Augusto Finocchi
- Writer
- 5 on MovieCove · 17 credits in all
What are Augusto Finocchi's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 0 · Serious 2 · Dark 3
Grounded 0 · Stylized 4 · Heightened 1
Gentle 0 · Charged 0 · Intense 5
Steady 0 · Shifting 4 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 3 · Funny 0
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 0 · Engaged 3 · Full focus 2
Easy watch 0 · Affecting 3 · Heavy 2
Resolved 3 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Augusto Finocchi's films?
As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Augusto Finocchi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 5 with a MovieCove page.
Emmanuelle on Taboo Island (not in the MovieCove catalog yet)(1976)
Who's Afraid of Zorro (not in the MovieCove catalog yet)(1975)
No, the Case Is Happily Resolved (not in the MovieCove catalog yet)(1973)
Deaf Smith & Johnny Ears (not in the MovieCove catalog yet)(1973)
Colt in the Hand of the Devil (not in the MovieCove catalog yet)(1973)
The Italian Connection(1972)
Midcredits score: 84th percentile of all films
Count Dracula(1970)
Midcredits score: 30th percentile of all films
Yellow: The Cousins (not in the MovieCove catalog yet)(1969)
In the Name of the Father (not in the MovieCove catalog yet)(1969)
Cry of Death (not in the MovieCove catalog yet)(1968)
Black Jack (not in the MovieCove catalog yet)(1968)
One Dollar Too Many (not in the MovieCove catalog yet)(1968)
Gunman Sent by God (not in the MovieCove catalog yet)(1968)
Sugar Colt (not in the MovieCove catalog yet)(1967)
Halleluja for Django(1967)
Midcredits score: 28th percentile of all films
Wanted(1967)
Midcredits score: 44th percentile of all films
Fort Yuma Gold(1966)
Midcredits score: 33rd percentile of all films
Career shape
A full career of 17 titles from 1966 to 1976.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Augusto Finocchi's films land?
Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 75th and up1
- 25th to 49th4
Shape of the crowd
None of their 5 titles divides audiences: 4 are Broadly Agreed.
- Crowd Pleaser1
- Broadly Agreed4
Reviewers score the plot and story 52/100 in their films, across 5 reviewed titles; fans 63, detractors 33. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Augusto Finocchi work with?
People who share at least 2 of Augusto Finocchi's MovieCove titles, grouped by what they did on them; Giorgio Ferroni shares the most, 2.
Directors
- Giorgio FerroniShared titles: Wanted (1967), Fort Yuma Gold (1966)See all 2 shared titles with Giorgio Ferroni
Writers
- Fernando Di LeoShared titles: The Italian Connection (1972), Wanted (1967)See all 2 shared titles with Fernando Di Leo
- Massimiliano CapriccioliShared titles: Wanted (1967), Fort Yuma Gold (1966)See all 2 shared titles with Massimiliano Capriccioli
- Remigio Del GrossoShared titles: Wanted (1967), Fort Yuma Gold (1966)See all 2 shared titles with Remigio Del Grosso
Actors
- Giuliano GemmaShared titles: Wanted (1967), Fort Yuma Gold (1966)See all 2 shared titles with Giuliano Gemma
- Nello PazzafiniShared titles: Wanted (1967), Fort Yuma Gold (1966)See all 2 shared titles with Nello Pazzafini
Composers and editors
- Antonietta ZitaShared titles: Wanted (1967), Fort Yuma Gold (1966)See all 2 shared titles with Antonietta Zita
- Gianni FerrioShared titles: Wanted (1967), Fort Yuma Gold (1966)See all 2 shared titles with Gianni Ferrio