
Ludwig Stössel
Actor · Died January 29, 1973, aged 89 · Léka, Hungary, Austria-Hungary
Born in Austria in 1883, Ludwig Stossel was an established theater presence (from age 17) in both his homeland and in Germany for decades, performing at one time or another for both Max Reinhardt and Otto Preminger. He made a handful of German silents beginning in 1926 and had moved with ease into sound pictures. The Nazi invasion of Austria forced Stossel to emigrate to the United Kingdom in 1938. He rekindled his film career there but moved to America within a couple years. Many German and Austrian actors left their countries because of the Nazi takeover and emigrated to the US, winding up in Hollywood where they formed a sort of "colony", often being used in war-themed dramas to play either refugees or Nazi officers and officials. Stossel found a plethora of work that made use of his thick accent and benevolent countenance, his balding characters often accompanied by a monocle and handlebar mustache. He provided secondary but memorable foreign characters in such WWII classics as Casablanca (1942), Kings Row (1942), and the Lou Gehrig biopic The Pride of the Yankees (1942) as Gehrig's (Gary Cooper) father. Firmly established in Hollywood, the amiable Stossel continued playing sweet and wise old souls throughout the remainder of his career. Particularly outstanding was his role as Albert Einstein in The Beginning or the End (1947). He also worked on TV in the 1950s and is perhaps best remembered for his long series of commercials for Italian Swiss Colony wine in which he played "that little old winemaker, me!" in Swiss costume. Married to actress Eleanore Stossel, he died in 1973 at age 89 in Beverly Hills, California.
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Biography from IMDb.
- February 11, 1883
- January 29, 1973 (aged 89)
- Léka, Hungary, Austria-Hungary
- Actor
- 35 on MovieCove · 97 credits in all
What are Ludwig Stössel's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 13
Light 5 · Serious 6 · Dark 3
Grounded 6 · Stylized 6 · Heightened 2
Gentle 4 · Charged 9 · Intense 1
Steady 7 · Shifting 7 · Whiplash 0
A split, not a type: Straight-faced 8 · Some laughs 4 · Funny 2
Slow burn 8 · Even-paced 6 · Relentless 0
Casual 10 · Engaged 4 · Full focus 0
Easy watch 8 · Affecting 5 · Heavy 1
Resolved 14 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Mentor: 2 of 3 analyzed roles.
- Threshold guardianas Jean Lamarte in Bluebeard (1944)
- Mentoras 'Popsy' Lorenz in Girl on the Spot (1946)
- Mentoras Anton Kovac in Man with a Camera (1958)
Moods and endings
- Happy6
- Bittersweet7
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ludwig Stössel's films?
As of October 24, 2026, 14 of their 35 MovieCove titles stream on a subscription or free service, most on Tubi (8).
- The Pride of the Yankees (1942) · actor · free
- Man Hunt (1941) · actor · free
- A Song Is Born (1948) · actor · free
- The Loretta Young Show (1953) · actor · free
- Father Knows Best (1954) · actor · free
- The Donna Reed Show (1958) · actor · free
- Man with a Camera (1958) · actor · free
- Bluebeard (1944) · actor · free
Subscription and free streaming for Ludwig Stössel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
97 credits, 35 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

G.I. Blues(1960)
Midcredits score: 53rd percentile of all films
The Blue Angel (not in the MovieCove catalog yet)(1959)
Midcredits score: 18th percentile of all films
Man with a Camera(1958)
Midcredits score: 53rd percentile of all shows
Me and the Colonel(1958)
Midcredits score: 77th percentile of all films
The Donna Reed Show(1958)
Midcredits score: 64th percentile of all shows
Tales of Frankenstein (not in the MovieCove catalog yet)(1958)

Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Deep in My Heart(1954)
Midcredits score: 59th percentile of all films
December Bride (not in the MovieCove catalog yet)(1954)

Father Knows Best(1954)
Midcredits score: 65th percentile of all shows
With This Ring (not in the MovieCove catalog yet)(1954)

Geraldine(1953)
Midcredits score: 16th percentile of all films (provisional, few ratings)
The Loretta Young Show(1953)
Midcredits score: 68th percentile of all shows
The Sun Shines Bright(1953)
Midcredits score: 78th percentile of all filmsRamar of the Jungle (not in the MovieCove catalog yet)(1953)
White Goddess (not in the MovieCove catalog yet)(1953)

Call Me Madam (not in the MovieCove catalog yet)(1953)

General Electric Theater (not in the MovieCove catalog yet)(1953)

No Time for Flowers (not in the MovieCove catalog yet)(1952)

Cavalcade of America (not in the MovieCove catalog yet)(1952)

The Merry Widow(1952)
Midcredits score: 35th percentile of all films
Hallmark Hall of Fame (not in the MovieCove catalog yet)(1951)

Too Young to Kiss(1951)
Midcredits score: 41st percentile of all films
Schlitz Playhouse of Stars (not in the MovieCove catalog yet)(1951)
Lux Video Theatre (not in the MovieCove catalog yet)(1950)

The Great Sinner(1949)
Midcredits score: 67th percentile of all films
A Song Is Born(1948)
Midcredits score: 75th percentile of all films
Escape Me Never (not in the MovieCove catalog yet)(1947)

This Time for Keeps (not in the MovieCove catalog yet)(1947)

Song of Love (not in the MovieCove catalog yet)(1947)

Temptation (not in the MovieCove catalog yet)(1946)

Cloak and Dagger(1946)
Midcredits score: 70th percentile of all films
Miss Susie Slagle's(1946)
Midcredits score: 60th percentile of all films
Girl on the Spot(1946)
Midcredits score: 52nd percentile of all films (provisional, few ratings)
House of Dracula(1945)
Midcredits score: 27th percentile of all films
Yolanda and the Thief(1945)
Midcredits score: 41st percentile of all films
Midcredits score: 59th percentile of all films
Dillinger(1945)
Midcredits score: 58th percentile of all films
Bluebeard(1944)
Midcredits score: 36th percentile of all films
The Climax(1944)
Midcredits score: 21st percentile of all films
The Strange Death of Adolf Hitler (not in the MovieCove catalog yet)(1943)

Hers to Hold (not in the MovieCove catalog yet)(1943)
Midcredits score: 79th percentile of all films
Hitler's Madman (not in the MovieCove catalog yet)(1943)

Above Suspicion(1943)
Midcredits score: 57th percentile of all films
They Came to Blow Up America (not in the MovieCove catalog yet)(1943)

Casablanca(1942)
Midcredits score: 99th percentile of all filmsWhat We Are Fighting For (not in the MovieCove catalog yet)(1943)

The Great Impersonation (not in the MovieCove catalog yet)(1942)

Pittsburgh (not in the MovieCove catalog yet)(1942)

Who Done It? (not in the MovieCove catalog yet)(1942)

The Pride of the Yankees(1942)
Midcredits score: 92nd percentile of all films
Woman of the Year(1942)
Midcredits score: 83rd percentile of all films
Kings Row(1942)
Midcredits score: 90th percentile of all films
All Through the Night(1942)
Midcredits score: 83rd percentile of all filmsMarry the Boss's Daughter (not in the MovieCove catalog yet)(1941)

Great Guns (not in the MovieCove catalog yet)(1941)

Down in San Diego (not in the MovieCove catalog yet)(1941)

Underground (not in the MovieCove catalog yet)(1941)

Man Hunt(1941)
Midcredits score: 85th percentile of all films
Back Street(1941)
Midcredits score: 71st percentile of all films
Jennie (not in the MovieCove catalog yet)(1940)

The Flying Squad (not in the MovieCove catalog yet)(1940)

Dance, Girl, Dance(1940)
Midcredits score: 71st percentile of all films
The Man I Married (not in the MovieCove catalog yet)(1940)

Four Sons (not in the MovieCove catalog yet)(1940)

Dead Man's Shoes (not in the MovieCove catalog yet)(1940)

Return to Yesterday (not in the MovieCove catalog yet)(1940)

Der Pfarrer von Kirchfeld (not in the MovieCove catalog yet)(1937)

Nordpol - Ahoi! (not in the MovieCove catalog yet)(1934)

A Night in Venice (not in the MovieCove catalog yet)(1934)

Money Governs the World (not in the MovieCove catalog yet)(1933)

Johannisnacht (not in the MovieCove catalog yet)(1933)

Heimkehr ins Glück (not in the MovieCove catalog yet)(1933)

Hände aus dem Dunkel (not in the MovieCove catalog yet)(1933)
Midcredits score: 96th percentile of all films
Der Läufer von Marathon (not in the MovieCove catalog yet)(1933)

Dawn (not in the MovieCove catalog yet)(1933)

The Rebel (not in the MovieCove catalog yet)(1932)
Strich durch die Rechnung (not in the MovieCove catalog yet)(1932)

The Countess of Monte Cristo (not in the MovieCove catalog yet)(1932)
Chauffeur Antoinette (not in the MovieCove catalog yet)(1932)

We Need No Money (not in the MovieCove catalog yet)(1931)

The Trunks of Mr. O.F. (not in the MovieCove catalog yet)(1931)
Help! Raid! (not in the MovieCove catalog yet)(1931)

Opera Ball (not in the MovieCove catalog yet)(1931)

Elisabeth of Austria (not in the MovieCove catalog yet)(1931)

Once I Loved a Girl in Vienna (not in the MovieCove catalog yet)(1931)

The Private Secretary (not in the MovieCove catalog yet)(1931)

Bock Beer Fest (not in the MovieCove catalog yet)(1930)

A Student's Song of Heidelberg (not in the MovieCove catalog yet)(1930)

Scandalous Eva (not in the MovieCove catalog yet)(1930)

Tonight - Eventually (not in the MovieCove catalog yet)(1930)
Möblierte Zimmer (not in the MovieCove catalog yet)(1929)
Herkules Maier (not in the MovieCove catalog yet)(1928)
In der Heimat, da gibt's ein Wiedersehn! (not in the MovieCove catalog yet)(1926)
Career shape
Star power in the 94th percentile of 239,109 people with a billed film role, over a full career of 97 titles from 1926 to 1960.

Biggest box office
Cloak and Dagger (1946)

Highest rated
The Pride of the Yankees (1942)

Most popular right now
Man with a Camera (1958)
Film career
Top draw in 1 MovieCove title.
- 1933Screen debut· The Testament of Dr. Mabuse
- 1942Career best· The Pride of the Yankees
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Ludwig Stössel's films land?
Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 30; across their 14 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up12
- 50th to 74th15
- 25th to 49th5
- Below 25th3
Shape of the crowd
20 of their 35 titles are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser20
- Broadly Agreed5
- Mixed5
Reviewers score the acting 69/100 in their films, across 13 reviewed titles; fans 77, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ludwig Stössel work with?
People who share at least 2 of Ludwig Stössel's MovieCove titles, grouped by what they did on them; John Carradine shares the most, 3.
Directors
- Fritz LangShared titles: Cloak and Dagger (1946), Man Hunt (1941)See all 2 shared titles with Fritz Lang

Actors
- John CarradineShared titles: House of Dracula (1945), Bluebeard (1944), Man Hunt (1941)See all 3 shared titles with John Carradine

- Carl EsmondShared titles: From the Earth to the Moon (1958), Her Highness and the Bellboy (1945)See all 2 shared titles with Carl Esmond

- George SandersShared titles: From the Earth to the Moon (1958), Man Hunt (1941)See all 2 shared titles with George Sanders

- Ernie AdamsShared titles: Girl on the Spot (1946), The Pride of the Yankees (1942)See all 2 shared titles with Ernie Adams

Editors
- Russell F. SchoengarthShared titles: House of Dracula (1945), The Climax (1944)See all 2 shared titles with Russell F. Schoengarth
Producers
- Joseph GershensonShared titles: House of Dracula (1945), The Climax (1944)See all 2 shared titles with Joseph Gershenson




