
Mauricio Garcés
Actor · Died February 27, 1989, aged 62 · Tampico, Tamaulipas, Mexico
Mauricio Féres Yázbek (December 16th, 1926 – February 27th, 1989), better known as Mauricio Garcés, was a Mexican actor. Garcés, of Lebanese descent, was born in the Mexican port of Tampico, Tamaulipas. With the support of his uncle, the producer Jose Yázbek, he was included in the production of La muerte enamorada (1950) a comedy starring Miroslava and Fernando Fernandez. From that film, Mauricio adopted the artistic last name "Garcés" believing the letter "G" would bring good luck and turn him into a star at the level of his idols Clark Gable, Gary Cooper and Cary Grant. His famous image as elegant, worldly, and gallant arose thanks to the vision from the producer Angelica Ortiz, mother of the actress Angélica María, who hired Mauricio to star in Don Juan 67 (1966), the first of a series of films in which he played his alter-ego "Mauricio Galán": El matrimonio es como el demonio (Marriage is like the devil) (1967), Click, fotógrafo de modelos (Click, photographer of models) (1968), El criado malcriado (The bad servant) (1968), Departamento de soltero (Bachelor's Apartment) (1969), Fray Don Juan (1969) and Modisto de señoras (Ladies' Fashion Designer) (1969) are some of the most popular films of the extensive filmography of the "zorro plateado" (The Silver Fox).
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Biography from TMDB.
- December 16, 1926
- February 27, 1989 (aged 62)
- Tampico, Tamaulipas, Mexico
- Actor
- 9 on MovieCove · 64 credits in all
What are Mauricio Garcés' films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 6
Light 9 · Serious 0 · Dark 0
Grounded 8 · Stylized 1 · Heightened 0
Gentle 8 · Charged 1 · Intense 0
Steady 9 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 7
Slow burn 3 · Even-paced 6 · Relentless 0
Casual 8 · Engaged 1 · Full focus 0
Easy watch 8 · Affecting 1 · Heavy 0
Resolved 9 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Hero: 5 of 10 analyzed roles.
Show the 10 rolesHide the roles
- Tricksteras Pablo in Los resbalosos (1960)
- Heroas Mauricio Galán in Don Juan 67 (1967)
- Tricksteras Felipe in Despedida de casada (1968)
- Heroas Raúl Álvarez in El matrimonio es como el demonio (1969)
- Shapeshifteras Sebastian in Las fieras (1969)
- Heroas Mario in Espérame en Siberia, vida mía (1971)
- Heroas Roberto in El sinvergüenza (1971)
- Heroas Enrique Nareau in Vidita negra (1973)
- Tricksteras ? in No tiene la culpa el Indio (1978)
- Shadowas ? in No tiene la culpa el Indio (1978)
Moods and endings
- Happy5
- Bittersweet1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mauricio Garcés' films?
As of October 24, 2026, 4 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Mauricio Garcés' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
64 credits, 9 with a MovieCove page.

El sátiro (not in the MovieCove catalog yet)(1981)
Midcredits score: 78th percentile of all films (provisional, few ratings)
Casa de citas (not in the MovieCove catalog yet)(1978)

Vidita negra(1973)
Midcredits score: 55th percentile of all films (provisional, few ratings)
Las tres perfectas casadas (not in the MovieCove catalog yet)(1973)

La otra mujer (not in the MovieCove catalog yet)(1972)

Todos los pecados del mundo (not in the MovieCove catalog yet)(1972)

El sinvergüenza(1971)
Midcredits score: 53rd percentile of all films (provisional, few ratings)
Midcredits score: 74th percentile of all films (provisional, few ratings)
Departamento de soltero (not in the MovieCove catalog yet)(1971)

Tápame contigo (not in the MovieCove catalog yet)(1970)

El dinero tiene miedo (not in the MovieCove catalog yet)(1970)

El cuerpazo del delito (not in the MovieCove catalog yet)(1970)

Friar Juan (not in the MovieCove catalog yet)(1970)

Click, fotógrafo de modelos (not in the MovieCove catalog yet)(1970)

The Spoilt Servant (not in the MovieCove catalog yet)(1969)

Modisto de Señoras (not in the MovieCove catalog yet)(1969)

24 horas de placer (not in the MovieCove catalog yet)(1969)

Las fieras(1969)
Midcredits score: 70th percentile of all films (provisional, few ratings)
El Amor y Esas Cosas (not in the MovieCove catalog yet)(1969)

Un nuevo modo de amar (not in the MovieCove catalog yet)(1968)

El día de la boda (not in the MovieCove catalog yet)(1968)

La Cama (not in the MovieCove catalog yet)(1968)

Despedida de casada(1968)
Midcredits score: 36th percentile of all films (provisional, few ratings)
Bromas, S.A (not in the MovieCove catalog yet)(1967)

Mujeres, mujeres, mujeres (not in the MovieCove catalog yet)(1967)

Don Juan 67(1967)
Midcredits score: 75th percentile of all films (provisional, few ratings)
Midcredits score: 70th percentile of all films (provisional, few ratings)
Lanza tus penas al viento (not in the MovieCove catalog yet)(1966)

Cuernavaca in Spring (not in the MovieCove catalog yet)(1966)

Sólo para tí (not in the MovieCove catalog yet)(1966)

Perdóname mi vida (not in the MovieCove catalog yet)(1965)
Napoleoncito (not in the MovieCove catalog yet)(1964)

México de mi corazón (not in the MovieCove catalog yet)(1964)

De color moreno (not in the MovieCove catalog yet)(1963)

The Living Head (not in the MovieCove catalog yet)(1963)

The Brainiac (not in the MovieCove catalog yet)(1962)

Lástima de ropa (not in the MovieCove catalog yet)(1962)

Estoy casado, ja, ja (not in the MovieCove catalog yet)(1962)

¿Dónde estás, corazón? (not in the MovieCove catalog yet)(1961)

The World of the Vampires (not in the MovieCove catalog yet)(1961)

El Bronco Reynosa (not in the MovieCove catalog yet)(1961)

Amorcito corazón (not in the MovieCove catalog yet)(1961)

Mujeres engañadas (not in the MovieCove catalog yet)(1961)

The Black Horseman (not in the MovieCove catalog yet)(1961)

Venganza Apache (not in the MovieCove catalog yet)(1960)

The Crying Woman (not in the MovieCove catalog yet)(1960)

Los resbalosos(1960)
Midcredits score: 7th percentile of all films (provisional, few ratings)
Los fanfarrones (not in the MovieCove catalog yet)(1960)
El renegado blanco (not in the MovieCove catalog yet)(1960)

La estrella vacía (not in the MovieCove catalog yet)(1960)

Una bala es mi testigo (not in the MovieCove catalog yet)(1960)

Los hermanos Diablo (not in the MovieCove catalog yet)(1959)
El joven del carrito (not in the MovieCove catalog yet)(1959)

Mientras el cuerpo aguante (not in the MovieCove catalog yet)(1958)

Gutierritos (not in the MovieCove catalog yet)(1958)

This Was Pancho Villa: Third chapter (not in the MovieCove catalog yet)(1958)

Préstame tu cuerpo (not in the MovieCove catalog yet)(1958)

Comedians of the League (not in the MovieCove catalog yet)(1957)

Cuando tú me quieras (not in the MovieCove catalog yet)(1951)

For Loving a Woman (not in the MovieCove catalog yet)(1951)

El señor gobernador (not in the MovieCove catalog yet)(1951)

Death in Love (not in the MovieCove catalog yet)(1951)

Radio Patrulla (not in the MovieCove catalog yet)(1951)
Career shape
Star power in the 74th percentile of 239,109 people with a billed film role, over a full career of 64 titles from 1951 to 1981; peak year 1971.
Film career
Peak 1971 · their film career is on the way up. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1962Screen debut· The Brainiac
- 1971First top-billed film· Departamento de soltero
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Mauricio Garcés' films land?
Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th1
- Below 25th1
Shape of the crowd
7 of their 9 titles are Mixed.
- Cult Classic1
- Crowd Pleaser1
- Mixed7
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mauricio Garcés work with?
People who share at least 2 of Mauricio Garcés' MovieCove titles, grouped by what they did on them; René Cardona Jr. shares the most, 3.
Directors
- René Cardona Jr.Shared titles: Espérame en Siberia, vida mía (1971), El matrimonio es como el demonio (1969), Las fieras (1969)See all 3 shared titles with René Cardona Jr.

- Miguel M. DelgadoShared titles: No tiene la culpa el Indio (1978), Los resbalosos (1960)See all 2 shared titles with Miguel M. Delgado

Writers
- Mario A. ZacaríasShared titles: Vidita negra (1973), El matrimonio es como el demonio (1969), Las fieras (1969)See all 3 shared titles with Mario A. Zacarías
- Alfredo VarelaShared titles: El sinvergüenza (1971), Los resbalosos (1960)See all 2 shared titles with Alfredo Varela

- Fernando GalianaShared titles: Despedida de casada (1968), Don Juan 67 (1967)See all 2 shared titles with Fernando Galiana

Actors
- Antonio BadúShared titles: El matrimonio es como el demonio (1969), Las fieras (1969), Los resbalosos (1960)See all 3 shared titles with Antonio Badú

- Maura MontiShared titles: El matrimonio es como el demonio (1969), Despedida de casada (1968), Don Juan 67 (1967)See all 3 shared titles with Maura Monti

- Víctor AlcocerShared titles: No tiene la culpa el Indio (1978), El sinvergüenza (1971)See all 2 shared titles with Víctor Alcocer

- Rafael BanquellsShared titles: Vidita negra (1973), El sinvergüenza (1971)See all 2 shared titles with Rafael Banquells

Composers, cinematographers and editors
- Alfredo Rosas PriegoShared titles: El matrimonio es como el demonio (1969), Las fieras (1969), Despedida de casada (1968)See all 3 shared titles with Alfredo Rosas Priego
- Sergio GuerreroShared titles: El matrimonio es como el demonio (1969), Las fieras (1969), Don Juan 67 (1967)See all 3 shared titles with Sergio Guerrero
- Gloria SchoemannShared titles: Vidita negra (1973), Espérame en Siberia, vida mía (1971)See all 2 shared titles with Gloria Schoemann

- Raúl Martínez SolaresShared titles: El matrimonio es como el demonio (1969), Don Juan 67 (1967)See all 2 shared titles with Raúl Martínez Solares
