Fred F. Finklehoffe

What are Fred F. Finklehoffe's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fred F. Finklehoffe's films?

As of October 24, 2026, 5 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Meet Me in St. Louis (1944) · writer · free
  • At War with the Army (1950) · writer, producer · free
  • My Boys Are Good Boys (1979) · writer · free
• Pluto TV2 titles, browse their movies on this service
  • The Stooge (1951) · writer · free
  • At War with the Army (1950) · writer, producer · free
• HBO Max1 title, browse their movies on this service
  • Words and Music (1948) · writer
• MGM+1 title, browse their movies on this service
  • At War with the Army (1950) · writer, producer
• Prime Video1 title, browse their movies on this service
  • At War with the Army (1950) · writer, producer · free
• The Roku Channel1 title, browse their movies on this service
  • At War with the Army (1950) · writer, producer · free

Subscription and free streaming for Fred F. Finklehoffe's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 13 with a MovieCove page.

• 

  My Boys Are Good Boys(1979)

  Screenplay

  Midcredits score: 12th percentile of all films12^th
• 

  Meet Me in St. Louis (not in the MovieCove catalog yet)(1959)

  Original Film Writer
• 

  About Face(1952)

  Theatre Play

  Midcredits score: 11th percentile of all films11^th
• 

  The Stooge(1951)

  Screenplay · Story

  Midcredits score: 72nd percentile of all films72^nd
• 

  At War with the Army(1950)

  Producer · Screenplay

  Midcredits score: 26th percentile of all films26^th
• 

  Words and Music(1948)

  Writer

  Midcredits score: 54th percentile of all films54^th
• 

  The Egg and I(1947)

  Producer · Writer

  Midcredits score: 75th percentile of all films75^th
• 

  Meet Me in St. Louis(1944)

  Screenplay

  Midcredits score: 92nd percentile of all films92^nd
• 

  Girl Crazy(1943)

  Screenplay

  Midcredits score: 71st percentile of all films71^st
• 

  Best Foot Forward(1943)

  Screenplay

  Midcredits score: 60th percentile of all films60^th
• 

  For Me and My Gal(1942)

  Screenplay

  Midcredits score: 80th percentile of all films80^th
• 

  Babes on Broadway (not in the MovieCove catalog yet)(1941)

  Screenplay · Story
• 

  Strike Up the Band(1940)

  Screenplay

  Midcredits score: 70th percentile of all films70^th
• 

  Brother Rat and a Baby(1940)

  Screenplay

  Midcredits score: 19th percentile of all films19^th
• 

  The Mad Miss Manton(1938)

  Additional Writing · Writer

  Midcredits score: 71st percentile of all films71^st

Career shape

A full career of 15 titles from 1938 to 1978.

Biggest box office

Meet Me in St. Louis (1944)

$506K worldwide

Highest rated

Meet Me in St. Louis (1944)

Midcredits 92^nd

How do Fred F. Finklehoffe's films land?

Their typical MovieCove film has a Midcredits score in the 70^th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 66^th percentile for acclaim.

Shape of the crowd

8 of their 13 titles are Crowd Pleasers.

84

• Universally Loved1
• Crowd Pleaser8
• Mixed4

Most divisive · writer

My Boys Are Good Boys (1979)

51^st percentile spread · 47% rated it 4 or lower

Most loved · writer

Meet Me in St. Louis (1944)

Midcredits 92^nd · 79% liked

Reviewers score the dialogue 51/100 and the plot and story 40/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Fred F. Finklehoffe work with?

People who share at least 2 of Fred F. Finklehoffe's MovieCove titles, grouped by what they did on them; Arthur Freed shares the most, 5.