
Maura Monti
Actor · Born August 11, 1942 (84) · Genova, Italy
Born on July 28, 1942 in Milan, Lombardy, Italy. She is an actress, known for María Isabel (1968), Su excelencia (1967) and The Batwoman (1968).
Biography from TMDB.
- August 11, 1942 (84)
- Genova, Italy
- Actor
- 10 on MovieCove · 34 credits in all
What are Maura Monti's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 3 · Earnest 5
Light 8 · Serious 2 · Dark 0
Grounded 7 · Stylized 2 · Heightened 1
Gentle 7 · Charged 3 · Intense 0
Steady 8 · Shifting 1 · Whiplash 1
Straight-faced 2 · Some laughs 4 · Funny 4
Slow burn 3 · Even-paced 7 · Relentless 0
Casual 10 · Engaged 0 · Full focus 0
Easy watch 8 · Affecting 2 · Heavy 0
Resolved 10 · Open-ended 0 · Ambiguous 0
Roles they play
- Heroas Gloria / Batwoman in The Bat Woman (1968)
- Allyas Dr. Isabel Reed in The Incredible Invasion (1971)
Moods and endings
- Happy7
- Bittersweet2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Maura Monti's films?
As of October 24, 2026, 3 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Maura Monti's titles on MovieCove; rent and buy are not counted.
Filmography
34 credits, 10 with a MovieCove page.

La Lucha Invade el Cine Mexicano (not in the MovieCove catalog yet)(2024)

The Incredible Invasion(1971)
Midcredits score: 1st percentile of all films
Las tres magnificas (not in the MovieCove catalog yet)(1970)

El despertar del lobo(1970)
Midcredits score: 49th percentile of all films (provisional, few ratings)
Cazadores de espías (not in the MovieCove catalog yet)(1969)
La casa de las muchachas (not in the MovieCove catalog yet)(1969)

Con licencia para matar (not in the MovieCove catalog yet)(1969)

The Vampire Girls (not in the MovieCove catalog yet)(1969)

Minifaldas con espuelas (not in the MovieCove catalog yet)(1969)

Dangerous Dolls (not in the MovieCove catalog yet)(1969)

Veinticuatro horas de vida (not in the MovieCove catalog yet)(1969)

Passport to Death (not in the MovieCove catalog yet)(1968)

The Psychedelic Girls (not in the MovieCove catalog yet)(1968)

Me casé con un cura (not in the MovieCove catalog yet)(1968)

El día de la boda (not in the MovieCove catalog yet)(1968)
Los amores de Juan Charrasqueado (not in the MovieCove catalog yet)(1968)

Blue Demon: Destructor of Spies (not in the MovieCove catalog yet)(1968)

The Treasure of Moctezuma (not in the MovieCove catalog yet)(1968)

Despedida de casada(1968)
Midcredits score: 36th percentile of all films (provisional, few ratings)
The Bat Woman(1968)
Midcredits score: 14th percentile of all films
Báñame mi amor (not in the MovieCove catalog yet)(1968)

Don Juan 67(1967)
Midcredits score: 75th percentile of all films (provisional, few ratings)
Santo vs. the Martian Invasion (not in the MovieCove catalog yet)(1967)

La muerte en bikini (not in the MovieCove catalog yet)(1967)

Su excelencia(1967)
Midcredits score: 85th percentile of all films
Maria Isabel(1968)
Midcredits score: 82nd percentile of all films
Midcredits score: 70th percentile of all films (provisional, few ratings)
S.O.S. Operation Bikini(1967)
Midcredits score: 18th percentile of all films
Un Latin lover en Acapulco (not in the MovieCove catalog yet)(1967)

Rage (not in the MovieCove catalog yet)(1966)

Planet of the Female Invaders (not in the MovieCove catalog yet)(1966)
Hombres de roca (not in the MovieCove catalog yet)(1966)

El proceso de Cristo (not in the MovieCove catalog yet)(1966)

Cucurrucucú Paloma(1965)
Midcredits score: 49th percentile of all films (provisional, few ratings)
Career shape
Star power in the 79th percentile of 239,109 people with a billed film role, over a full career of 34 titles from 1965 to 2024; peak year 1967.

Biggest box office
The Bat Woman (1968)

Highest rated
Su excelencia (1967)

Most popular right now
Don Juan 67 (1967)
Film career
Peak 1967 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1967Screen debut· María Isabel
- 1968First top-billed film· The Bat Woman
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Maura Monti's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th3
- Below 25th3
Shape of the crowd
5 of their 10 titles are Mixed.
- Universally Panned1
- Cult Classic1
- Crowd Pleaser3
- Mixed5
Reviewers score the acting 53/100 in their films, across 3 reviewed titles; fans 65, detractors 33. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Maura Monti work with?
People who share at least 2 of Maura Monti's MovieCove titles, grouped by what they did on them; Alfredo Rosas Priego shares the most, 5.
Directors
- René Cardona Jr.Shared titles: El despertar del lobo (1970), El matrimonio es como el demonio (1969), S.O.S. Operation Bikini (1967)See all 3 shared titles with René Cardona Jr.

- Miguel M. DelgadoShared titles: Su excelencia (1967), Cucurrucucú Paloma (1965)See all 2 shared titles with Miguel M. Delgado

Writers
- Mario A. ZacaríasShared titles: El despertar del lobo (1970), El matrimonio es como el demonio (1969)See all 2 shared titles with Mario A. Zacarías
- Alfredo SalazarShared titles: The Bat Woman (1968), Cucurrucucú Paloma (1965)See all 2 shared titles with Alfredo Salazar
- Fernando GalianaShared titles: Despedida de casada (1968), Don Juan 67 (1967)See all 2 shared titles with Fernando Galiana

Actors
- Mauricio GarcésShared titles: El matrimonio es como el demonio (1969), Despedida de casada (1968), Don Juan 67 (1967)See all 3 shared titles with Mauricio Garcés

- Roberto CañedoShared titles: Maria Isabel (1968), The Bat Woman (1968), S.O.S. Operation Bikini (1967)See all 3 shared titles with Roberto Cañedo

- Silvia PinalShared titles: El despertar del lobo (1970), Maria Isabel (1968)See all 2 shared titles with Silvia Pinal

- Evangelina ElizondoShared titles: El matrimonio es como el demonio (1969), Don Juan 67 (1967)See all 2 shared titles with Evangelina Elizondo

Composers, cinematographers and editors
- Alfredo Rosas PriegoShared titles: El despertar del lobo (1970), El matrimonio es como el demonio (1969), Despedida de casada (1968), S.O.S. Operation Bikini (1967), Cucurrucucú Paloma (1965)See all 5 shared titles with Alfredo Rosas Priego
- Sergio GuerreroShared titles: El despertar del lobo (1970), El matrimonio es como el demonio (1969), Maria Isabel (1968), Don Juan 67 (1967), Su excelencia (1967)See all 5 shared titles with Sergio Guerrero
- Rosalío SolanoShared titles: El despertar del lobo (1970), Maria Isabel (1968), Su excelencia (1967)See all 3 shared titles with Rosalío Solano

- Raúl Martínez SolaresShared titles: El matrimonio es como el demonio (1969), Don Juan 67 (1967)See all 2 shared titles with Raúl Martínez Solares

Mixed roles
- René CardonaShared titles: El matrimonio es como el demonio (1969), The Bat Woman (1968)See all 2 shared titles with René Cardona
