Guy Endore
Writer · Died February 12, 1970, aged 69 · Brooklyn, New York City, New York, USA
- July 4, 1900
- February 12, 1970 (aged 69)
- Brooklyn, New York City, New York, USA
- Writer
- 12 on MovieCove · 19 credits in all
What are Guy Endore's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
A split, not a type: Light 3 · Serious 1 · Dark 8
Grounded 3 · Stylized 6 · Heightened 3
A split, not a type: Gentle 2 · Charged 3 · Intense 7
Steady 2 · Shifting 9 · Whiplash 1
Straight-faced 11 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 8 · Relentless 0
Casual 2 · Engaged 10 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 4 · Heavy 5
Resolved 11 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet3
- Tragic4
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Guy Endore's films?
As of October 24, 2026, 3 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Guy Endore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 12 with a MovieCove page.
Fear No Evil (not in the MovieCove catalog yet)(1969)
Captain Sindbad(1963)
Midcredits score: 26th percentile of all films
Midcredits score: 61st percentile of all films
Tomorrow Is Another Day(1951)
Midcredits score: 80th percentile of all films
He Ran All the Way(1951)
Midcredits score: 82nd percentile of all films
Whirlpool(1950)
Midcredits score: 72nd percentile of all films
Johnny Allegro (not in the MovieCove catalog yet)(1949)
The Vicious Circle(1948)
Midcredits score: 30th percentile of all films
El hombre que amé (not in the MovieCove catalog yet)(1947)
Story of G.I. Joe(1945)
Midcredits score: 83rd percentile of all films
Song of Russia (not in the MovieCove catalog yet)(1944)
Lady from Louisiana (not in the MovieCove catalog yet)(1941)
Carefree (not in the MovieCove catalog yet)(1938)
The League of Frightened Men (not in the MovieCove catalog yet)(1937)
The Devil-Doll(1936)
Midcredits score: 78th percentile of all films
Mark of the Vampire(1935)
Midcredits score: 51st percentile of all films
Rumba(1935)
Midcredits score: 35th percentile of all films
Mad Love(1935)
Midcredits score: 86th percentile of all films
The Raven(1935)
Midcredits score: 70th percentile of all films
Career shape
A full career of 17 titles from 1935 to 1969.
Biggest box office
The Curse of the Werewolf (1961)
Highest rated
Mad Love (1935)
Most popular right now
The Curse of the Werewolf (1961)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Guy Endore's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th3
Shape of the crowd
9 of their 12 titles are Crowd Pleasers.
- Crowd Pleaser9
- Mixed3
Reviewers score the dialogue 53/100 and the plot and story 47/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Guy Endore work with?
People who share at least 2 of Guy Endore's MovieCove titles, grouped by what they did on them; Tod Browning shares the most, 2.
Directors
- Tod BrowningShared titles: The Devil-Doll (1936), Mark of the Vampire (1935)See all 2 shared titles with Tod Browning
Writers
- John L. BalderstonShared titles: Mad Love (1935), Mark of the Vampire (1935)See all 2 shared titles with John L. Balderston
Actors
- Robert HyattShared titles: He Ran All the Way (1951), Tomorrow Is Another Day (1951)See all 2 shared titles with Robert Hyatt
- Lionel BarrymoreShared titles: The Devil-Doll (1936), Mark of the Vampire (1935)See all 2 shared titles with Lionel Barrymore
- Bela LugosiShared titles: Mark of the Vampire (1935), The Raven (1935)See all 2 shared titles with Bela Lugosi
- Samuel S. HindsShared titles: Rumba (1935), The Raven (1935)See all 2 shared titles with Samuel S. Hinds
Composers and cinematographers
- Franz WaxmanShared titles: He Ran All the Way (1951), The Devil-Doll (1936)See all 2 shared titles with Franz Waxman
- James Wong HoweShared titles: He Ran All the Way (1951), Mark of the Vampire (1935)See all 2 shared titles with James Wong Howe
Producers
- E.J. MannixShared titles: The Devil-Doll (1936), Mark of the Vampire (1935)See all 2 shared titles with E.J. Mannix
