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Jules Borkon

Producer

Works as
Producer
Titles
7 on MovieCove · 17 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 14% in 30 days

What are Jules Borkon's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy3 titlesTypical Midcredits score: 63rd percentile
: browse their Comedy movies
Drama3 titlesTypical Midcredits score: 81st percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
22%
Self
21%
Society
19%
Power
15%
Morality
12%
Ideas
12%
Family bonds2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 1 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 1 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 2 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 1 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 3 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
4
Melancholic
2
Thrilling
2
Contemplative
2
Warm
2
Other
6

How their films linger

Feel-good4 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jules Borkon's films?

As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Jules Borkon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 7 with a MovieCove page.

  • The Marriage Came Tumbling Down (not in the MovieCove catalog yet)(1968)

    Producer

  • Sweet Skin(1963)

    Producer

    Midcredits score: 50th percentile of all films

  • Chicken Feed for Little Birds (not in the MovieCove catalog yet)(1963)

    Production Manager

  • Spotlight on a Murderer (not in the MovieCove catalog yet)(1961)

    Producer

  • Eyes Without a Face(1960)

    Producer

    Midcredits score: 95th percentile of all films

  • Le dialogue des Carmélites(1960)

    Producer

    Midcredits score: 81st percentile of all films

  • Signé: Arsène Lupin(1959)

    Executive Producer

    Midcredits score: 51st percentile of all films

  • Blonde in a White Car (not in the MovieCove catalog yet)(1959)

    Producer

  • Ni vu, ni connu(1958)

    Producer

    Midcredits score: 81st percentile of all films

  • The Adventures of Arsène Lupin(1957)

    Delegated Producer

    Midcredits score: 54th percentile of all films

  • Crime and Punishment (not in the MovieCove catalog yet)(1956)

    Producer

  • Meeting in Paris (not in the MovieCove catalog yet)(1956)

    Producer

  • The Wicked Go to Hell (not in the MovieCove catalog yet)(1955)

    Producer

  • Papa, Mama, My Wife and Me (not in the MovieCove catalog yet)(1955)

    Executive Producer

  • Magic Village (not in the MovieCove catalog yet)(1955)

    Producer

  • Father, Mother, the Maid and I(1954)

    Executive Producer

    Midcredits score: 63rd percentile of all films

  • L'Incantevole nemica (not in the MovieCove catalog yet)(1953)

    Producer

Career shape

A full career of 16 titles from 1953 to 1968.

Biggest box office

Eyes Without a Face (1960)

$63K worldwide

Highest rated

Eyes Without a Face (1960)

Midcredits 95th

By role

only this rolewith another role
Producing15 of 16: 15 only producing, 0 with another role · typical Midcredits score59thOther crew1 of 16: 1 only other crew, 0 with another role

By decade

1950s11 · crew1960s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jules Borkon's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 7

Approval · how many liked their films

72ndpercentile
Typical film, the median of 7

Reach · how many have seen their films

39thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th4

Shape of the crowd

None of their 7 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Broadly Agreed2
  • Mixed1

Most loved · producer

Eyes Without a Face (1960)

Midcredits 95th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jules Borkon work with?

People who share at least 2 of Jules Borkon's MovieCove titles, grouped by what they did on them; Gilbert Natot shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers