
Clinton Sundberg
Actor · Died December 14, 1987, aged 84 · Appleton, Minnesota, USA
From Wikipedia, the free encyclopedia Clinton Charles Sundberg (December 7, 1903 – December 14, 1987) was an American character actor in film and stage. Sundberg left teaching English literature for acting, appearing in plays in stock theater in New England. He appeared in a number of Broadway plays, debuting in Nine Pine Street (1933). His most notable roles were Mr. Kraler in the original 1957 production of The Diary of Anne Frank and Mortimer Brewster (as a replacement) in the 1944 Arsenic and Old Lace. He became a contract player at Metro-Goldwyn-Mayer where he appeared in numerous supporting roles in films of the late 1940s and early 1950s. He played Mike, the bartender who listens to Judy Garland's character's troubles in Easter Parade. One of Sundberg's most memorable roles was in the 1949 film In the Good Old Summertime (which also starred Garland and Van Johnson) as Rudy Hansen, a friendly co-worker and confidante of Johnson's character. He also played the hotel owner who hired Annie Oakley to enter the shooting contest against Frank Butler in Annie Get Your Gun. He later made several television appearances, including two episodes of Perry Mason: "The Case of the Drowsy Mosquito" in 1963 and "The Case of the Scarlet Scandal" in 1966. He also appeared in several television commercials. In 1962, Sundberg was cast in the lead guest-starring role of Luther Boardman, a naive but troublesome newspaper publisher who comes to Laramie, Wyoming, to capture the story of "real West" gunfighters in "The Man Behind the News", one of the last episodes of the ABC/Warner Brothers western series, Lawman, which starred John Russell as Marshal Dan Troop. Hal Baylor appears in the episode as gunfighter Mort Peters, whom Boardman (Sundberg) goads into a shootout with Troop. Sundberg died of heart failure in Santa Monica, California, aged 84.
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Biography from TMDB.
- December 7, 1903
- December 14, 1987 (aged 84)
- Appleton, Minnesota, USA
- Actor
- 38 on Motif · 52 credits in all
What are Clinton Sundberg's films like?
Across their 22 Motif titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their Motif films by primary genre. The badge is the typical Motif score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 21
Light 20 · Serious 1 · Dark 1
Grounded 9 · Stylized 9 · Heightened 4
Gentle 16 · Charged 6 · Intense 0
Steady 19 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 16 · Funny 5
Slow burn 14 · Even-paced 7 · Relentless 1
Casual 21 · Engaged 1 · Full focus 0
Easy watch 21 · Affecting 0 · Heavy 1
Resolved 21 · Open-ended 1 · Ambiguous 0
Roles they play
- Tricksteras Mike Fitzgerald in Mr. Peabody and the Mermaid (1948)
- Shapeshifteras Rudy Hansen in In the Good Old Summertime (1949)
- Allyas Thinker in A Snow White Christmas (1980)
Moods and endings
- Happy17
- Bittersweet5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Clinton Sundberg's films?
As of October 24, 2026, 11 of their 38 Motif titles stream on a subscription or free service.
Subscription and free streaming for Clinton Sundberg's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
52 credits, 38 with a Motif page.
Motif score: 90th percentile of all films
Motif score: 86th percentile of all films
A Snow White Christmas(1980)
Motif score: 37th percentile of all films
Mayberry R.F.D.(1968)
Motif score: 12th percentile of all shows
Shadow Over Elveron (not in the Motif catalog yet)(1968)

Hotel(1967)
Motif score: 63rd percentile of all films
How the West Was Won(1962)
Motif score: 81st percentile of all films
Motif score: 58th percentile of all films
Bachelor in Paradise(1961)
Motif score: 56th percentile of all films
The Andy Griffith Show(1960)
Motif score: 91st percentile of all shows
The Barbara Stanwyck Show (not in the Motif catalog yet)(1960)

Startime (not in the Motif catalog yet)(1959)

Perry Mason(1957)
Motif score: 96th percentile of all shows
The Birds and the Bees (not in the Motif catalog yet)(1956)

MGM Parade (not in the Motif catalog yet)(1955)

Main Street to Broadway(1953)
Motif score: 34th percentile of all films
The Caddy(1953)
Motif score: 58th percentile of all films
Sweethearts on Parade (not in the Motif catalog yet)(1953)

The Girl Next Door(1953)
Motif score: 36th percentile of all films
The Belle of New York(1952)
Motif score: 45th percentile of all films
I Love Lucy(1951)
Motif score: 93rd percentile of all shows
As Young as You Feel(1951)
Motif score: 59th percentile of all films
The Fat Man (not in the Motif catalog yet)(1951)

On the Riviera (not in the Motif catalog yet)(1951)
Motif score: 68th percentile of all films
Two Weeks with Love(1950)
Motif score: 68th percentile of all films
The Toast of New Orleans(1950)
Motif score: 39th percentile of all films
Duchess of Idaho (not in the Motif catalog yet)(1950)

Annie Get Your Gun(1950)
Motif score: 73rd percentile of all films
Father Is a Bachelor (not in the Motif catalog yet)(1950)

Key to the City(1950)
Motif score: 56th percentile of all films
Motif score: 82nd percentile of all films
The Barkleys of Broadway(1949)
Motif score: 79th percentile of all films
Big Jack (not in the Motif catalog yet)(1949)

Words and Music(1948)
Motif score: 54th percentile of all films
Command Decision(1948)
Motif score: 85th percentile of all films
The Kissing Bandit(1948)
Motif score: 19th percentile of all films
Good Sam(1948)
Motif score: 58th percentile of all films
Motif score: 58th percentile of all films
A Date with Judy(1948)
Motif score: 61st percentile of all films
Easter Parade(1948)
Motif score: 89th percentile of all films
The Bride Goes Wild(1948)
Motif score: 50th percentile of all films
Good News(1947)
Motif score: 77th percentile of all filmsThe Amazing Mr. Nordill (not in the Motif catalog yet)(1947)

Song of the Thin Man(1947)
Motif score: 76th percentile of all films
The Hucksters(1947)
Motif score: 69th percentile of all films
Living in a Big Way(1947)
Motif score: 47th percentile of all films
Undercover Maisie(1947)
Motif score: 57th percentile of all films
The Mighty McGurk (not in the Motif catalog yet)(1947)
Motif score: 37th percentile of all films
Undercurrent(1946)
Motif score: 61st percentile of all films
Come to Dinner (not in the Motif catalog yet)(1934)
Career shape
Star power in the 92nd percentile of 239,109 people with a billed film role, over a full career of 52 titles from 1934 to 1994; peak year 1961.
Film career
Peak 1961 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1946Screen debut· Undercurrent
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Motif score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Clinton Sundberg's films land?
Their typical Motif film has a Motif score in the 59th percentile, the median of all 34; across their 22 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up12
- 50th to 74th17
- 25th to 49th7
- Below 25th2
Shape of the crowd
24 of their 38 titles are Crowd Pleasers.
- Universally Loved4
- Cult Classic1
- Crowd Pleaser24
- Broadly Agreed4
- Mixed5
Reviewers score the acting 67/100 in their films, across 21 reviewed titles; fans 76, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Clinton Sundberg work with?
People who share at least 2 of Clinton Sundberg's Motif titles, grouped by what they did on them; Arthur Freed shares the most, 5.
Directors
- Charles WaltersShared titles: The Belle of New York (1952), The Barkleys of Broadway (1949), Easter Parade (1948), Good News (1947)See all 4 shared titles with Charles Walters

- Norman TaurogShared titles: The Caddy (1953), Mrs. O'Malley and Mr. Malone (1950), The Toast of New Orleans (1950)See all 3 shared titles with Norman Taurog

Writers
- Sidney SheldonShared titles: Annie Get Your Gun (1950), The Barkleys of Broadway (1949), Easter Parade (1948)See all 3 shared titles with Sidney Sheldon

- Isobel LennartShared titles: The Girl Next Door (1953), The Kissing Bandit (1948)See all 2 shared titles with Isobel Lennart

- Samson RaphaelsonShared titles: Main Street to Broadway (1953), In the Good Old Summertime (1949)See all 2 shared titles with Samson Raphaelson

- Dorothy KingsleyShared titles: Two Weeks with Love (1950), A Date with Judy (1948)See all 2 shared titles with Dorothy Kingsley
Actors
- Louis CalhernShared titles: Main Street to Broadway (1953), Annie Get Your Gun (1950), Two Weeks with Love (1950)See all 3 shared titles with Louis Calhern

- Fred AstaireShared titles: The Belle of New York (1952), The Barkleys of Broadway (1949), Easter Parade (1948)See all 3 shared titles with Fred Astaire

- Marjorie MainShared titles: The Belle of New York (1952), Mrs. O'Malley and Mr. Malone (1950), Undercurrent (1946)See all 3 shared titles with Marjorie Main

- J. Carrol NaishShared titles: Annie Get Your Gun (1950), The Toast of New Orleans (1950), The Kissing Bandit (1948)See all 3 shared titles with J. Carrol Naish

Composers and editors
- Albert AkstShared titles: The Belle of New York (1952), The Barkleys of Broadway (1949), Easter Parade (1948), Good News (1947)See all 4 shared titles with Albert Akst
- George StollShared titles: Two Weeks with Love (1950), In the Good Old Summertime (1949), A Date with Judy (1948), The Kissing Bandit (1948)See all 4 shared titles with George Stoll
- Conrad SalingerShared titles: The Belle of New York (1952), Easter Parade (1948), Good News (1947)See all 3 shared titles with Conrad Salinger

- Albert SendreyShared titles: Two Weeks with Love (1950), A Date with Judy (1948), The Kissing Bandit (1948)See all 3 shared titles with Albert Sendrey
Producers
- Arthur FreedShared titles: The Belle of New York (1952), Annie Get Your Gun (1950), The Barkleys of Broadway (1949), Easter Parade (1948), Good News (1947)See all 5 shared titles with Arthur Freed

- Roger EdensShared titles: The Belle of New York (1952), Annie Get Your Gun (1950), The Barkleys of Broadway (1949), Easter Parade (1948), Good News (1947)See all 5 shared titles with Roger Edens
- Joe PasternakShared titles: The Toast of New Orleans (1950), In the Good Old Summertime (1949), A Date with Judy (1948), The Kissing Bandit (1948)See all 4 shared titles with Joe Pasternak

- Pandro S. BermanShared titles: Living in a Big Way (1947), Undercurrent (1946)See all 2 shared titles with Pandro S. Berman

Mixed roles
- Gene Fowler Jr.Shared titles: Main Street to Broadway (1953), Mr. Peabody and the Mermaid (1948)See all 2 shared titles with Gene Fowler Jr.




