
Carl Esmond
Actor · Died December 4, 2004, aged 102 · Vienna, Austria-Hungary (now Austria)
Carl Esmond (born Karl Simon June 14, 1902 – December 4, 2004) was an Austrian-born American film and stage actor, born in Vienna, Austria-Hungary. Although his age was given as 33 in the passenger list when he arrived in the USA in January 1938, in his naturalization petition his birth year is stated as 1902. His stage names were Willy Eichberger and Charles Esmond and finally Carl Esmond. He trained at Vienna's State Academy of Dramatic Arts, and made his film debut in the operetta The Emperor's Waltz (1933).
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Biography from TMDB.
- June 14, 1902
- December 4, 2004 (aged 102)
- Vienna, Austria-Hungary (now Austria)
- Actor
- 28 on MovieCove · 61 credits in all
What are Carl Esmond's films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 17
Light 6 · Serious 6 · Dark 6
Grounded 6 · Stylized 8 · Heightened 4
Gentle 6 · Charged 10 · Intense 2
Steady 12 · Shifting 6 · Whiplash 0
A split, not a type: Straight-faced 11 · Some laughs 5 · Funny 2
Slow burn 9 · Even-paced 9 · Relentless 0
Casual 12 · Engaged 5 · Full focus 1
A split, not a type: Easy watch 9 · Affecting 7 · Heavy 2
Resolved 16 · Open-ended 2 · Ambiguous 0
Roles they play
Usually the Shadow: 4 of 6 analyzed roles.
- Shadowas Mirko, der Herr in Blutsbrüder (1935)
- Allyas Prof. Bhaer in Little Men (1940)
- Shadowas Jan Kuypens in Sundown (1941)
- Threshold guardianas Baron Zoltan Faludi in Her Highness and the Bellboy (1945)
- Shadowas El Hamid in Slave Girl (1947)
- Shadowas Prince Semyon in The World in His Arms (1952)
Moods and endings
- Happy12
- Bittersweet4
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Carl Esmond's films?
As of October 24, 2026, 11 of their 28 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Carl Esmond's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
61 credits, 28 with a MovieCove page.
Midcredits score: 54th percentile of all films
McMillan & Wife(1971)
Midcredits score: 62nd percentile of all shows
Agent for H.A.R.M.(1966)
Midcredits score: 1st percentile of all films
Run for Your Life (not in the MovieCove catalog yet)(1965)

Morituri(1965)
Midcredits score: 81st percentile of all films
The Man from U.N.C.L.E.(1964)
Midcredits score: 79th percentile of all shows
Hitler(1962)
Midcredits score: 35th percentile of all films
Brushfire (not in the MovieCove catalog yet)(1962)

Thunder in the Sun(1959)
Midcredits score: 24th percentile of all films
One Step Beyond(1959)
Midcredits score: 71st percentile of all shows
Midcredits score: 18th percentile of all films
Maverick(1957)
Midcredits score: 86th percentile of all shows
Lola Montès(1955)
Midcredits score: 87th percentile of all filmsPassport to Danger (not in the MovieCove catalog yet)(1954)

Regina Amstetten (not in the MovieCove catalog yet)(1954)
Liebeserwachen (not in the MovieCove catalog yet)(1953)

The World in His Arms(1952)
Midcredits score: 79th percentile of all films
Racket Squad (not in the MovieCove catalog yet)(1951)

Mystery Submarine (not in the MovieCove catalog yet)(1950)
Lux Video Theatre (not in the MovieCove catalog yet)(1950)

The Desert Hawk(1950)
Midcredits score: 19th percentile of all films
Walk a Crooked Mile(1948)
Midcredits score: 50th percentile of all films
Slave Girl(1947)
Midcredits score: 23rd percentile of all films
Midcredits score: 55th percentile of all films
Lover Come Back (not in the MovieCove catalog yet)(1946)

The Catman of Paris (not in the MovieCove catalog yet)(1946)
Midcredits score: 59th percentile of all films
This Love of Ours(1945)
Midcredits score: 29th percentile of all films
Without Love(1945)
Midcredits score: 68th percentile of all films
Experiment Perilous(1944)
Midcredits score: 51st percentile of all films
The Master Race (not in the MovieCove catalog yet)(1944)
Midcredits score: 69th percentile of all films
The Story of Dr. Wassell(1944)
Midcredits score: 67th percentile of all films
Address Unknown (not in the MovieCove catalog yet)(1944)

Ministry of Fear(1944)
Midcredits score: 85th percentile of all films
First Comes Courage (not in the MovieCove catalog yet)(1943)

Margin for Error (not in the MovieCove catalog yet)(1943)

Seven Sweethearts (not in the MovieCove catalog yet)(1942)

The Navy Comes Through (not in the MovieCove catalog yet)(1942)

Panama Hattie(1942)
Midcredits score: 40th percentile of all films
Pacific Rendezvous (not in the MovieCove catalog yet)(1942)

Sundown(1941)
Midcredits score: 30th percentile of all films
Sergeant York(1941)
Midcredits score: 93rd percentile of all films
Little Men(1940)
Midcredits score: 20th percentile of all films
Thunder Afloat (not in the MovieCove catalog yet)(1939)

The Dawn Patrol (not in the MovieCove catalog yet)(1938)

Burg Theatre (not in the MovieCove catalog yet)(1936)

Romance (not in the MovieCove catalog yet)(1936)

Prater (not in the MovieCove catalog yet)(1936)

All for Veronica (not in the MovieCove catalog yet)(1936)

The Empress's Favourite (not in the MovieCove catalog yet)(1936)
The Postman from Longjumeau (not in the MovieCove catalog yet)(1936)

Invitation to the Waltz (not in the MovieCove catalog yet)(1935)

Blutsbrüder(1935)
Midcredits score: 64th percentile of all films (provisional, few ratings)Love Conquers (not in the MovieCove catalog yet)(1934)

Evensong (not in the MovieCove catalog yet)(1934)

Blossom Time (not in the MovieCove catalog yet)(1934)

Inge and the Millions (not in the MovieCove catalog yet)(1933)

Kleines Mädel, großes Glück (not in the MovieCove catalog yet)(1933)

Liebelei (not in the MovieCove catalog yet)(1933)

Kaiserwalzer (not in the MovieCove catalog yet)(1933)
Career shape
Star power in the 92nd percentile of 239,109 people with a billed film role, over a full career of 61 titles from 1933 to 1985.
Film career
- 1933Screen debut· Liebelei
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Carl Esmond's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 24; across their 18 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 75th and up7
- 50th to 74th11
- 25th to 49th4
- Below 25th6
Shape of the crowd
16 of their 28 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned1
- Crowd Pleaser16
- Broadly Agreed3
- Mixed7
Reviewers score the acting 61/100 in their films, across 17 reviewed titles; fans 72, detractors 43. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Carl Esmond work with?
People who share at least 2 of Carl Esmond's MovieCove titles, grouped by what they did on them; Frank Gross shares the most, 3.
Actors
- Susan HaywardShared titles: Thunder in the Sun (1959), Smash-Up: The Story of a Woman (1947)See all 2 shared titles with Susan Hayward

- George SandersShared titles: From the Earth to the Moon (1958), Sundown (1941)See all 2 shared titles with George Sanders

- Ludwig StösselShared titles: From the Earth to the Moon (1958), Her Highness and the Bellboy (1945)See all 2 shared titles with Ludwig Stössel

- Marc LawrenceShared titles: The Desert Hawk (1950), Sundown (1941)See all 2 shared titles with Marc Lawrence

Composers, cinematographers and editors
- Frank GrossShared titles: The World in His Arms (1952), Slave Girl (1947), This Love of Ours (1945)See all 3 shared titles with Frank Gross
- Frank SkinnerShared titles: The World in His Arms (1952), The Desert Hawk (1950), Smash-Up: The Story of a Woman (1947)See all 3 shared titles with Frank Skinner

- Stanley CortezShared titles: Thunder in the Sun (1959), Smash-Up: The Story of a Woman (1947)See all 2 shared titles with Stanley Cortez

- Russell MettyShared titles: The World in His Arms (1952), The Desert Hawk (1950)See all 2 shared titles with Russell Metty

Producers
- Howard BenedictShared titles: Slave Girl (1947), This Love of Ours (1945)See all 2 shared titles with Howard Benedict
- Walter WangerShared titles: Smash-Up: The Story of a Woman (1947), Sundown (1941)See all 2 shared titles with Walter Wanger





