
Frances Hyland
Writer · Born January 1, 1904 (122) · Stuttgart, Arkansas, USA
American screenwriter.
Biography from TMDB.
- January 1, 1904 (122)
- Stuttgart, Arkansas, USA
- Writer
- 8 on MovieCove · 52 credits in all
What are Frances Hyland's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 5 · Serious 2 · Dark 1
Grounded 4 · Stylized 4 · Heightened 0
A split, not a type: Gentle 4 · Charged 3 · Intense 1
Steady 7 · Shifting 1 · Whiplash 0
Straight-faced 4 · Some laughs 4 · Funny 0
A split, not a type: Slow burn 5 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 2 · Full focus 1
Easy watch 6 · Affecting 1 · Heavy 1
Resolved 8 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet2
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Frances Hyland's films?
As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Frances Hyland's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
52 credits, 8 with a MovieCove page.

Cattle Ranch (not in the MovieCove catalog yet)(1961)

That's My Gal (not in the MovieCove catalog yet)(1947)

In Old Sacramento (not in the MovieCove catalog yet)(1946)

Murder in the Music Hall (not in the MovieCove catalog yet)(1946)

The Cheaters(1945)
Midcredits score: 71st percentile of all films
Someone to Remember (not in the MovieCove catalog yet)(1943)

Hit Parade of 1943 (not in the MovieCove catalog yet)(1943)

In Old California(1942)
Midcredits score: 50th percentile of all films
You're Telling Me (not in the MovieCove catalog yet)(1942)

The Girl from Avenue A (not in the MovieCove catalog yet)(1940)

Free, Blonde and 21 (not in the MovieCove catalog yet)(1940)

The Cisco Kid and the Lady (not in the MovieCove catalog yet)(1939)

Charlie Chan in Reno(1939)
Midcredits score: 82nd percentile of all films
Winner Take All (not in the MovieCove catalog yet)(1939)

Everybody's Baby (not in the MovieCove catalog yet)(1939)

The Arizona Wildcat (not in the MovieCove catalog yet)(1939)

While New York Sleeps (not in the MovieCove catalog yet)(1938)

Keep Smiling (not in the MovieCove catalog yet)(1938)

Island in the Sky (not in the MovieCove catalog yet)(1938)

Change of Heart (not in the MovieCove catalog yet)(1938)

City Girl (not in the MovieCove catalog yet)(1938)

45 Fathers (not in the MovieCove catalog yet)(1937)

Step Lively, Jeeves! (not in the MovieCove catalog yet)(1937)

Under Your Spell (not in the MovieCove catalog yet)(1936)

Star for a Night (not in the MovieCove catalog yet)(1936)

The Crime of Dr. Forbes (not in the MovieCove catalog yet)(1936)

My Marriage(1936)
Midcredits score: 15th percentile of all films (provisional, few ratings)
Smart Girl (not in the MovieCove catalog yet)(1935)

Money Means Nothing (not in the MovieCove catalog yet)(1934)

A Woman's Man(1934)
Midcredits score: 17th percentile of all films (provisional, few ratings)
The Sin of Nora Moran(1933)
Midcredits score: 69th percentile of all films
A Shriek in the Night(1933)
Midcredits score: 18th percentile of all films
The Intruder (not in the MovieCove catalog yet)(1933)

Officer Thirteen (not in the MovieCove catalog yet)(1932)

Guilty or Not Guilty (not in the MovieCove catalog yet)(1932)

The Thirteenth Guest (not in the MovieCove catalog yet)(1932)

Unholy Love(1932)
Midcredits score: 9th percentile of all filmsThe Door Knocker (not in the MovieCove catalog yet)(1931)

Morals for Women (not in the MovieCove catalog yet)(1931)

The Single Sin (not in the MovieCove catalog yet)(1931)

The Third Alarm (not in the MovieCove catalog yet)(1930)

Extravagance (not in the MovieCove catalog yet)(1930)

Kathleen Mavourneen (not in the MovieCove catalog yet)(1930)

Peacock Alley (not in the MovieCove catalog yet)(1930)

The Lost Zeppelin (not in the MovieCove catalog yet)(1929)
Two Men and a Maid (not in the MovieCove catalog yet)(1929)
The Voice Within (not in the MovieCove catalog yet)(1929)

My Lady's Past (not in the MovieCove catalog yet)(1929)

Marriage by Contract (not in the MovieCove catalog yet)(1928)

The Power of Silence (not in the MovieCove catalog yet)(1928)
The House of Scandal (not in the MovieCove catalog yet)(1928)

Women's Wares (not in the MovieCove catalog yet)(1927)
Career shape
A full career of 51 titles from 1927 to 1961.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Frances Hyland's films land?
Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- Below 25th4
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed2
- Mixed2
Reviewers score the dialogue 58/100 and the plot and story 51/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Frances Hyland work with?
People who share at least 2 of Frances Hyland's MovieCove titles, grouped by what they did on them; Albert Ray shares the most, 4.
Directors
- Albert RayShared titles: The Cheaters (1945), Charlie Chan in Reno (1939), A Shriek in the Night (1933), Unholy Love (1932)See all 4 shared titles with Albert Ray

Actors
- Beryl MercerShared titles: My Marriage (1936), Unholy Love (1932)See all 2 shared titles with Beryl Mercer

- Harvey ClarkShared titles: A Shriek in the Night (1933), The Sin of Nora Moran (1933)See all 2 shared titles with Harvey Clark

- Lyle TalbotShared titles: A Shriek in the Night (1933), Unholy Love (1932)See all 2 shared titles with Lyle Talbot

Cinematographers and editors
- Harry NeumannShared titles: A Shriek in the Night (1933), Unholy Love (1932)See all 2 shared titles with Harry Neumann
- Leete Renick BrownShared titles: A Shriek in the Night (1933), Unholy Love (1932)See all 2 shared titles with Leete Renick Brown
- Tom GalliganShared titles: A Shriek in the Night (1933), Unholy Love (1932)See all 2 shared titles with Tom Galligan
Producers
- M.H. Hoffman Jr.Shared titles: A Shriek in the Night (1933), Unholy Love (1932)See all 2 shared titles with M.H. Hoffman Jr.

