
Mona Freeman
Actor · Died May 23, 2014, aged 87 · Baltimore, Maryland, USA
Monica Elizabeth "Mona" Freeman (June 9, 1926 – May 23, 2014) was an American actress and painter. A professional model while still in high school, Mona Freeman was signed to a movie contract by Howard Hughes, who then proceeded to sell her contract to Paramount. Starting out in typical juvenile parts, she developed into a very competent actress. As she worked her way out of the teenage ingénue role, however, she found that she had less success in adult roles, and instead of landing parts in "A" pictures she found herself relegated to "B" westerns and somewhat tawdry crime dramas. She basically retired from film work in the late 1950s, but worked steadily in television for quite some time after that.
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Biography from TMDB.
- June 10, 1926
- May 23, 2014 (aged 87)
- Baltimore, Maryland, USA
- Actor
- 26 on MovieCove · 56 credits in all
What are Mona Freeman's films like?
Across their 21 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 21
A split, not a type: Light 9 · Serious 6 · Dark 6
Grounded 11 · Stylized 10 · Heightened 0
Gentle 4 · Charged 12 · Intense 5
A split, not a type: Steady 11 · Shifting 10 · Whiplash 0
A split, not a type: Straight-faced 13 · Some laughs 4 · Funny 4
Slow burn 9 · Even-paced 12 · Relentless 0
Casual 14 · Engaged 7 · Full focus 0
Easy watch 7 · Affecting 8 · Heavy 6
Resolved 17 · Open-ended 4 · Ambiguous 0
Roles they play
Usually the Ally: 4 of 8 analyzed roles.
Show the 8 rolesHide the roles
- Tricksteras Miriam Wilkins in Dear Wife (1949)
- Allyas Ruth Lavery in Branded (1950)
- Allyas Caroline Desmond in Copper Canyon (1950)
- Allyas Faye Burton in I Was a Shoplifter (1950)
- Heroas Amy in Darling, How Could You! (1951)
- Heroas Miriam Wilkins in Dear Brat (1951)
- Allyas Mary Wilton in Angel Face (1952)
- Heraldas Anne Franklin McKenzie in Hold Back the Night (1956)
Moods and endings
- Happy11
- Bittersweet9
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mona Freeman's films?
As of October 24, 2026, 8 of their 26 MovieCove titles stream on a subscription or free service, most on Prime Video (3).
Subscription and free streaming for Mona Freeman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
56 credits, 26 with a MovieCove page; 2 appearances as themselves are hidden until asked for.
Midcredits score: 93rd percentile of all films
Branded (not in the MovieCove catalog yet)(1965)

The Two Worlds of Charlie Gordon (not in the MovieCove catalog yet)(1961)

Thriller (not in the MovieCove catalog yet)(1960)

The Tall Man (not in the MovieCove catalog yet)(1960)

The Chevy Mystery Show (not in the MovieCove catalog yet)(1960)

Johnny Ringo (not in the MovieCove catalog yet)(1959)

The DuPont Show with June Allyson (not in the MovieCove catalog yet)(1959)

Riverboat (not in the MovieCove catalog yet)(1959)

Wanted: Dead or Alive (not in the MovieCove catalog yet)(1958)

The World Was His Jury (not in the MovieCove catalog yet)(1958)

Maverick(1957)
Midcredits score: 86th percentile of all shows
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Dragoon Wells Massacre(1957)
Midcredits score: 46th percentile of all films
Three Men on a Horse (not in the MovieCove catalog yet)(1957)

Dick Powell's Zane Grey Theatre (not in the MovieCove catalog yet)(1956)

Huk!(1956)
Midcredits score: 19th percentile of all films
Hold Back the Night(1956)
Midcredits score: 46th percentile of all films
Dial 999 (not in the MovieCove catalog yet)(1955)

Matinee Theater (not in the MovieCove catalog yet)(1955)

The 20th Century Fox Hour (not in the MovieCove catalog yet)(1955)

The Road to Denver(1955)
Midcredits score: 54th percentile of all films
Before I Wake (not in the MovieCove catalog yet)(1955)

Battle Cry(1955)
Midcredits score: 59th percentile of all films
Climax! (not in the MovieCove catalog yet)(1954)

Studio 57 (not in the MovieCove catalog yet)(1954)

Angel Face(1952)
Midcredits score: 88th percentile of all films
Thunderbirds (not in the MovieCove catalog yet)(1952)

Flesh and Fury(1952)
Midcredits score: 67th percentile of all films
Jumping Jacks(1952)
Midcredits score: 54th percentile of all films
Midcredits score: 60th percentile of all films
Schlitz Playhouse of Stars (not in the MovieCove catalog yet)(1951)

The Re-Inforcer (not in the MovieCove catalog yet)(1951)

The Lady from Texas (not in the MovieCove catalog yet)(1951)

Darling, How Could You!(1951)
Midcredits score: 56th percentile of all films
Dear Brat(1951)
Midcredits score: 32nd percentile of all filmsA Spot In The Shade (not in the MovieCove catalog yet)(1951)

Copper Canyon(1950)
Midcredits score: 45th percentile of all films
Branded(1950)
Midcredits score: 70th percentile of all filmsLux Video Theatre (not in the MovieCove catalog yet)(1950)

I Was a Shoplifter(1950)
Midcredits score: 42nd percentile of all films
Dear Wife(1949)
Midcredits score: 63rd percentile of all films
The Heiress(1949)
Midcredits score: 98th percentile of all films
Streets of Laredo(1949)
Midcredits score: 66th percentile of all films
Isn't It Romantic(1948)
Midcredits score: 14th percentile of all films
Variety Girl(1947)
Midcredits score: 58th percentile of all films
Mother Wore Tights (not in the MovieCove catalog yet)(1947)

Dear Ruth (not in the MovieCove catalog yet)(1947)

That Brennan Girl(1946)
Midcredits score: 51st percentile of all films
Black Beauty(1946)
Midcredits score: 30th percentile of all films
Danger Signal (not in the MovieCove catalog yet)(1945)

Junior Miss (not in the MovieCove catalog yet)(1945)

Roughly Speaking (not in the MovieCove catalog yet)(1945)

Together Again (not in the MovieCove catalog yet)(1944)

Till We Meet Again(1944)
Midcredits score: 77th percentile of all films
Double Indemnity(1944)
Midcredits score: 99th percentile of all films
Career shape
Star power in the 88th percentile of 239,109 people with a billed film role, over a full career of 56 titles from 1944 to 1972.
Film career
- 1944Screen debut· Double Indemnity
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Mona Freeman's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 24; across their 21 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up7
- 50th to 74th11
- 25th to 49th6
- Below 25th2
Shape of the crowd
15 of their 26 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser15
- Broadly Agreed3
- Mixed5
Reviewers score the acting 66/100 in their films, across 21 reviewed titles; fans 75, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mona Freeman work with?
People who share at least 2 of Mona Freeman's MovieCove titles, grouped by what they did on them; Billy De Wolfe shares the most, 3.
Actors
- Billy De WolfeShared titles: Dear Brat (1951), Dear Wife (1949), Isn't It Romantic (1948)See all 3 shared titles with Billy De Wolfe

- James BellShared titles: Huk! (1956), Streets of Laredo (1949)See all 2 shared titles with James Bell

- John PayneShared titles: Hold Back the Night (1956), The Road to Denver (1955)See all 2 shared titles with John Payne

- Ray TealShared titles: Jumping Jacks (1952), Streets of Laredo (1949)See all 2 shared titles with Ray Teal

Composers, cinematographers and editors
- Alma MacrorieShared titles: Darling, How Could You! (1951), Dear Brat (1951), Branded (1950)See all 3 shared titles with Alma Macrorie
- Hans J. SalterShared titles: Hold Back the Night (1956), Flesh and Fury (1952)See all 2 shared titles with Hans J. Salter
- Daniel L. FappShared titles: Jumping Jacks (1952), Darling, How Could You! (1951)See all 2 shared titles with Daniel L. Fapp

- Dimitri TiomkinShared titles: Angel Face (1952), Black Beauty (1946)See all 2 shared titles with Dimitri Tiomkin

Producers
- Mel EpsteinShared titles: Dear Brat (1951), Branded (1950), Copper Canyon (1950)See all 3 shared titles with Mel Epstein
- Leonard GoldsteinShared titles: Flesh and Fury (1952), I Was a Shoplifter (1950)See all 2 shared titles with Leonard Goldstein




