Albert Fennell
Producer · Born March 29, 1920 (106)
- March 29, 1920 (106)
- Producer
- 15 on MovieCove · 20 credits in all
What are Albert Fennell's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 13
Light 6 · Serious 6 · Dark 3
A split, not a type: Grounded 6 · Stylized 5 · Heightened 4
A split, not a type: Gentle 2 · Charged 6 · Intense 7
Steady 6 · Shifting 9 · Whiplash 0
A split, not a type: Straight-faced 10 · Some laughs 1 · Funny 4
Slow burn 3 · Even-paced 12 · Relentless 0
Casual 4 · Engaged 10 · Full focus 1
Easy watch 5 · Affecting 6 · Heavy 4
Resolved 9 · Open-ended 5 · Ambiguous 1
Moods and endings
- Happy6
- Bittersweet3
- Tragic4
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Albert Fennell's films?
As of October 24, 2026, 8 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Albert Fennell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 15 with a MovieCove page.
Midcredits score: 39th percentile of all films
A Hazard of Hearts(1987)
Midcredits score: 74th percentile of all films
The Professionals (not in the MovieCove catalog yet)(1977)

The Legend of Hell House(1973)
Midcredits score: 69th percentile of all films
Midcredits score: 57th percentile of all films
Dr Jekyll & Sister Hyde(1971)
Midcredits score: 66th percentile of all films
And Soon the Darkness(1970)
Midcredits score: 65th percentile of all films
Unearthly Stranger(1963)
Midcredits score: 57th percentile of all films
Night of the Eagle(1962)
Midcredits score: 77th percentile of all films
The Girl on the Boat(1962)
Midcredits score: 29th percentile of all films
The Innocents(1961)
Midcredits score: 96th percentile of all films
Tunes of Glory(1960)
Midcredits score: 91st percentile of all films
There Was a Crooked Man(1960)
Midcredits score: 59th percentile of all films
Peeping Tom(1960)
Midcredits score: 94th percentile of all films
The Horse's Mouth(1958)
Midcredits score: 78th percentile of all films
Next to No Time!(1958)
Midcredits score: 30th percentile of all films
The March Hare (not in the MovieCove catalog yet)(1956)

Park Plaza 605 (not in the MovieCove catalog yet)(1953)

The Cure for Love (not in the MovieCove catalog yet)(1949)

Caravan (not in the MovieCove catalog yet)(1946)
Career shape
A full career of 18 titles from 1946 to 1988.

Biggest box office
Peeping Tom (1960)

Highest rated
The Innocents (1961)

Most popular right now
Peeping Tom (1960)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Albert Fennell's films land?
Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 15; across their 15 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up5
- 50th to 74th7
- 25th to 49th3
Shape of the crowd
9 of their 15 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser9
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Albert Fennell's work okay for kids?
Across up to 6 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Albert Fennell work with?
People who share at least 2 of Albert Fennell's MovieCove titles, grouped by what they did on them; Reginald Beckwith shares the most, 4.
Directors
- John HoughShared titles: The Lady and the Highwayman (1988), A Hazard of Hearts (1987), The Legend of Hell House (1973)See all 3 shared titles with John Hough

- Ronald NeameShared titles: Tunes of Glory (1960), The Horse's Mouth (1958)See all 2 shared titles with Ronald Neame

Writers
- Brian ClemensShared titles: Captain Kronos: Vampire Hunter (1974), Dr Jekyll & Sister Hyde (1971), And Soon the Darkness (1970)See all 3 shared titles with Brian Clemens

- Barbara CartlandShared titles: The Lady and the Highwayman (1988), A Hazard of Hearts (1987)See all 2 shared titles with Barbara Cartland

- Terence FeelyShared titles: The Lady and the Highwayman (1988), A Hazard of Hearts (1987)See all 2 shared titles with Terence Feely
- Richard MathesonShared titles: The Legend of Hell House (1973), Night of the Eagle (1962)See all 2 shared titles with Richard Matheson

Actors
- Reginald BeckwithShared titles: Night of the Eagle (1962), There Was a Crooked Man (1960), Next to No Time! (1958), The Horse's Mouth (1958)See all 4 shared titles with Reginald Beckwith

- Pamela FranklinShared titles: The Legend of Hell House (1973), And Soon the Darkness (1970), The Innocents (1961)See all 3 shared titles with Pamela Franklin

- John MillsShared titles: The Lady and the Highwayman (1988), Tunes of Glory (1960)See all 2 shared titles with John Mills

- Anna MasseyShared titles: A Hazard of Hearts (1987), Peeping Tom (1960)See all 2 shared titles with Anna Massey

Composers and cinematographers
- Laurie JohnsonShared titles: The Lady and the Highwayman (1988), A Hazard of Hearts (1987), Captain Kronos: Vampire Hunter (1974), And Soon the Darkness (1970)See all 4 shared titles with Laurie Johnson

- Kenneth V. JonesShared titles: The Girl on the Boat (1962), The Innocents (1961), There Was a Crooked Man (1960), The Horse's Mouth (1958)See all 4 shared titles with Kenneth V. Jones
- Arthur IbbetsonShared titles: There Was a Crooked Man (1960), Tunes of Glory (1960), The Horse's Mouth (1958)See all 3 shared titles with Arthur Ibbetson
- Ian WilsonShared titles: Captain Kronos: Vampire Hunter (1974), And Soon the Darkness (1970)See all 2 shared titles with Ian Wilson
Producers
- John BryanShared titles: The Girl on the Boat (1962), There Was a Crooked Man (1960), The Horse's Mouth (1958)See all 3 shared titles with John Bryan

- James H. NicholsonShared titles: The Legend of Hell House (1973), Night of the Eagle (1962)See all 2 shared titles with James H. Nicholson
- Julian WintleShared titles: Unearthly Stranger (1963), Night of the Eagle (1962)See all 2 shared titles with Julian Wintle
- Leslie ParkynShared titles: Unearthly Stranger (1963), Night of the Eagle (1962)See all 2 shared titles with Leslie Parkyn

