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Remigio Del Grosso

Writer, also director · Died July 18, 1984, aged 72

Born
February 26, 1912
Died
July 18, 1984 (aged 72)
Works as
Writer, also director
Titles
9 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 7% in 30 days

What are Remigio Del Grosso's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
51%
Bonds
20%
Power
13%
Self
6%
Survival
6%
Society
3%
Ideas
2%
Justice4 titles, browse their movies with this themeSacrifice3 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this themeDuty2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 2 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 6 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 3 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 6 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 4 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 6 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 5 · Engaged 3 · Full focus 1

Easy watch: How much it costs you emotionally; whether you need recovery time. Browse their easy watch movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 5 · Heavy 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Absurd
3
Dread
3
Melancholic
2
Thrilling
2
Other
5

How their films linger

Fun5 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet2
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Remigio Del Grosso's films?

As of October 24, 2026, 4 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Remigio Del Grosso's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 9 with a MovieCove page.

  • A White Dress for Marialé (not in the MovieCove catalog yet)(1972)

    Writer

  • The Battle of El Alamein(1969)

    Screenplay

    Midcredits score: 20th percentile of all films

  • Gunman Sent by God (not in the MovieCove catalog yet)(1968)

    Screenplay

  • Lucky, el intrépido(1967)

    Screenplay

    Midcredits score: 28th percentile of all films

  • Wanted(1967)

    Screenplay

    Midcredits score: 44th percentile of all films

  • The Big Blackout (not in the MovieCove catalog yet)(1966)

    Screenplay

  • Fort Yuma Gold(1966)

    Screenplay

    Midcredits score: 33rd percentile of all films

  • Ypotron: Final Countdown (not in the MovieCove catalog yet)(1966)

    Writer

  • Secret Agent Super Dragon(1966)

    Screenplay

    Midcredits score: 1st percentile of all films

  • Espionage in Tangiers(1965)

    Screenplay

    Midcredits score: 9th percentile of all films

  • Suena el clarín (not in the MovieCove catalog yet)(1965)

    Screenplay

  • Thunder of Battle (not in the MovieCove catalog yet)(1964)

    Writer

  • The Lion of Thebes (not in the MovieCove catalog yet)(1964)

    Screenplay

  • Hero of Rome (not in the MovieCove catalog yet)(1964)

    Screenplay

  • The Conquest of Mycenae (not in the MovieCove catalog yet)(1963)

    Writer

  • The Red Sheik (not in the MovieCove catalog yet)(1962)

    Screenplay

  • The 300 Spartans(1962)

    Writer

    Midcredits score: 61st percentile of all films

  • Invasion 1700 (not in the MovieCove catalog yet)(1962)

    Writer

  • Tartar Invasion(1961)

    Director · Story · Writer

    Midcredits score: 8th percentile of all films (provisional, few ratings)

  • Journey Beneath the Desert (not in the MovieCove catalog yet)(1961)

    Screenplay

  • La moglie di mio marito (not in the MovieCove catalog yet)(1961)

    Writer

  • The Pharaohs' Woman (not in the MovieCove catalog yet)(1960)

    Writer

  • Mill of the Stone Women(1960)

    Writer

    Midcredits score: 61st percentile of all films

  • Oh! Sabella (not in the MovieCove catalog yet)(1957)

    Screenplay

  • Motivo in maschera (not in the MovieCove catalog yet)(1955)

    Writer

  • Neapolitan Carousel (not in the MovieCove catalog yet)(1954)

    Screenplay

  • The Thrill of the Skies (not in the MovieCove catalog yet)(1940)

    Assistant Director · Screenplay

Career shape

A full career of 27 titles from 1940 to 1972.

Biggest box office

The 300 Spartans (1962)

$11K worldwide

Highest rated

Mill of the Stone Women (1960)

Midcredits 61st

Most popular right now

The 300 Spartans (1962)

By role

only this rolewith another role
Directing1 of 27: 0 only directing, 1 with another roleWriting27 of 27: 25 only writing, 2 with another role · typical Midcredits score28thOther crew1 of 27: 0 only other crew, 1 with another role

By decade

1940s1 · crew1950s3 · crew1960s22 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Remigio Del Grosso's films land?

Their typical MovieCove film has a Midcredits score in the 28th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 9

Approval · how many liked their films

20thpercentile
Typical film, the median of 9

Reach · how many have seen their films

40thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 50th to 74th2
  • 25th to 49th3
  • Below 25th4

Shape of the crowd

4 of their 9 titles are Mixed.

  • Universally Panned1
  • Crowd Pleaser2
  • Broadly Agreed2
  • Mixed4

Most divisive · director, writer

Tartar Invasion (1961)

60th percentile spread · 50% rated it 4 or lower

Most loved · writer

Mill of the Stone Women (1960)

Midcredits 61st · 55% liked

Reviewers score the dialogue 35/100 and the plot and story 39/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Remigio Del Grosso work with?

People who share at least 2 of Remigio Del Grosso's MovieCove titles, grouped by what they did on them; Antonietta Zita shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles