Skip to content
MovieCove
E.J. Mannix

E.J. Mannix

Producer · Died August 30, 1963, aged 72 · Fort Lee, New Jersey, USA

Born
February 25, 1891
Died
August 30, 1963 (aged 72)
From
Fort Lee, New Jersey, USA
Works as
Producer
Titles
4 on MovieCove
TMDB popularity, last 38 days to Oct 27Up 5% in 30 days

What are E.J. Mannix's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
71%
Bonds
21%
Self
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 0 · Dark 1

Grounded 2 · Stylized 2 · Heightened 0

Gentle 1 · Charged 2 · Intense 1

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Dread
2
Contemplative
1
Warm
1
Romantic
1
Other
4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch E.J. Mannix's films?

As of October 24, 2026, none of E.J. Mannix's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for E.J. Mannix's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Madame Curie(1943)

    Executive Producer

    Midcredits score: 86th percentile of all films
  • The Devil-Doll(1936)

    Producer

    Midcredits score: 78th percentile of all films
  • It's in the Air(1935)

    Producer

    Midcredits score: 17th percentile of all films
  • Mark of the Vampire(1935)

    Producer

    Midcredits score: 51st percentile of all films

Career shape

A full career of 4 titles from 1935 to 1943.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

By decade

1930s3 · crew1940s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do E.J. Mannix's films land?

Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 4

Approval · how many liked their films

63rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

71stpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • Below 25th1

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does E.J. Mannix work with?

People who share at least 2 of E.J. Mannix's MovieCove titles, grouped by what they did on them; Tod Browning shares the most, 2.

Directors

Writers

Actors