Tom Galligan
- Cinematographer
- 7 on MovieCove · 24 credits in all
What are Tom Galligan's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 6
Light 5 · Serious 2 · Dark 0
Grounded 6 · Stylized 1 · Heightened 0
Gentle 3 · Charged 4 · Intense 0
A split, not a type: Steady 5 · Shifting 1 · Whiplash 1
Straight-faced 3 · Some laughs 4 · Funny 0
Slow burn 4 · Even-paced 3 · Relentless 0
Casual 6 · Engaged 1 · Full focus 0
Easy watch 6 · Affecting 1 · Heavy 0
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tom Galligan's films?
As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Tom Galligan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 7 with a MovieCove page.
Desert Command (not in the MovieCove catalog yet)(1946)
Child Bride (not in the MovieCove catalog yet)(1938)
King of the Sierras(1938)
Midcredits score: 7th percentile of all films (provisional, few ratings)
Trailing Trouble (not in the MovieCove catalog yet)(1937)
Boots of Destiny (not in the MovieCove catalog yet)(1937)
Take the Stand (not in the MovieCove catalog yet)(1934)
When Strangers Meet (not in the MovieCove catalog yet)(1934)
Picture Brides (not in the MovieCove catalog yet)(1934)
The Pecos Dandy (not in the MovieCove catalog yet)(1934)
The Wolf Dog (not in the MovieCove catalog yet)(1933)
One Year Later (not in the MovieCove catalog yet)(1933)
A Shriek in the Night(1933)
Midcredits score: 18th percentile of all films
The Dude Bandit(1933)
Midcredits score: 15th percentile of all films
The Eleventh Commandment (not in the MovieCove catalog yet)(1933)
The Intruder (not in the MovieCove catalog yet)(1933)
The Iron Master (not in the MovieCove catalog yet)(1933)
File 113 (not in the MovieCove catalog yet)(1933)
The Three Musketeers(1933)
Midcredits score: 26th percentile of all films
The Thirteenth Guest (not in the MovieCove catalog yet)(1932)
The Stoker (not in the MovieCove catalog yet)(1932)
Unholy Love(1932)
Midcredits score: 9th percentile of all films
Vanity Fair(1932)
Midcredits score: 23rd percentile of all films
A Parisian Romance(1932)
Midcredits score: 18th percentile of all films (provisional, few ratings)
The Galloping Ghost (not in the MovieCove catalog yet)(1931)
Career shape
A full career of 21 titles from 1931 to 1946.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Tom Galligan's films land?
Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 24th percentile for acclaim.
- 25th to 49th1
- Below 25th6
Shape of the crowd
6 of their 7 titles are Mixed.
- Broadly Agreed1
- Mixed6
Reviewers score the cinematography 47/100 in their films, across 4 reviewed titles; fans 58, detractors 31. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tom Galligan work with?
People who share at least 2 of Tom Galligan's MovieCove titles, grouped by what they did on them; Harry Neumann shares the most, 5.
Directors
- Albert RayShared titles: A Shriek in the Night (1933), Unholy Love (1932)See all 2 shared titles with Albert Ray
- Chester M. FranklinShared titles: A Parisian Romance (1932), Vanity Fair (1932)See all 2 shared titles with Chester M. Franklin
Writers
- Frances HylandShared titles: A Shriek in the Night (1933), Unholy Love (1932)See all 2 shared titles with Frances Hyland
- F. Hugh HerbertShared titles: A Parisian Romance (1932), Vanity Fair (1932)See all 2 shared titles with F. Hugh Herbert
Actors
- Gordon De MainShared titles: The Dude Bandit (1933), The Three Musketeers (1933)See all 2 shared titles with Gordon De Main
- Hooper AtchleyShared titles: The Dude Bandit (1933), The Three Musketeers (1933)See all 2 shared titles with Hooper Atchley
- Lyle TalbotShared titles: A Shriek in the Night (1933), Unholy Love (1932)See all 2 shared titles with Lyle Talbot
- Joyce ComptonShared titles: A Parisian Romance (1932), Unholy Love (1932)See all 2 shared titles with Joyce Compton
Cinematographers and editors
- Harry NeumannShared titles: A Shriek in the Night (1933), The Dude Bandit (1933), A Parisian Romance (1932), Unholy Love (1932), Vanity Fair (1932)See all 5 shared titles with Harry Neumann
- Mildred JohnstonShared titles: The Dude Bandit (1933), A Parisian Romance (1932), Vanity Fair (1932)See all 3 shared titles with Mildred Johnston
- Leete Renick BrownShared titles: A Shriek in the Night (1933), Unholy Love (1932)See all 2 shared titles with Leete Renick Brown
Producers
- M.H. HoffmanShared titles: King of the Sierras (1938), The Dude Bandit (1933), Unholy Love (1932), Vanity Fair (1932)See all 4 shared titles with M.H. Hoffman
- M.H. Hoffman Jr.Shared titles: King of the Sierras (1938), A Shriek in the Night (1933), A Parisian Romance (1932), Unholy Love (1932)See all 4 shared titles with M.H. Hoffman Jr.