3%
Romantic love15 titles, browse their movies with this themeSelf-worth6 titles, browse their movies with this themeAmbition5 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeArt3 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeCommunity4 titles, browse their movies with this theme

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 20 · Serious 0 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 11 · Heightened 8

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 15 · Charged 5 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 16 · Shifting 4 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 14 · Funny 5

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 13 · Even-paced 6 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 20 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 20 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
19
Romantic
16
Warm
5
Hopeful
4
Melancholic
3
Other
7

How their films linger

Feel-good19 titles, browse their movies with this aftertasteFun10 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end

  • Happy17
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roger Edens' films?

As of October 24, 2026, 11 of their 31 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Roger Edens' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

36 credits, 31 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Moses of Prosthesis (not in the MovieCove catalog yet)(2013)

    Composer

  • Get Aboard! The Band Wagon(2005)

    Composer

    Midcredits score: 82nd percentile of all films (provisional, few ratings)

  • Hello, Dolly!(1969)

    Associate Producer

    Midcredits score: 83rd percentile of all films

  • The Unsinkable Molly Brown(1964)

    Producer

    Midcredits score: 65th percentile of all films

  • Billy Rose's Jumbo(1962)

    Associate Producer · Composer · Lyricist · Songs

    Midcredits score: 49th percentile of all films

  • Startime (not in the MovieCove catalog yet)(1959)

    Show 1 episode · Producer

  • Funny Face(1957)

    Additional Music · Producer

    Midcredits score: 84th percentile of all films

  • Designing Woman(1957)

    Producer

    Midcredits score: 73rd percentile of all films

  • It's Always Fair Weather(1955)

    Associate Producer · Lyricist

    Midcredits score: 84th percentile of all films

  • Deep in My Heart(1954)

    Producer

    Midcredits score: 59th percentile of all films

  • Great Lady Has an Interview (not in the MovieCove catalog yet)(1954)

    Songs

  • Brigadoon(1954)

    Producer

    Midcredits score: 70th percentile of all films

  • The Band Wagon(1953)

    Associate Producer

    Midcredits score: 90th percentile of all films

  • The Belle of New York(1952)

    Producer

    Midcredits score: 45th percentile of all films

  • An American in Paris(1951)

    Associate Producer

    Midcredits score: 85th percentile of all films

  • Show Boat(1951)

    Producer

    Midcredits score: 71st percentile of all films

  • Annie Get Your Gun(1950)

    Producer

    Midcredits score: 73rd percentile of all films

  • Pagan Love Song(1950)

    Composer

    Midcredits score: 32nd percentile of all films

  • On the Town(1949)

    Associate Producer · Composer

    Midcredits score: 89th percentile of all films

  • Take Me Out to the Ball Game(1949)

    Composer · Songs

    Midcredits score: 68th percentile of all films

  • The Barkleys of Broadway(1949)

    Producer

    Midcredits score: 79th percentile of all films

  • Easter Parade(1948)

    Composer · Producer

    Midcredits score: 89th percentile of all films

  • The Pirate(1948)

    Additional Music

    Midcredits score: 76th percentile of all films

  • Good News(1947)

    Associate Producer · Songs

    Midcredits score: 77th percentile of all films

  • The Harvey Girls(1946)

    Associate Producer

    Midcredits score: 79th percentile of all films

  • Yolanda and the Thief(1945)

    Associate Producer

    Midcredits score: 41st percentile of all films

  • Ziegfeld Follies(1945)

    Music Arranger · Songs

    Midcredits score: 57th percentile of all films

  • Meet Me in St. Louis(1944)

    Associate Producer · Composer

    Midcredits score: 92nd percentile of all films

  • Cabin in the Sky(1943)

    Composer

    Midcredits score: 82nd percentile of all films

  • For Me and My Gal(1942)

    Composer

    Midcredits score: 80th percentile of all films

  • Babes on Broadway (not in the MovieCove catalog yet)(1941)

    Songs

  • Ziegfeld Girl(1941)

    Music Arranger · Songs

    Midcredits score: 69th percentile of all films

  • Little Nellie Kelly (not in the MovieCove catalog yet)(1940)

    Composer

  • Andy Hardy Meets Debutante(1940)

    Music Arranger

    Midcredits score: 63rd percentile of all films

  • The Ice Follies of 1939(1939)

    Composer

    Midcredits score: 22nd percentile of all films

  • Broadway Melody of 1936(1935)

    Music Arranger

    Midcredits score: 69th percentile of all films

Career shape

A full career of 29 titles from 1935 to 2013.

Biggest box office

Meet Me in St. Louis (1944)

$506K worldwide

Highest rated

Meet Me in St. Louis (1944)

Midcredits 92nd

Most popular right now

Hello, Dolly! (1969)

By role

only this rolewith another role
Writing2 of 29: 0 only writing, 2 with another roleProducing14 of 29: 8 only producing, 6 with another role · typical Midcredits score83rdMusic12 of 29: 8 only music, 4 with another role · typical Midcredits score82ndOther crew9 of 29: 6 only other crew, 3 with another role · typical Midcredits score68th

29 titles, 7 with more than one role — producing and music overlap on 3 of them.

By decade

1930s2 · crew1940s15 · crew1950s7 · crew1960s3 · crew2000s1 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Roger Edens' films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 31; across their 20 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 20

Approval · how many liked their films

77thpercentile
Typical film, the median of 20

Reach · how many have seen their films

71stpercentile
Typical film, the median of 20

Midcredits score across 31 titles, by percentile

  • 75th and up15
  • 50th to 74th11
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

24 of their 31 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser24
  • Broadly Agreed1
  • Mixed3

Most divisive · composer

The Ice Follies of 1939 (1939)

66th percentile spread · 34% rated it 4 or lower

Most loved · producer, composer

Meet Me in St. Louis (1944)

Midcredits 92nd · 79% liked

Reviewers score the sound and music 70/100 in their films, across 19 reviewed titles; fans 78, detractors 48. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Roger Edens' work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 13 · minimalMedian of all films: 44
Sex & Nudity4 titlesmedian 14 · minimalMedian of all films: 32
Profanity4 titlesmedian 4 · minimalMedian of all films: 36
Alcohol & Drugs3 titlesmedian 20 · mildMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Roger Edens work with?

People who share at least 2 of Roger Edens' MovieCove titles, grouped by what they did on them; Arthur Freed shares the most, 13.

Directors

Writers

Actors

Composers and editors

Producers

  • Arthur Freed13 titles    See newest 12 of 13 shared titles with Arthur Freed