Mario Gabrielli
- Producer
- 3 on MovieCove
What are Mario Gabrielli's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Ideas and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 0 · Dark 1
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 1 · Charged 2 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mario Gabrielli's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Mario Gabrielli's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Signé: Arsène Lupin(1959)
Midcredits score: 51st percentile of all films
Midcredits score: 54th percentile of all films
The Vanquished(1953)
Midcredits score: 60th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1953 to 1959.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Mario Gabrielli's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 50th to 74th3
Shape of the crowd
None of their 3 titles divides audiences: 2 are Broadly Agreed.
- Crowd Pleaser1
- Broadly Agreed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mario Gabrielli work with?
People who share at least 2 of Mario Gabrielli's MovieCove titles, grouped by what they did on them; Diego Fabbri shares the most, 2.
Writers
- Diego FabbriShared titles: Signé: Arsène Lupin (1959), The Vanquished (1953)See all 2 shared titles with Diego Fabbri
- Maurice LeblancShared titles: Signé: Arsène Lupin (1959), The Adventures of Arsène Lupin (1957)See all 2 shared titles with Maurice Leblanc
Actors
- Robert LamoureuxShared titles: Signé: Arsène Lupin (1959), The Adventures of Arsène Lupin (1957)See all 2 shared titles with Robert Lamoureux
Producers
- Alain PoiréShared titles: Signé: Arsène Lupin (1959), The Adventures of Arsène Lupin (1957)See all 2 shared titles with Alain Poiré
- François ChavaneShared titles: Signé: Arsène Lupin (1959), The Adventures of Arsène Lupin (1957)See all 2 shared titles with François Chavane
- Jean Le DucShared titles: Signé: Arsène Lupin (1959), The Adventures of Arsène Lupin (1957)See all 2 shared titles with Jean Le Duc
- Jules BorkonShared titles: Signé: Arsène Lupin (1959), The Adventures of Arsène Lupin (1957)See all 2 shared titles with Jules Borkon